| | Jim Yoshii Pile-Up Homemade Drugs CD Jim Yoshii Pile-Up Discography of CDs
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2nd Rel;Indie Rock From Oaklan
The Jim Yoshii Pile-Up: Paul Gonzenbach (vocals, guitar); Ian Connelly, Noah Blumberg (guitar); Frankie Koeller (bass); Ryan Craven (drums); Sikwaya Condon (spiritual guidance).
Recorded between December 2001 and February 2002.
Personnel: Ian Connelly, Noah Blumberg (guitar); Ryan Craven (drums).
Recording information: Fifteenth Street Studio (12/2001-02/2002); Tiny Telephone (12/2001-02/2002).
Photographer: Adam Connelly.
Oakland, CA's the Jim Yoshii Pile Up returned in late 2002 with the follow-up to 2001's It's Winter Here. The year between releases included personnel changes and turmoil within the quintet. Yet the band's rich, textured sound remains, highlighted by Paul Gonzenbach's tender, understated tenor. Guitarist Sikwaya Condon was replaced by Noah Blumberg for the band's sophomore effort. The group's steady maturation is immediately evident on the opening two tracks, "In Focus" and "Distance." With shorter songs and fewer extended instrumentals, the band continued to tweak its sound, as it has since its inception in 1997. The drum-machine beats lead the way on the lush "Haunted Rooms" and "A Deep Deep Lake" shines on the strength of the song's graceful guitar fuzz. On "Double Negative," the band starts off rather low-key before building a frantic guitar attack near the song's end. The disc ends with the serene urgency of "Lines Drawn." The disc was recorded with Scott Solter at Tiny Telephone and Fifteenth Street studios from December 2001 until February 2002. Absolutely Kosher Records released the disc in October 2002. ~ Stephen Cramer
Jim Yoshii Pile-Up Homemade Drugs Songs Homemade Drugs Review
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Live Recording
Fu Manchu includes: Scott Hill (vocals, guitar); Bob Balch (guitar); Brad Davis (bass); Brant Bjork (drums).
Recorded at Sound City, Van Nuys, California and Aftermath Studios, Los Angeles, California.
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Audio Mixer: Matt Hyde .
Recording information: ...
| | Sham 69 Live And Loud CD (2008) Import
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26 tasty best of live tracks crammed onto this CD from these two heavyweights of the punk and Oi! scene.
2 LPs on 1 CD: Sham 69's LIVE AND LOUD and 999's LIVE AND LOUD.
Contains 26 tracks.
This is an Enhanced CD, which contains both multimedia computer files and regular audio tracks.
Sham 69 includes: Jimmy Pursey (vocals); Dave Parsons (guitar).
Compilation producers: Steve Hammonds, Antony Amos.
Recorded between 1978 & 1981. Includes liner notes by Shane Baldwin.
All tracks have been digitally remastered.
Recorded at CBGB's, New York, New York in 1991.
Sham 69 really did draw the short stick when the fates were handing out punk honors. Armed with one of the most charismatic frontmen of the era, fueled by some of the most phenomenal 45s of the age, and packing the most relentless energy you could hope to hear, Sham 69 also boasted one of the most partisan audiences around -- and that's "partisan" in the sense of insurgent warriors. Every show was ...
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The ability to successfully absorb external influences and at the same time retain one's own unique cultural identity has been a feature of Indian music history. Violin has played an active role in Indian music culture since the eighteenth century. Until N.Rajam first burst onto the music scene in the 1960's, it was employed mostly as an accompanying instrument, played in ensembles and orchestras or providing instrumental support for singers. She was responsible for introducing the vocal style, known as 'Gayaki ang' into the violin repertoire. Since then, this style of playing has become a great favourite with Indian classical music audiences.Dr.N.Rajam hails from a family, which boasts generations of great violin players, her brother; T N Krishnan is a well-known South Indian violinist. Her technique was inherited from her father Sr. Narayana Iyer, who encouraged his daughter to absorb influences of vocal music and the ancient string instrument the 'Veena' into her playing.Later, her yearning for self-development took her to the holy city of Benares, on the banks of the River Ganges, where she embarked on fifteen years of rigorous musical training under the guidance of legendary singer Omkarnath Thakur. As a devoted disciple, N.Rajam served out an invaluable apprenticeship, regularly accompanying her teacher on stage, echoing all of his subtle vocal nuances. Her guru encouraged her to approach music with utmost tenderness, love and humility; virtues which have characterised Rajam's playing for the last thirty years. Those who were lucky enough to have experienced the performances of Omkarnath Thakur speak of music of a high emotional intensity.She ...
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