| | Napalm Death Order Of The Leech CD Napalm Death Discography of CDs
 (2 Customer Reviews)
The old dog might not have learned any new tricks, but that doesn't mean that it can't improve on what it already figured out. When Napalm Death started, it was one of the fastest guns in the west, whereas the intermediate era of the group ushered in slower tempos but higher levels of intensity. Order of the Leech eschews the relative experimentation of the preceding Enemy of the Music Business, and instead it artfully combines the reckless alacrity of the band's youth with the lessons in extremities it mastered with age into a record that's the best of both worlds -- blazingly fast, yet chock-full of interesting ideas. Danny Herrera has to be considered one of the best drummers the genre's produced, as his performance here is nothing short of Dave Lombardo-esque in its power; meanwhile, Barney Greenway's vocals are overpowering as he returns to the band's roots of biting political and social commentary throughout the record, which shifts into fifth gear right out of the box with "Continuing War on Stupidity" and doesn't slow down for a second. ~ Brian O'Neill
Recording information: Chappel Studios; Parkgate.CMJ (11/11/01, p.26) - "...If ORDER OF THE LEECH isn't a headbanger's delight, than nothing is..." Order Of The Leech Music Review Average Rating: (5 out of 5 stars)  buy it now
I listen to napalm death since i was fourteen, and i still like them, not all their albums are perfect, but this is one is one of their finest, buy it now without second thought, hail napalm death
Submitted by Dimitris (Athens, Greece)
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In 2000, Napalm Death came back hard with "Enemy of the Music Business" -- a definitive answer to anyone who might have thought they were getting soft on us. Now, with "Order of the Leech", they've unleashed even more raging, furious grind upon us... and I couldn't be happier. I honestly thought it couldn't get much better than "Enemy...", but this new disc is faster and sicker from start to finish. Truly, there is not one second of "filler" material on this album. Every song is more than worth the listen. Barney is in top-notch throaty, gutteral form; the riffs are killer, and of course there are blast-beats and double-bass galore... even more than on "Enemy...". If you're a fan of ND, you will not be disappointed with this disc. If you're new to the band, this is a great place to start.
Submitted by fuckemail&fuckitall (Dead world, chaos, HELL)
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Purchase Order Of The Leech CD To buy, Click on price to add to cart | Napalm Death Enemy Of The Music Business CD (2001)
Order Of The Leech album
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While no one should ever accuse Napalm Death of being complacent, there's nothing like record label troubles to force a band to pool its collective energy and refocus its intent. Napalm's previous two records, Inside the Torn Apart and Words From the Exit Wound, were every bit the grind metal excursions fans expected them to be, although they seemed a bit uninspired in comparison to the band's benchmark releases Scum, Harmony Corruption, and Fear Emptiness Despair. When the group's longtime relationship with Earache Records hit the skids, the subsequent ...
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| | Eternal Elysium Spiritualized D CD (2000)
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Now here's a band whose name fits -- heavenly stoner doom metal that reaches realms of Sabbath-y paradise, thus far untouched by the band's Western world counterparts. You see, Eternal Elysium hails from Japan, not a country most people view as synonymous with obese, oppressive guitar riffing, churning leads that reek of dirty blues, or stinging, emotive, wailing vocals. Spiritualized D is simply a masterpiece of doom; why it has gotten little attention just baffles the mind. Every single track is traditional, in your face, '70s doom, dripping with oblique Sabbath, St. Vitus, Trouble, and Fu Manchu attributes. Take Sabbath's Master of Reality, Penance's Parallel Corners, Cathedral's Soul Sacrifice, Fu Manchu's In Search Of..., and any early Trouble release, fuse them together with Electric Wizard, and serve blisteringly hot. Most bands lack Elysium's musical audacity, unadulterated heaviness, and ability to capture true rock spirit, as they are usually too busy trying to look or sound cool -- Electric Wizard being the only worthy exception. This is a serious musical purging, folks. Even genre leaders like Cathedral need to take a few pointers from the dynamic sonic wall built on the Paranoid-like blues of "Trick or Steal" or the sluggish charm of "Floating Downer." The vocals are faint and familiar on opener "W.T.G.B," but somehow impossible to place, yet they are unimportant in the sonic war zone faced on Spiritualized D. The punkish "Stone Wedge" could have been snatched off an old Fu Manchu or C.O.C. record, while "Easygoin'" stirs up memories of "Fairies Wear Boots," minus Ozzy, of course. Iron Maiden's classic "Innocent Exile" ...
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| | Too Short What's My Favorite Word? CD (2002) Edited
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The original hip-hop pimp's 2002 offering finds the seemingly indefatigable hustla up to his usual tricks. True to form, Too Short delivers some of the nastiest, most graphically sexual raps around, detailing his fixation on the pimp lifestyle. Throughout the album, he makes sure that not a word of his pornographic commentary is lost, delivering his raps in a deliberate, unhurried manner. Musically, Too Short offers relief from the sound-alike production of too many of his contemporaries, with the burbling, '70s-style funk of "Get that Cheese" and the organic, dark-hued old-school R&B feel of "That's Right," complete with the requisite Bernie Worrell-style synth tones.
Too Short refuses to paint himself as a victim of the ghetto, opening his playa manifesto "Pimp Life" by proudly declaring "I chose this life," and comparing his carnal exploits with the infamous sexual misadventures of Bill Clinton on the opening cut "Triple X." Similarly, he offers positive advice to his brethren, advising them elsewhere to "free your mind if it's trapped in the streets" and to "hold onto your dreams." All this pro-activity doesn't dull his hardcore edge, though; unsurprisingly, he's not above such prurient scenarios as the girl-on-girl action depicted in no uncertain terms on "She Loves Her."
Ever since Too Short returned from his brief retirement in 1999 with Can't Stay Away, he's sounded increasingly comfy with letting his supporting cast flavor his albums, and What's My Favorite Word? is no different. Short invites his usual guests -- longtime Cali standbys Ant Banks, E-40, and B-Legit; Atlanta rabble-rouser Lil' Jon; and the one and only George Clinton -- along with a few surprise ones: Twista, Petey Pablo, Big Gipp, and U.G.K. members Bun B and Pimp C. This lively cast of characters certainly colors the album and makes it more than just another Too Short album, even if that's precisely what What's My Favorite Word? is. The ...
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Initial pressings of HERETIC included a bonus CD of previously unreleased tracks, BONUS LEVELS.
Few death metal bands live on as long as Morbid Angel. Over the years, the Florida headbangers changed labels, parted way with their lead singer, and endured varying levels of popularity as their style of music fell in and out of favor among metalheads. Yet despite all the ups and downs over the years, Morbid Angel continued to make music, record albums, and tour extensively. In fact, before the release of Heretic in 2003, they'd toured America with the mighty Pantera and garnered more mass-market exposure than they ever had previously. It's not really a surprise then that Heretic sounds so lively. Veterans or not, Morbid Angel are anything but short on enthusiasm here. Their musicianship is as inventive as ever, especially that of guitar-god Trey Azagthoth, and their songwriting as impassioned as ever, especially that of lyricist/vocalist/bassist Steve Tucker. This is the sound of a band on a mission, a band with a sense of purpose. It helps also that Morbid Angel do more than just thrash away, though of course they still do plenty of that. While their songs are downright relentless, never slowing down even for the occasional mid-tempo bridge ...
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If it doesn't wind up signaling the very end of Antimatter, Planetary Confinement will, at the very least, close ...
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