Olga Tanon Sobrevivir CD

Producers: Humberto Gatica, Kike Santander, Manuel Tejada.
SOBREVIVIR won the 2003 Latin Grammy Award for Best Female Pop Vocal Album.
Personnel: Kike Santander (guitar, nylon-string guitar, keyboards, programming); Michael Hart Thompson , Alfredo Matheus, Michael Landau (guitar); Sergio Minski (acoustic guitar, electric guitar, vihuela); Rafael Payan, Fernando Tobon (acoustic guitar, electric guitar); Carlos Franco (acoustic guitar, requinto); Manuel Tejada (acoustic guitar, bajo sexto, piano, keyboards, programming); Sal Cuevas, Julio Hernandez (bajo sexto); Orlando J. Forte (violin); David Alsina (bandoneon); Ed Calle (saxophone, alto saxophone, tenor saxophone); Albert Wing (saxophone); Jose Diaz (alto saxophone, tenor saxophone); Tedoy Mullet, Gustavo López, Tony Concepcion, Ramon Flores (trumpet); Eric Jorgensen (trombone); José Luis Arroyave, Milton Salcedo, Bernardo Ossa (keyboards, programming); DJ Sugar Kid (keyboards, percussion programming); Marc Portman, Rodolfo Castillo (keyboards); Lee Levin (drums); Luis Conte, Richard Bravo (percussion).
Audio Mixer: Humberto Gatica.
Recording information: Big Bang Studios, Miami, FL; Castle Recording Studios, Miami, FL; Mas Music Studios; Midlab Studios, Santo Domingo, Dominican Republic; O-Zone Stuidos; Santander Studios, South Beach Audio; Studio 7, Miami, FL; The Gallery Recording Studios; Transcontinental Stuidos, Orlando; Westlake Audio, Los Angeles, CA.
Photographer: Adolfo Pérez Burtón.
Arrangers: Camilo Valencia; Ed Calle; DJ Sugar Kid; Bárbara Larrinaga; José Luis Arroyave; Marc Portman; Kike Santander; Alfredo Matheus; Manuel Tejada; Milton Salcedo; Rodolfo Castillo; Bernardo Ossa.
Olga Tañón's continuing search for pop-crossover equilibrium again misses its mark on Sobrevivir, another ill-received pop album that resulted in a couple major hits ("Asi Es la Vida" and "No Podras") yet still angered her longtime fans, who wanted more merengue, not more pop. Past albums like Te Acordarás de Mí (1998) and Yo por Ti (2001) had been mixed bags, interweaving tropical music with ballads and pop, but Sobrevivir isn't even a mixed bag: it's a pop album through and through. Sure, there are some tropical-styled dance songs -- and good ones, at that -- namely "Caramelo" and "Asi Es la Vida," but they're not the kind of dizzying merengue barnburners that had brought Tañón such acclaim and devotion during the '90s, when she was clear and away the Queen of Merengue. (That title was highly questionable by this point in time, however.) If you can accept Sobrevivir for what it is -- Latin pop graced with layers of studiocraft and an army of technicians -- it's a fine album, about as good as any adult-leaning Latin pop release of its time. For instance, there are some of Tañón's best ballads to date here -- "Mentiras," "No Podras," and especially "Quien Diria," a duet with Luis Fonsi -- while the aforementioned "Caramelo" and "Asi Es la Vida" are also first-rate. Alas, Sobrevivir wasn't met with universal acceptance, let alone praise, and it ended up becoming Tañón's lowest charting album since Mujer de Fuego (1994), as it only reached number 11 on the Top Latin Albums chart, a relatively poor showing for the former Queen, who was accustomed to scaling the chart, album after album. Consequently, damage control would ensue, beginning with A Puro Fuego, a sure-fire collection of her best merengues, released within a year's time. ~ Jason Birchmeier