| | Jose Merce Quebrando El Aire: 1977-1994 CD Jose Merce Discography of CDs
The collection QUEBRANDO EL AIRE: 1977-1994 brings together 21 of the finest recordings from famed flamenco musician Jose Merce.
2002 anthology from the gypsy flamenco artist. Merce moved to Madrid from his native Jerez de la Frontera in the early 70s to join a new generation of flamenco performers like Camaron de la Isla, Tomatito and guitarist Paco de Lucia. Quebrando El Aire: 1977-1994 Music Jose Merce Quebrando El Aire: 1977-1994 Songs | 1. | Mira Si Yo a Ti Te Quiero (Tangos) | |
| 2. | Sale de Ti (Alegrias) | |
| 3. | Pa' Saber de Tu Querer (Tangos) | |
| 4. | Mi Nino Curro (Fandangos) | |
| 5. | Cuando Llueve en Estos Pagos (Bulerias) | |
| 6. | Casita del Pobre (Seguiriyas de Jerez y los Puertos) | |
| 7. | De Mi Fuente (Bulerias) | |
| 8. | Por un Lao Esta la Sal (Alegrias) | |
| 9. | Campesino y Minero (Tarantos) | |
| 10. | Bulerias del Prendi (Bulerias) | |
| 11. | Rey del Universo (Solea) | |
| 12. | Que Pobres Son los que Tienen (Solea) | |
| 13. | Pobrecita Mia (Bulerias) | |
| 14. | Nina del Verde Suspiro (Sevillanas) | |
| 15. | Yo Me Sali a un Camino (Fandangos del Gloria) | |
| 16. | Cuestecita que Subia (Fandangos) | |
| 17. | Noche y el Dia (Tangos) | |
| 18. | El Rebelao (Malaguena) | |
| 19. | Bandera de Andalucia (Tangos) | |
| 20. | Veinte Dias Seguios (Martinete) | |
| 21. | Pa' Quitarme de que Pida (Tarantos) | |
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Quebrando El Aire: 1977-1994 Review
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The Sufi mystic Rumi is said to have played the flute to create ecstatic states, whirling to join heaven and earth in love. The Hindu god Krishna, both great god of the universe and shepherd boy attracted his followers through blissful melodies played on his bansuri (bamboo flute). Also known as 'venu', the Indian flute is depicted in the Buddhist art of more than 2,000 years ago, and is mentioned in the ancient Vedic texts. According to one Sanskrit verse the bansuri is the source of swarajnana - the knowledge of music.For hundreds of years this simple bamboo instrument has been an important feature in Indian folk culture, but its introduction into Indian Classical Music was mostly due to the endeavours of Pannalal Ghosh as recent as the mid part of the twentieth century. He was responsible for adapting khayal, the North Indian vocal style, into flute playing as well as introducing technical amendments to make the instrument more suitable for classical music. However, it is Hariprasad Chaurasia who has played the leading role in transforming the bansuri into a worldwide phenomenon. As well as introducing innovative fingering and blowing techniques, he has increased the repertoire of the flute recital by the introduction of jor and jhalla adopted from the ancient vocal tradition of dhrupad. Hariprasad Chaurasia was born into a family of wrestlers in Allahabad, India. Young HariPrasad began training as a wrestler until one day he innocently picked up the bansuri, a single event that changed the entire course of his life as well as the history of music. He then blossomed under the tutelage of maestros like Raja Ramji, Pandit Bholanath and finally Guru Annapoorna Devi, the daughter of the famous Ustad Allauddin Khan and the sister of Ali Akbar Khan. Over the course of his career he has dedicated much of his time to the furtherance of Indian classical music worldwide creating schools of music based on traditional forms of teaching, in India, USA and Holland. In 2000, his services to Indian culture was recognised when the President of India bestowed upon him the title of Padma Vibhushan, one of the highest civilian honours that can be awarded to an Indian national. This concert performance was recorded on January 2003, at the Saptak ...
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