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Lee, Keiko - Keiko Lee Sings Super Standards CD Cover Art
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Keiko Lee Sings Super Standards CD - Import

 Keiko Lee Discography of CDs

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Japanese release featuring the popular jazz vocalist's covers of 15 standards with the acclaimed guitarist Martin Taylor as a guest. The tracks are performed in duo, trio, quartet, & solo. Highlights include, 'My Way', 'Feeling', the single, ...    Full Description

Keiko Lee Sings Super Standards Music


Detailed Keiko Lee Sings Super Standards Music Information



List Price $52.98 (You save $4.39)
Category Rock/Pop Albums, Jazz Instrument CDs, Jazz
Label Columbia
All Time Sales Rank   467090  
CD Universe Part number 5413512
Catalog number 234
Discs 1
Release Date Jan 07, 2003
Mono/Stereo Stereo
Additional Info Japan
Keiko Lee Sings Super Standards Songs


Keiko Lee Sings Super Standards Album Track Listing



1.My Way
2.Sentimental Journey
3.Quiet Nights Lof Quiet Stars
4.Tea For Two
5.Misty
6.Route66
7.This Masquerade
8.Closer to One
9.Feelings
10.Vie en Rose
11.Honeysuckle Rose
12.Stardust
13.Sunny
14.Johnny Guitar
15.My One and Only Love
16.I'll Be Seeing You
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"New York Is Now," (1968) was one of Ornette Coleman's final sessions for Blue Note. He was joined by Elvin Jones (drums), Jimmy Garrison (bass)--half of John Coltrane's great quartet--and Dewey Redman (tenor sax). Coleman had not been working with another horn player since Don Cherry's departure in 1962. The music is as light as the light that bounced off the buildings in New York in those days--fractured tales, shifting grooves. "Garden of Souls" is idiosyncratic, written in Ornette's native tongue. The melody recalls ancient Greece and the players seem imbued with Democracy. ...
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CD $14.39  5 stars

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Mother Nature
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CD $12.69
Guitarist-bassist NEPO SOTERI is an African citizen-of-the-world, both in terms of his life journey and musical vocabulary. As a singer, composer and virtuoso instrumentalist, his trademark sound is an esoteric but accessible amalgam of influences from his past and present, an inventively forward-looking yet folklore-based mix that raises spirits while falling smoothly on the ear.Mr. Soteri was born in Rwanda, a small, hilly, landlocked nation located in the Great Lakes region of east-central Africa, and grew up in Tanzania, Kenya and Ethiopia. “We were always singing and drumming -- that was in the culture,” he recalls of his boyhood, “My mother encouraged me at all times, so I started singing in church choir as a boy.” He most admired the local watwa tradition, whose practitioners played music incessantly, as he has since done all his life. His first performance occurred at the age of ten, when he sang and danced before the President of Tanzania. Later, he would hear Tanzanian Taarab, a suave, big-band blend of African, Indian and Arab elements, crisp, throbbing Kenyan Benga groups, and Ethiopian pop, in which the rolling, jagged tempos and five-tone melodic structures typical of Amaharic-language traditional sources and American R&B were fused into one of Africa’s most thrilling styles. As Congolese radio was ubiquitous on the Continent, he became a fan of that nation’s wildly popular, guitar-driven, rumba-based grooves. “When we moved to Tanzania, I started listening to Congolese music,” he says, “Tabu Ley Rochereau was so wonderful! I loved all the beautiful harmonies and the guitars -- it was all I thought about! Then we moved to Kenya and there was so much music of all kinds there, including many bands from Congo -- I was in heaven!” He was also influenced by Nigerian superstar Fela Kuti and the groundbreaking African-Caribbean combo, Osibisa.But Western artists were also being heard and he soon developed firm favorites among these, too. American jazz and R&B legends like Wes Montgomery, George Benson and Stevie Wonder attracted his attention but certain rock artists also appealed to him. “I thought I had heard it all ‘till I heard the Beatles and Jimi Hendrix!” By now, his career was beginning to pick up momentum. “I started singing with some local school bands and did some competitions at a famous club in Nairobi, Kenya, called The Starlight. There I met the Ashantis, a very well-known band, who were then working in Ethiopia. The leader told me that were a lot of bands who could use me as a singer. By now, I was fooling around with the guitar so I decided to pack it up and go to Ethiopia. In no time at all, through my friend, I had lined up gigs with Telahoun Gesese, Alemayo Eshete, Mulatu Astatke and played for a long time with Aster Aweke. I also backed up Manu Dibango (“Soul Makossa”) while he was touring in Ethiopia.” He then began to pursue formal studies on guitar, “I started taking lessons with whoever was better than me, mostly with the Zimbabwean guitarist Andrew Wilson and Paddy Gwada from Kenya. They were both self-taught, but man, could they play!”His love for music and desire for growth soon brought Mr. Soteri out of Africa, through Europe and finally, to the USA. ...
No Te Olvides De Mi
Diana Navarro No Te Olvides De Mi CD  (2007) (Import)

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CD $43.35

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