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Duncan, Glen - Glen Duncan CD Cover Art
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Glen Duncan CD

 Glen Duncan Discography of CDs

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Recording information: Brick Shay Studio, Franklin, TN; Hilltop Studios, Nashville, TN.

Photographer: Senor McGuire.

Arranger: Glen Duncan.

Personnel: Glen Duncan (fiddle); Bobby Osborne (vocals, mandolin); Eddie Stubbs (vocals); Gregg Galbraith (acoustic guitar, gut-string guitar); Ray Craft, Bobby All (acoustic guitar); Earl Scruggs, Charlie Cushman (banjo); David Harvey, Jesse McReynolds (mandolin); Robin Smith (acoustic bass).

Audio Mixer: Jan Stolpe.

Dirty Linen (8/03, p.51) - "...[The songs] range from a smooth, soulful 'Angel's Lullaby' to a crisp but brief fiddle/banjo duet with Earl Scruggs, to the upbeat, fiddle-dominated 'Duncan's Blues'...
Glen Duncan Music


Detailed Glen Duncan Music Information



List Price $16.98 (You save $3.19)
Category Rock/Pop Albums, Folk CDs, Folk Music, Soundtrack Collections, Country, Box Sets, Bluegrass
Label OMS
Orig Year 2003
All Time Sales Rank   287777  
CD Universe Part number 5522583
Catalog number 5150
Discs 1
Release Date Jan 07, 2003
Studio/Live Studio
Mono/Stereo Stereo
Producer Glen Duncan
Engineer Jan Stolpe
Personnel Glen Duncan - fiddle
Earl Scruggs
Jesse McReynolds - mandolin
Gregg Galbraith - acoustic guitar, gut-string guitar
Charlie Cushman - banjo
Bobby All - acoustic guitar
Bobby Osborne - vocals, mandolin
Eddie Stubbs - vocals
Robin Smith - acoustic bass
Robin Smith - acoustic bass
Ray Craft
David Harvey
Glen Duncan Songs


Glen Duncan Album Track Listing



1.Mountain Hornpipe
2.Angel's Lullaby
3.Duncan's Blues
4.Footprints in the Snow
5.Gallatin Road
6.Lonesome Ridge
7.Sally Gooden
8.Cross Cut Saw
9.Old Chieftain, The
10.December's Child
11.Katy Hill
12.Touch of the Master's Hand
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Never Never Land
Jane Monheit Never Never Land CD  (2000) DualDisc

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Jarrod Birmingham Stages CD  (2005)

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Jarrod Birmingham is the real thing in a country music scene filled with poseurs, "real" country in the same way that, say, Merle Haggard and Dwight Yoakam are but Garth Brooks never really was. He even namechecks his idols (Haggard, Johnny Cash, Hank Williams, Willie Nelson, etc.) in the opening track, "Best I Can," but he's wise not to put himself on their level. A former professional bull rider from the Texas gulf coast, Birmingham favors hell-raising honky tonk with a rock edge over pop-friendly balladry. This is definitely a good thing, although Birmingham protests a bit too much; besides the opener, he delivers "Guilty," a somewhat defensive song about his desire to be "a honky tonk singer in a honky tonk band," and later, "If That Ain't Country" rings yet another set of changes on the theme. Thing is, the rest of Stages obviates any need for Birmingham to fret about what ...
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America Live marked the beginning of the group's history as a duo. Recorded at the last of a series of four shows at the Greek Theatre in Los Angeles in July of 1977, with film music legend Elmer Bernstein conducting the orchestra and George Martin producing, the album closed out the group's original Warner Bros. contract and was mostly released for that reason, following the Harbor album and the departure of co-founder Dan Peek. Their ninth album in seven years (counting a greatest-hits compilation), it filled in a hole in the group's history and represented America surprisingly well, given the circumstances of its release. Gerry Beckley and Dewey Bunnell are both in excellent voice, and one could hardly ask for a sharper or more balanced live recording. The expected mid-'70s hits such as "Tin Man," "Ventura Highway," and "Sister Golden Hair" (all brilliantly sung, and worth the price of the album) are here, and more modestly charting but highly personal tracks like "Amber Cascades" are represented as well, along with early classics like "I Need You" and "A Horse With No Name" (the latter done with a beautifully elegant yet restrained orchestral arrangement). One does wonder, however, if there were more to this show than the 14 songs represented on the original LP, which might make for a good CD expansion someday. On the other hand, given that Warner Bros. has never seen fit to release this album on CD anywhere but in Europe and Japan, that might be too much to hope for. ~ Bruce Eder This cut-down version of the two-man lineup's King Biscuit Flower Hour performance from 1982 is reduced to ten songs. The performance ...
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