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Green, Al - Let's Stay Together CD Cover Art CD music music CDs songs album

Al Green Let's Stay Together CD

 Al Green Discography of CDs
4.5 stars (2 Customer Reviews)



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After two albums loaded with cover songs and draped in the deep influence of Otis Redding and Sam Cooke, Al Green used LET'S STAY TOGETHER to introduce his own style to the world. Green wrote or co-wrote seven of the nine songs on LET'S STAY ...    Full Description

Let's Stay Together Music


Detailed Let's Stay Together Music Information



Category Rock/Pop Albums, R&B CDs, Blues, Soul/R&B, Enhanced CD
Label The Right Stuff
Orig Year 1972
All Time Sales Rank   7084  
CD Universe Part number 5587095
Discs 1
Release Date Feb 18, 2003
Studio/Live Studio
Mono/Stereo Stereo
Producer Willie Mitchell
Al Green Let's Stay Together Songs


Al Green Let's Stay Together Album Track Listing



1.Let's Stay Together
2.La-la For You
3.So You're Leaving
4.What Is This Feeling
5.Old Time Lovin
6.I've Never Found a Girl
7.How Can You Mend a Broken Heart
8.Judy
9.It Ain't No Fun to Me
10.Eli's Game - (bonus track)
11.Listen - (bonus track)
Let's Stay Together Music Review


Customer Let's Stay Together Reviews 




Average Rating: (4.5 out of 5 stars) 4.5 stars

5 stars Al Gren Cd
I love al green music and his cd is great this was one of my mother favorite and my father and its also mine and yes I would recommend his music to those who love the old school jams like myself
Submitted by kimberly8282 (Oak Park Michigan) Verified Buyer
Was This Review Helpful? Yes No

4 stars Al Green
Just good ole Al Green......
Submitted by marcus36 (Altadena,CA, USA) Verified Buyer
Was This Review Helpful? Yes No

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BLUES ON THE BAYOU won the 2000 Grammy Award for Best Traditional Blues Album. Having just turned 73, B.B. King released BLUES ON THE BAYOU as a kind of retrospective look at 50 years of playing the blues. King produced BAYOU himself and recorded it at a remote studio in the heart of Lafayette, Louisiana with the band he'd been playing with for the past 10 years. A relaxed and well-oiled feeling is felt throughout this group of songs, some of which were newly written while others are older numbers that were dusted off and re-recorded specifically for these sessions. "Blues Boys Tune" and "Blues We Like" ...
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Gary Taylor — Biography by Steven IvoryGary Taylor routinely does something I'd say most recording artists don't even have the luxury of dreaming about: He creates music entirely on his terms.When he sits down at the keyboard, he's not thinking of writing a radio smash, because few radio stations play "real" music anymore. He's not thinking of a chart record, because most music charts are driven by something strange and sinister beyond mere listener appeal. No, when Gary writes, the only voice he feels obligated to listen to, is his heart. This is how he makes music.If you're holding anyone of his albums, then you probably dig a certain kind of music. You probably embrace Stevie Wonder of the "Music Of My Mind" era. Donny Hathaway. You understand the cream Burt Bacharach and Hal David stirred when they whipped up all that divine, sassy space music with Dionne Warwick.You love the delicious crescendo on Earth, Wind & Fire's "Love's Holiday", you turn up the volume for the last intense seconds of Stevie's "That Girl", savouringevery run of his ad-lib at the end…You love what Thom Bell did with The Stylistics, The Spinners and you're hip to his legendary Johnny Mathis production. You dig Jazz. Miles. Gospel. Steely Dan. Early Gino Vannelli. Great vocalists. Aretha Franklin, Peabo Bryson, Sade… Definitely the Bossa Nova of Antonio Carlos Jobim. Basically, you dig anything that is melodic and uniquely so.When photographer Bobby Holland introduced me to Gary Taylor in Los Angeles in the '70s, it was our love of the aforementioned music that immediately bonded us. At the time, I was only starting to write about R&B and Gary had just made his first music, really, by composing the songs for a local musical written by buddy Kenny Davis. I don't think he'd even taught himself piano by then; wrote it all on acoustic guitar.Gary and I used to write together. What that really means is I'd sit late into the night and listen while he searched tirelessly, trying to squeeze just one more spooky, sexy chord out of his Fender Rhodes. Needless to say, the collaboration was brief. But it afforded me a front row seat to witness Gary's will and growth as a songwriter.Back then, I used to call Gary "Vamp King" for his propensity for three minute songs with trance-like vamps that would go on about two days. We'd study his latest creation where we always listened to the music -in his car-and promptly slip into a sublime, chord-induced coma.The day they let Taylor have synthesized strings will live in infamy. He'd lay smooth, warm "sleep" (as we called it) over one of his chordy arrangements. The result would be surreal, stark, tantalizing, soothing. Like sucking on a Dreamcicle…With these tracks serving as his vibrant, moody canvas, Gary would then lyrically paint some of the most revealing and sensitive portraits of people, love and relationships, testimonials you would ever expect to hear from a quiet, introspective (but insanely funny when you get to know him) cat like Gary.All this was a long time ago, when Gary was just beginning to carve out a career ...
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