| | Grateful Dead American Beauty CD Grateful Dead Discography of CDs
 (3 Customer Reviews)
AMERICAN BEAUTY was an instant classic when it was first released November of 1970. It is among the most satisfying and enduring of the Grateful Dead's studio recordings, expanding as it does on the engaging mix of country, blues, and folk materials ... Full Descriptionthey first coined earlier in the year with WORKINGMAN'S DEAD.
The musical vision of the Dead is more sharply focused on AMERICAN BEAUTY--from the serene reflection and compassion of the opening "Box Of Rain" and the earthy mysticism of "Ripple," to the sensual rock of "Sugar Magnolia" and the anthemic proto-boogie of the closing "Truckin'." But then, every tune on AMERICAN BEAUTY has attained a classic resonance, both from decades of steady airplay, and the way the Dead seemed to continually revive these popular standards for their concert repertoire.
Also available with WORKINGMAN'S DEAD on one cassette.
1970 Remastered W/ 6 Bonus Tracks.
Recording information: Wally Heider Studio, San Francisco, California.
Grateful Dead: Jerry Garcia, Bob Weir (guitar); Ron McKernan (harmonica); Phil Lesh (bass guitar); Bill Kruetzmann (drums); Mickey Hart (percussion).
Additional personnel: David Nelson (electric guitar); David Grisman (mandolin); Ned Lagin (piano); Howard Wales (organ); Dave Torbert (bass guitar); New Riders Of The Purple Sage.
Rolling Stone (12/24/70, p.52) - "...the album is American beauty of the best possible kind....A complete contentment shines through the vocal work....The instrumentation is rich with sound that moves through, under and into the listener..."
Mojo (Publisher) (p.153) - "It's a near perfect set of songs, most becoming mainstays of their repertoire." Hide Description American Beauty Music | List Price | $12.97 (You save $4.48) | | Category | Rock/Pop Albums, Rock CDs, Oldies, Country Rock, 70's | | Label | Warner Bros. (Record Label) | | Orig Year | 1970 | | All Time Sales Rank |  1443  | | CD Universe Part number | 5602512 | | Catalog number | 74397 | | Discs | 1 | | Release Date | Feb 25, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Grateful Dead; Steve Barncard; James Austin (Reissue); Peter McQuaid (Reissue) | | Recording Time | 79 minutes | | Personnel | Jerry Garcia
Phil Lesh - bass guitar
Bob Weir - guitar
Mickey Hart - percussion
Ron "Pigpen" McKernan - harmonica
Bill Kruetzmann - drums
Also: David Grisman, New Riders Of The Purple Sage, David Nelson, Dave Torbert, Ned Lagin, Howard Wales | | Additional Info | Remastered |
Grateful Dead American Beauty Songs American Beauty Music Review Purchase American Beauty CD To buy, Click on price to add to cart | Grateful Dead Live Dead CD (1969) Remastered
American Beauty album
 $9.45    
Includes 2 untitled hidden tracks following "And We Bid You Goodnight."
Recorded live at The Fillmore West and the Avalon Ballroom, San Francisco, California in 1969. Originally released on November 10, 1969.
Among the finest of rock's live documents, LIVE DEAD is a snapshot of the Grateful Dead circa 1969, applying the free-jazz lessons of John Coltrane to their finely-tuned, manic, and flowing boogie. It was the first released piece of evidence that the live Dead were a wholly different, multi-headed animal than the one that recorded in the studio. LIVE DEAD was also the culmination of the group's evolution into what's now considered the vintage San Francisco sound--having perfected it, the Grateful Dead would soon leave it for fresher musical pastures.
While each of LIVE DEAD's selections calls to mind a specific trick from up the band's sleeve, the opening four songs (later dubbed "the holy quartet" by Deadheads) best indicates the Dead's burning trajectory. "Dark Star" lays out a wide-open musical terrain, allowing the band to leap anywhere from its minimalist-riff launching ...
| | Grateful Dead Workingman's Dead CD (1970) Remastered
American Beauty CD music
$8.49 
Contains the hidden track "Workingman's Dead Radio Spot" which follows "Uncle John's Band," live version.
The Grateful Dead's first four albums reinforced their stature as a performing group, with a loose improvisational feel rooted in the blues, rock & roll, and modern jazz. But with the 1970 release of WORKINGMAN'S DEAD, Garcia, Weir, Lesh, McKernan, Kreutzmann, and Hart reined in their many spatial musical elements and found their true stylistic niche in the studio with an engaging blend of country, blues, and folk. Where earlier studio releases strove to recreate the kind of freeform group improvisations that won the Dead a fanatical cult following in the Bay area, WORKINGMAN'S DEAD drew upon a rural American vernacular that was in many ways analogous to that of the Band.
The resulting ...
| | Grateful Dead (Skull & Roses) CD (1971) Bonus Tracks; Remastered
American Beauty music CDs
$8.49
Contains an untitled hidden track which follows "I'm A Hog For You."
One of the things that made the Dead such a unique live act was the sheer variety of their influences. The vastness of the musical terrain they covered is well demonstrated on 1971's GRATEFUL DEAD, nicknamed "Skull & Roses" because of its cover art. It captures the band's live sound at a time when their marathon, acid-inspired concerts were swiftly becoming the stuff of legend and earning them legions of new fans.
This set conveys the typical arc of a Dead show. The band could be economical and straightforward, with brisk, stripped-down numbers like the lilting "Bertha," the straight-forward country of "Me and My Uncle" and Merle Haggard's "Mama ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
American Beauty songs
$10.15 
A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two ...
| | Neil Young On The Beach CD (1974) Remastered
American Beauty album
$8.49
After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain."
The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is ...
| | Jefferson Airplane Surrealistic Pillow CD (1967) Bonus Tracks; Remastered
American Beauty CD music
$7.59
This newly remastered 2003 deluxe edition contains bonus tracks.
Originally released on RCA Victor (3766). Includes liner notes by Jeff Tamarkin and Bill Thompson.
From the opening, hard-edged chords of "She Has Funny Cars," it's apparent that SURREALISTIC PILLOW, Jefferson Airplane's sophomore effort, is a far more spiky beast than the band's debut. It became not only San Francisco's soundtrack to the Summer Of Love, but all of America's. It spawned two Top Ten classics ("Somebody To Love" and "White Rabbit") and established the Airplane as one of the main pop voices of the cultural revolution.
Some of the newfound dynamism can ...
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American Beauty music CDs
$13.45
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American Beauty songs
$10.19
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American Beauty album
$12.05
Live Recording
| | Poco Bareback At Big Sky CD (2005)
American Beauty CD music
$11.49
PocoBareback at Big Sky Great music takes the listener somewhere special - in Poco's Bareback at Big Sky that would be under thestars, bathed by moonlight in the Montana heartland ... Even within a catalog that dates back 35 years (!), Bareback at Big Sky casts a unique spell. It's Poco'sfirst unplugged live album, with well-known tunes, never before recorded gems, and a few new ones gathered like a bouquet of blooms, warmed by golden vocal harmonies and rustled by cool whispers ofrhythm. This is music with history, yet it's also alive and immediate: Songs first heard on Under the Gun (1980) orthe landmark album Legend (1978) are reborn here, in intimate versions that flow with the newest material, including the never-before-recorded "Bareback." As each song leads into the next, the lesson of Bareback at Big Sky becomes clear: Poco is a stream thathas wound through and nourished American music. From its wellspring in the sixties, it has inspired artists whose fusions of country and rock began with the example set by Poco. Some of them learned theselessons first-hand, as members of Poco prior to launching their own careers. After rising in 1968 from the ashes of the Buffalo Springfield, they began infusing the L.A. folk/rock soundwith their deep-rooted lyricism and the instrumentation of country music, a revelation and inspiration for the Eagles, Linda Ronstadt, Jackson Browne, and other future headliners. Poco's albums chronicled theirexplorations, with two members always onboard to pilot each lineup: Young, who was there from the beginning, and singer/songwriter/guitarist Paul Cotton, who arrived in the early seventies after Jim Messinaleft to produce Kenny Loggins. "A lot of great musicians have been in Poco and have gone on to make amazing music. We're very proud ofthat," Rusty says. "But ever since Legend, Poco's first platinum record, our sound has been consistent because we work hard at writing quality music and playing with talented musicians." And so they were there, at the Bareback sessions in Montana, last April, along with bassist Jack Sundrudand drummer George Lawrence, who makes his Poco recording debut on this release. It was a perfect venue: "We hadn't done a live album in many years," Rusty explains, "so we wanted to do it somewherespecial - not in a club, but at this beautiful lodge, where we could invite our friends and play what we wanted to play." That lodge, the Goodwin Ranch, nestles at the foot of Montana's Bridger Mountains. Managed by a friendand music enthusiast, "Big Dave" Goodwin, the lodge filled with Poco fans from nearby Bozeman and points far beyond, drawn by news of the event at the band's website (www.poconut.com). The Goodwin Ranch also houses a studio, allowing Poco to capture the freshness and energy of a liverecording without the limitations that normally come with recording in a traditional live venue. Bareback at Big Sky brings the listener the best of both worlds. The band spent a week at the ranch, working out their ...
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American Beauty music CDs
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American Beauty songs
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American Beauty album
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American Beauty CD music
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