| | This Is Electroclash CD
This Is Electroclash Music This Is Electroclash Songs | | This Is Electroclash CD DISC 1: |
| 1. | Discotraxx - Ladytron |
| 2. | Detroit Style - A1 People |
| 3. | Fashion - Effcee |
| 4. | Treat Me Better - Northern Lite |
| 5. | We Are Rock - Joy Electric (The Faint mix) |
| 6. | Lady Shave - Fad Gadget |
| 7. | Mind Games - Technova |
| 8. | Bike Thief - Freezepop (Schnellspanner remix) |
| 9. | She's a Model - Ambra Red |
| 10. | Boys - LTNO/Mami Chan (And Girl mix) |
| 11. | Shards of Glass - Travelogue |
| 12. | Beat You Up - Ping Pong Bitches |
| 13. | Sex - Berlin (Rosetta Stone mix) |
| 14. | Ring My Bell - Anita Ward (Kitty Kat mix) |
| | This Is Electroclash Songs DISC 2: |
| 1. | Happy Hour - Felix Da Housecat |
| 2. | You're My Disco - Waldorf (New Romantic mix) |
| 3. | Asymmetric - Dirty Sanchez |
| 4. | Tainted Love - Soft Cell |
| 5. | Let Me Go - Heaven 17 (Rob Playford mix) |
| 6. | Don't Let the Rain Come Down - Bis |
| 7. | My Dying Machine - Gary Numan (Italian 12") |
| 8. | What's on Your Mind (Pure Energy) - Information Society (Judson Leach & The Exhibition mix) |
| 9. | Star - Effcee |
| 10. | Everybody Loves You - Sigue Sigue Sputnik (Tok Tok Vs. Soffy mix) |
| 11. | Fade to Gray - Visage |
| 12. | Warm Leatherette - The Normal |
| 13. | Retroish - Kraftwelt |
| | This Is Electroclash Album DISC 3: |
| 1. | Non-Stop Mix - DJ Skooby |
| 2. | Non-Stop Mix |
| 3. | Non-Stop Mix |
| 4. | Non-Stop Mix |
| 5. | Non-Stop Mix |
| 6. | Non-Stop Mix |
| 7. | Non-Stop Mix |
| 8. | Non-Stop Mix |
| 9. | Non-Stop Mix |
| 10. | Non-Stop Mix |
| 11. | Non-Stop Mix |
| 12. | Non-Stop Mix |
| 13. | Non-Stop Mix |
| 14. | Non-Stop Mix |
| 15. | Non-Stop Mix |
| 16. | Non-Stop Mix |
|
This Is Electroclash Review
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MONUMENTS & MELODIES is an elliptical allusion to the hits and highlights contained within this 2009 retrospective, a double-disc set that's separated into a CD of singles and a CD of rarities. The first disc does its job efficiently, running through all but two of Incubus' Billboard hits--the minor mainstream rock radio hits "Circles" and "Make a Move" are missing, but the non-charting single "Are You In?" is in its place--bookended by two strong new Brendan O'Brien productions, "Black Heart Inertia" and "Midnight Swim." The second disc is devoted primarily to B-sides and other stray non-LP tracks, including an acoustic version of "A Certain Shade of Green," a remix of "Pantomime," and a ham-fisted cover of Prince's "Let's Go Crazy," where they get the riff slightly wrong. For the devoted, this disc does provide a nice service ...
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For many rock historians, the 1980s officially ended when Nirvana and Pearl Jam were burning up the charts in 1991 and 1992 and major labels started signing alternative rock acts left and right. For some rockers, however, the 1980s never ended--and German guitarist/songwriter Axel Rudi Pell's unwavering commitment to pre-'90s-style metal and hard rock is evident throughout BEST OF AXEL RUDI PELL: ANNIVERSARY EDITION. This 79-minute CD spotlights previously released material from Pell's Johnny Gioeli era; Pell hired Gioeli as his vocalist in 1998, and Gioeli received such a favorable response that Pell was still using him 11 years later in 2009. Although Pell's own songs dominate BEST OF AXEL RUDI PELL, this collection also contains two covers from 2007's DIAMONDS UNLOCKED: Phil Collins' "In the Air Tonight" and U2's 2000 hit "Beautiful Day," both of which become more hard-rocking in Pell's hands. Although hardly the last word on Pell's solo output of the 1990s and 2000s, BEST OF AXEL RUDI PELL is enthusiastically recommended to casual listeners.
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Although Wall of Voodoo's artistic masterpiece is 1982's extraordinary concept album CALL OF THE WEST--also known as the one with "Mexican Radio" on it--the Los Angeles art-pop band had previously released both an album, 1981's DARK CONTINENT, and a self-titled EP. THE INDEX MASTERS is an expanded version of that 1980 EP, its six tracks combined with an entire album's worth of previously-unissued early live recordings, a sterling medley of Ennio Morricone's theme from THE GOOD, THE BAD AND THE UGLY, and Hugo Montenegro's theme from HANG 'EM HIGH. A terrific electro-pop version of Johnny Cash's "Ring of Fire" completes the circle of influences.
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