| | Luna Pop ...Squerez? CD Luna Pop Discography of CDs
Italian pop/rock band Luna Pop started playing under the name of Senza Filtro in 1997, changing its name two years later. Luna Pop made its live debut at San Marino's festival, performing a song called 'Qualcosa di Grande' & soon signing up to Universal International, releasing '50 Special,' followed by 'Un Giorno Migliore.' Later, the group had the opportunity to participate in the prestigious San Remos festival with 'Mary Sedutta In Un Pub.' On December 3, 1999, Luna Pop's ...Squerez? was released, climbing to the local Top Ten in March of 2000. A year later, the band achieved four Italian Music Awards. Warner. 2003. Luna Pop ...Squerez? Songs | 1. | Qualcosa di Grande |
| 2. | Un Giorno Migliore - (Italian) |
| 3. | 50 Special - (Italian) |
| 4. | Resta con Me - (Italian) |
| 5. | Vorrei - (Italian) |
| 6. | Se Ci Sarai - (Italian) |
| 7. | Metro' - (Italian) |
| 8. | Niente di Piu' - (Italian) |
| 9. | Cara Maggie - (Italian) |
| 10. | Zapping - (Italian) |
| 11. | Questo Pianoforte - (Italian) |
| 12. | Silvia Stai Dormendo - (Italian) |
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...Squerez? Review
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Purchase ...Squerez? CD To buy, Click on price to add to cart | Future Bible Heroes I'm Lonely (And I Love It) CD (2000) Extended Play
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| | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with earthshaking soul. The material on this set is tight; there is less jamming but Gordie ...
| | Bob Mould CD (1996)
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After dissolving his second power trio, Sugar, Bob Mould wrote and recorded BOB MOULD (a self-titled release sometimes referred to as HUBCAB, due to its cover art). The credits even proclaim "Bob Mould is Bob Mould," and "This one is for me." The fact that the album was written and performed by one man, however, does not mean that this is a low-fi aberration--rather, it's a sonically dense but extremely controlled excursion, and the next logical step in his career.
Standouts include the brittle "I Hate Alternative Rock," "Egoveride," a crunching rocker featuring a wicked overdriven guitar sound, and an astonishingly bitter series of end-of-the-relationship ...
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| | Eloy Chronicles I CD (1993) Import
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About as "proggy" as progressive rock gets, Chronicles I is a keyboard satiated compilation from Germany's Eloy, and is a sparkling album from beginning to end. With barely any vocals at all, frontmen Frank Borneman on guitar and Michael Gerlach on synthesizer create atmosphere through sheer electronic mastery on each and every track. Pure keyboard work, at times uninterrupted for minutes, sets the precedent for some dazzling symphonic rock with a bite. ...
| | Beau Brummels Live! CD (2000)
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This is a very alluring and also a somewhat misleading CD. On the plus side, just to dispel any doubts, it is live, and it does feature the five-man Beau Brummels (Sal Valentino, Ron Elliott, Ron Meagher, Dec Mulligan, and John Petersen). And this is a good, professional recording. The rub is that it does date from their reunion in 1974, appearing live at the Shire Road Pub in Fair Oaks Village near Sacramento, CA; although the sound is fine, the playing is precise (and occasionally flashy), and the singing is very pretty, they just weren't a very exciting band at this point -- definitely not the same band they'd been in 1965-1966, despite the fact that they were probably better musicians. A byproduct of the group's short-lived reunion (which also yielded a complete studio album on Warner Bros.), this live set is nothing to be overlooked by any completist fan of folk-rock or mid-'60s pop/rock, but neither is it as compelling as one would hope. It may have been the fact that they were in their 30s instead of their 20s, past the excitement that went with touring regularly, cutting a new single every three or four months, and getting press coverage alongside the likes of the Byrds et al., but there's little urgency in most of the music-making here, pretty and professional though it is.
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THE NIPPLES take you on a ride through the eyes of America's disgruntled youth. Albeit these guys are not necessarily youth's anymore. The relentless attack of Nipples songs can be felt on such soon to be classics like "Numb", "Social Elite", "Exurbia", and the upcoming title track "Weekend Toys". Having grown up in a era of such debacle, the Nipples sing about topics that ...
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