| | Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños CD Castagna, Gabriel CDS
Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños Music | List Price | $18.97 (You save $4.22) | | Label | Chandos | | Orig Year | 4/22/2003 | | All Time Sales Rank | 73388  | | CD Universe Part number | 5719593 | | Discs | 1 | | Release Date | Apr 22, 2003 | | Recording Time | 57 minutes |
Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños Music Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños Review
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Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños Songs | 1. Tangazo, for orchestra (14:32) | | Composer | Astor Piazzolla (1921 - 1992) | | Conductor | Gabriel Castagna | | Date Written | 1969 | | Venue | Württemburgische Philharmonie, Reutlinge | | Notes | Württemburgische Philharmonie, Reutlingen, Germany (02/21/2000-02/25/2000) | | 2. Tres movimientos tanguísticos porteños, for orchestra: I. Tango No. 1. Allegretto - Meno mosso e pes (20:11) | | Composer | Astor Piazzolla (1921 - 1992) | | Conductor | Gabriel Castagna | | Date Written | 1968 | | Venue | Württemburgische Philharmonie, Reutlinge | | Notes | Württemburgische Philharmonie, Reutlingen, Germany (02/21/2000-02/25/2000) | | 3. Tres movimientos tanguísticos porteños, for orchestra: II. Tango No. 2. Moderato - Poco più mosso - (6:44) | | Composer | Astor Piazzolla (1921 - 1992) | | Conductor | Gabriel Castagna | | Genre | Tango | | Date Written | 1965 | | Country | Argentina | | Venue | Württemburgische Philharmonie, Reutlinge | | Notes | Württemburgische Philharmonie, Reutlingen, Germany (02/21/2000-02/25/2000) | | 4. Tres movimientos tanguísticos porteños, for orchestra: III. Tango No. 3. Vivace (Fuga) (15:03) | | Composer | Astor Piazzolla (1921 - 1992) | | Conductor | Gabriel Castagna | | Date Written | 1953 | | Venue | Württemburgische Philharmonie, Reutlinge | | Notes | Württemburgische Philharmonie, Reutlingen, Germany (02/21/2000-02/25/2000) |
Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños Music Composers on Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños CD : Astor Piazzolla Conductors on Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños CD : Gabriel Castagna Genres on Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños CD : Tango
Purchase Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños To buy, Click on price to add to cart | Cinderella CD (1965) Original Soundtrack
Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños
$9.59 All music written by Richard Rodgers and Oscar Hammerstein II.
Sony Classical's recording of Rodgers and Hammerstein's Cinderella is a fine version of the musical, featuring strong performances from Stuart Damon, Pat Carroll, Celeste Holm and Lesley Ann Warren. ~ Stephen Thomas Erlewine
Principal cast: Lesley Ann Warren (Cinderella), Stuart Damon (Prince Charming), Celeste Holm (Fairy Godmother), Walter Pidgeon (The King), Jo Van Fleet (The Stepmother), Pat Carroll (Wicked Stepsister).
Personnel: Don Heitgerd, Barbara Ruick, Stuart Damon, Ginger Rogers, Jo Van Fleet, Lesley Ann Warren, Pat Carroll, Walter Pidgeon, Celeste Holm (vocals).
Recording information: Hollywood, CA (11/02/1964-11/10/1964); New York, NY (11/02/1964-11/10/1964).
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Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños
$6.09 Festival of Carols features Robert Shaw performing a variety of holiday favorites. Featured songs include the album-opening "Medley," "It Came Upon a Midnight Clear," "O Come, O Come, Emmanuel," and "Shepherd's Carol," in addition to 11 others. Those who appreciate Shaw's music should find this a lovely addition to the holiday season. ~ Jason Birchmeier
Recording information: 05/24/1957-07/26/1963.
Editors: Alice Parker; Robert Shaw.
Photographer: Wernher Krutein.
Arrangers: W.H. Cummings; John Work; Martin Shaw; Robert Russell Bennett; Alice Parker; Robert Shaw; Peter J. Wilhousky.
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Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños
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Piazzolla: Tangazo; Tres Movimientos Tanguísticos Porteños
$13.49 This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by -- for the time -- amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the Moog voice as valid on its own terms, which may be one reason why this album still stands out today, when compared with some of the more flamboyant work that followed from others, such as Isao Tomita -- everything here is musical, with no sound effects to speak of until near the finale (and even that is restrained); and the Moog is working in its own "voice," rather than overtly imitating other, non-electroni
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