| | Steve Miller Italian X-Rays CD - Import Steve Miller Discography of CDs
Digitally remastered by Larry Walsh (Capitol Recording Studios, May 1990).
All songs written or co-written by members of Steve Miller Band.
Digitally remastered 'collector's edition' reissue of 1984album for Polydor that's out-of-print domestically, includes extensive sleeve notes. Eagle. 1998.
Steve Miller Band: Steve Miller (vocals, guitar, keyboards), Byron Allred (keyboards), Kenny Lee Lewis (bass, guitar), Gary Mallaber (drums, percussion).
Producers: Steve Miller, Byron Allred, Kenny Lee Lewis, Gary Mallaber (all tracks). Italian X-Rays Music | Category | Rock/Pop Albums, Rock CDs | | Label | Eagle | | Orig Year | 1984 | | All Time Sales Rank |  90661  | | CD Universe Part number | 5738502 | | Catalog number | 456617 | | Discs | 1 | | Release Date | Jan 01, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Hong Kong |
Steve Miller Italian X-Rays Songs | 1. | Radio 1 |
| 2. | Italian X Rays |
| 3. | Daybreak |
| 4. | Shangri-La |
| 5. | Who Do You Love |
| 6. | Harmony of the Spheres |
| 7. | Radio 2 |
| 8. | Bongo Bongo |
| 9. | Out of the Night |
| 10. | Golden Opportunity |
| 11. | Hollywood Dream |
| 12. | One in a Million |
| 13. | Harmony of the Spheres |
|
Italian X-Rays Review
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Purchase Italian X-Rays CD To buy, Click on price to add to cart | John Mayer Battle Studies CD (2009)
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, Mayer is effortlessly seductive and somewhat ...
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It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through Best Buy, there's an additional CD, plus two previously unreleased DVDs -- a 1978 New Years Eve concert from Santa Monica, a documentary called 400 Days shot during the Wildflowers tour -- a Blu-Ray edition of all 62 tracks on the five-CD version, ...
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| | Sound Of The Jam CD (2003) (Import) Hong Kong
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Though the Jam is rightly counted among Britain's pioneering punk bands, Paul Weller and his cohorts never did quite fit the mold. While the Woking combo's early recordings certainly traded in a brand of raw aggression similar to the Sex Pistols, they always placed a premium on the distinctly anti-punk virtues of catchy melodies, '60s cover tunes, and precise musicianship. In addition, the Jam's fashion sense matched the music; safety pins and combat boots were eschewed in favor of sharp three-button mod suits and two-tone shoes. More importantly, the Jam was one of the few original punk-era groups to break away from the genre's narrow confines and progress artistically, while simultaneously garnering huge commercial success in the UK.
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Fiona Apple's long-awaited follow-up to 1999's WHEN THE PAWN... had a difficult (and well-documented) inception that involved pulling the notoriously strong-willed artist out of self-imposed seclusion in her California home. The end result, however, is an assured outing that upholds Apple's reputation for exceptional albums, proving that it was well worth the six-year wait.
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Comsats aficionados have slobbered over rumors of unreleased songs and outtakes for 25 years, and To Before is a sampling of that manna. Singer/guitarist Stephen Fellows seems surprised at the results, noting, "I'd not heard some of this since we did it." Disc one is the early period, with original version demos (some reworked later, like "The House That..."), a rare debut single, and genius finds like "Work" and "Time to Burn." (Sadly, still no sign of the three ...
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