| | Motley Crue Shout At The Devil CD Motley Crue Discography of CDs
 (24 Customer Reviews)
W/ 1 Bonus Track. Replaces #578031 Bey.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Enhancements include the "Looks That Kill" video.
Motley Crue: Vince Neil (vocals); Mick Mars (acoustic & electric guitars, background vocals); Nikki Sixx (bass, background vocals); Tommy Lee (acoustic & electronic drums, background vocals).
Additional personnel: Allister Fiend (spoken vocals); Jai Winding, Paul Fox (keyboards); Tom Kelly, Richard Page (background vocals).
Principally recorded at Cherokee Studios, Hollywood, California. Includes interviews conducted by Alan K. Stout.
Digitally remastered by Chris Solem (1999, Future Disc).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Shout at the Devil displays Mötley Crüe's sleazy and notorious yet quite entertaining metal at its best. When compared to its predecessor, Too Fast for Love, one can see that the band's musical range has certainly widened over the course of these two albums; the record features catchy, hard-rocking songs, but also includes an instrumental ("God Bless the Children of the Beast") and a powerful cover of the Beatles' "Helter Skelter." While such later albums as Dr. Feelgood would achieve a higher amount of critical acclaim, no Mötley Crüe album surpasses the quality of Shout at the Devil. [In 1999, the Crüe remastered and reissued Shout at the Devil on their own Motley/Beyond label with four bonus tracks: three demos, including versions of the title track and "Looks That Kill," and a previously unreleased song.] ~ Barry Weber
Whereas Motley Crue's 1981 debut TOO FAST FOR LOVE was glam rock-based (both musically and visually), 1983's now-classic sophomore effort, SHOUT AT THE DEVIL, had more in common with heavy metal. The album served as The Crue's commercial breakthrough, going double-platinum shortly after it's release (and eventually reaching quadruple-platinum status) and spawning several popular MTV videos. Motley Crue toured behind SHOUT as an opener for Ozzy Osbourne, and the success of the album also helped open the floodgates for the L.A. metal scene.
SHOUT AT THE DEVIL is undoubtedly Motley Crue's all-time best. The set includes anthems galore (the title track, "Looks That Kill," and the melodic "Too Young to Fall in Love"), lesser-known tales of sex, violence, and sin ("Bastard," "Red Hot," "Knock 'Em Dead Kid," "Ten Seconds to Love," "Danger"), and a vicious cover of The Beatles' "Helter Skelter." All the tracks are winners. SHOUT's satanic cover imagery and graphic lyrics drew fire from religious organizations, as did the band's rock mag-fueled hedonistic reputation. Nonetheless, SHOUT AT THE DEVIL remains one of the finest metal albums of the '80s. Motley Crue Shout At The Devil Songs | 1. | In the Beginning |
| 2. | Shout at the Devil |
| 3. | Looks That Kill |
| 4. | Bastard |
| 5. | God Bless the Children of the Beast |
| 6. | Helter Skelter |
| 7. | Red Hot |
| 8. | Too Young to Fall in Love |
| 9. | Knock 'Em Dead, Kid |
| 10. | Ten Seconds to Love |
| 11. | Danger |
| 12. | Shout at the Devil - (demo) |
| 13. | Looks That Kill - (demo) |
| 14. | Hotter Than Hell - (demo) |
| 15. | I Will Survive - (previously unreleased) |
| 16. | Too Young to Fall in Love - (demo) |
|
Shout At The Devil Music Review Buy Shout At The Devil CD Purchase Shout At The Devil CD To buy, Click on price to add to cart | Slayer World Painted Blood CDs (2009) With DVD; Deluxe Edition; Digipak
Shout At The Devil
 $17.57   
Deluxe Edition
Personnel: Tom Araya (vocals); Jeff Hanneman, Kerry King (guitar); Dave Lombardo (drums).
Audio Mixer: Greg Fidelman.
Editor: Dan Monti.
Photographer: Andrew Stewart.
Of the "big four" original thrash bands (the other three being Metallica, Anthrax, and Megadeth), Slayer was the least compromising and most consistent. As such, 2009's WORLD PAINTED BLOOD recalled more than the title of Slayer's 1986 masterpiece REIGN IN BLOOD; it shared ...
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Personnel: Michael Sweet, Oz Fox (vocals, guitar); Tracy Ferrie (vocals); Tom Scholz (guitar); Paul McNamara (piano, keyboards); Kenny Aronoff, Robert Sweet (drums); Danny Bernini (percussion).
Audio Mixers: Danny Bernini; Michael Sweet.
Editor: Kenny Lewis.
Arrangers: Tom Scholz; Michael Sweet.
After the original Stryper lineup ...
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| | Charles Lloyd Notes From Big Sur CD (1992)
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$15.55  
Personnel: Charles Lloyd (tenor saxophone); Bob Stenson (piano); Anders Jormin (acoustic bass); Ralph Peterson (drums).
Recorded at Rainbow Studio, Oslo, Norway in November 1991.
Personnel: Charles Lloyd (tenor saxophone); Bobo Stenson (piano); Anders Jormin (double bass); Ralph Peterson (drums).
Recording information: Rainbow Studio, Oslo, Norway (11/1991).
Photographer: Dorothy Darr.
On Notes From Big Sur, Charles Lloyd retains pianist Bobo Stenson but opts for a new rhythm section in bassist Anders Jormin and drummer Ralph Peterson. The program begins with two elegant jazz ballads, "Requiem" and "Sister" (the former would reappear on 1999's Voice in the Night). Lloyd turns toward abstraction on "Takur" and the two-part "Pilgrimage to the Mountain"; the second part, "Surrender," closes the album as a kind of benediction. The middle of the program is pretty meaty: "Sam Song," with its swinging tempo, does much to brighten the mood, as does the waltz "Monk in Paris" and the heavy, slow groove of "When Miss Jessye Sings" -- an homage, one can assume, to the opera singer Jessye Norman. With an unapologetically assertive rhythm team and scintillating solo flights from Lloyd and Stenson, Notes From Big Sur successfully portrays the California coastline for which it is named -- picturesque and soothing, although rugged and at times forbidding. ~ David R. Adler
NOTES FROM BIG SUR contains a series of pieces that flow easily into one another, giving a through-composed feel to the album. There are plenty of peaks and valleys on this date, but for the most part, saxophonist Charles Lloyd and his ensemble maintain a subtle ballad ...
| | Alicia Keys Songs In A Minor CD (2001) Import
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Japanese edition of the urban artist's debut album which garnered her 5 Grammy's in 2002 now includes 3 bonus tracks 'Rear View Mirror' which was previously available on the soundtrack to 'Dr. Doolittle 2', 'Fallin' (Extended Remix Featuring Busta Rhymes & Rampage) & 'A Woman's Worth (Remix Radio Edit)'. 19 tracks in all including the hit singles, 'Fallin' & 'A Woman's Worth'. Also included in this Japanese pressing is the US/International bonus track, 'Lovin' U'. Includes lyrics to all tracks. 2002.
Personnel: Alicia Keys (vocals, various instruments, piano, keyboards); Jimmy Cozier (vocals): Gerald "G" Flowers, Arty White (guitar); Miri (violin); Isaac Hayes (Fender Rhodes piano); Brian Cox (keyboards); Richie Good (upright bass); Tim Shider, Vic Flowers, Rufus Jackson (electric bass); Norman Hedman (percussion); Kerry "Krucial" Brothers, Anthony Nance (programming); Cindy Mizelle, Tammy Saunders, Andricka Hall, Paul L. Green, Kandi B (background vocals).
Producers: Jermaine Dupri, Brian McKnight, Alicia Keys, Kerry "Krucial" Brothers.
Alicia Keys won the 2002 Grammy Award for Best New Artist. SONGS IN A MINOR won the 2002 Grammy Award for Best R&B Album. "Fallin'" won the 2002 Grammy Awards for Best Female R&B Vocal Performance and for Best R&B Song.
CD contains 3 bonus tracks.
Personnel: Alicia Keys (vocals, piano, keyboards, background vocals); Arty White, Cato (guitar); Isaac Hayes (Fender Rhodes piano); John Peters (organ); Brian Cox (keyboards); Richie Goods (acoustic bass, electric bass); Norman Hedman (percussion); Kerry Brothers, Anthony Nance (drum programming); Cindy Mizelle, Kandi Burruss, Paul Green, Andricka Hall (background vocals).
Audio Mixers: Manny Marroquin; Gerry "The Gov" Brown; Phil Tan; Russell Elevado; Tony Maserati.
Recording information: Backroom Studios, Glendale, CA; Battery Sounds, New York, NY; Doppler Studio, Atlanta, GA; Hit Factory, New York, NY; KrucialKeys Studios, New York, NY; SouthSide Studios, Atlanta, GA; Unique Recording Studios, New York, NY.
Photographer: Tony Duran.
Arrangers: Kandi Burruss; Alicia Keys.
Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. ...
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| | Tres Chicas Sweetwater CD (2004)
Shout At The Devil
$13.49
Tres Chicas: Lynn Blakey, Tonya Lamm (vocals, guitar); Caitlin Cary (vocals, violin).
Additional personnel includes: Chris Stamey (guitar, bass); Jen Gunderman (accordion, piano, Wurlitzer piano, Hammond organ); Eric "Skillet" Gilmore (drums, percussion).
Recorded at Modern Recording, Chapel Hill, North Carolina.
Personnel: Lynn Blakey, Tonya Lamm (vocals, guitar); Caitlin Cary (vocals, violin); Michael Krause (guitar, electric guitar); Chris Stamey (guitar, electric bass); Dave Wilson (guitar); Clay Merritt (acoustic guitar); Chandler Holt (banjo); John Teer (mandolin); Jen Gunderman (accordion, piano, Wurlitzer organ); Skillet Gilmore (drums, percussion).
Audio Mixer: Tim "Harp" Harper.
Liner Note Author: David Menconi.
Recording information: Modern Recording, Chapel Hill, NC.
Photographers: Ronnie Tomany; Shawn Rocco.
Sweetwater is Tres Chicas' recorded debut, but it's not like they're new at this. Old pals from the Raleigh, NC, area, Caitlin Cary (Whiskeytown), Tonya Lamm (Hazeldine), ...
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| | Grafite CD (2006)
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Grafite (composed of brother team Marco and Busy Pete, along with Eddie Festa is a three piece power trio based in the Boston area since the late 80’s. Touring the East Coast has resulted in a large following, finally getting interest from A&M Records in New York City. The making of there first CD went completely over budget sending Grafite into financial turmoil. The master’s were held hostage until complete payment of the balance was payed to the mastering studio. These events delayed Grafite’s first release by one year. In 1994 Grafite’s self titled CD was finally ready for release. When Grafite legal representative presented the CD to A&M they took one look at the cover picture and said “we are not investing into ...
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