| | Beverly Kenney Come Swing With Me CD - Import Beverly Kenney Discography of CDs
COME SWING WITH ME features 12 tracks by 50s jazz singer Beverly Kenny, including, "Give Me The Simple Life," "Trolley Song," and "If I Were A Bell." Japanese version comes with limited edition LP-style slipcase. 24bit digitally ... Full Descriptionremastered Japanese limited edition in an LP-style slipcase.
CD comes in Jpn LP Sleeve. Hide Description Beverly Kenney Come Swing With Me Songs | 1. | Give Me the Simple Life |
| 2. | I Guess I'll Hang My Tears Out to Dry |
| 3. | Trolley Song |
| 4. | Violent For My Furs |
| 5. | This Can't Be Love |
| 6. | Scarlet Ribbons |
| 7. | If I Were a Bell |
| 8. | Why Try to Chance Me Now |
| 9. | Swinging on a Star |
| 10. | You Go to My Head |
| 11. | It Ain't Necessarily |
| 12. | You |
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Purchase Come Swing With Me CD To buy, Click on price to add to cart | Will Downing Classique CD (2009)
Come Swing With Me album
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The title of Will Downing's 2009 effort, CLASSIQUE, produced by the artist and Rex Rideout, may be a bit misleading: it is not a compilation but a brand-spanking new collection of contemporary jazz-inflected R&B--in other words, classic Downing. The album's first single, "Something Special"--with its hand drums, loops, and slippery flute flitting around a well-placed, subtle horn section--is at its core a popping midtempo love song. Elsewhere, his cover of Barry White's "I'm Gonna Love You Just a Little Bit More Baby" reveals just how deep the master's influence is on Downing. He may not have the full depth of White's baritone, but he gets close, and his expressiveness and emotional connection to the song make it shine. The completely old-school Marvin Gaye ballad "Baby I'm for Real" features a duet appearance by Phil Perry. It's convincing and utterly gorgeous. But not only do the covers work here; Downing's originals connect too--and not just the aforementioned ...
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| | Freddie Hubbard Liquid Love CD (1975)
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With his eighth album, jazz bassist Wayman Tisdale bounces back (from a bout with bone cancer) with an upbeat, genial, somewhat vocals-oriented set. Tisdale still plucks his electric bass a-plenty and there's an abundance of mellow, easygoing jazz here, but he makes room ...
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| | Joe Lovano Folk Art CD (2009)
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Big-toned tenor saxophonist Joe Lovano is a truly unpredictable talent, constantly pushing into new directions and contexts for his playing. On FOLK ART, his 21st recording for Blue Note and first album of entirely ...
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| | Wynton Marsalis Magic Hour CD (2004)
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Additional personnel includes: Diane Reeves, Bobby McFerrin (vocals).
In some ways, THE MAGIC HOUR marks some major changes for Wynton Marsalis; after what must seem like a lifetime on Columbia, it's his first record for Blue Note. He's also working with a group of younger musicians in a new quartet. And after a series of conceptual pieces, classical performances, big-band outings and the like, it's a return to the small-group format. At the same time, listening to Marsalis's precise-but-effortless trumpet elocution and natural swing, it's easy to feel like nothing has changed in the trumpet doyen's musical heart of hearts since his first recordings in the early 1980s.
Things start off with a blues that reaches back to Marsalis's New Orleans roots, with the leader making saucy interjections in and around Dianne Reeves's guest vocal. "You and Me" is a spare piece framed by rhythmic clapping and articulated subtly by pianist Eric Reed. The modified second-line rhythm of "Big Fat Hen" and the swinging shuffle of "Free to Be" place the ball squarely in Marsalis's wheelhouse, with the expected results. The title track that closes the album is a frenetic tour de force, with Marsalis pushing himself to the top of his range, and the band scurrying through the jazz equivalent of "Flight of the Bumblebee." Wynton the swinging ...
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