| | John Previti Quartet Swinging Lullabyes For My Rosetta CD John Previti Quartet Discography of CDs
Recorded at Mapleshade Studio, Upper Marlboro, Maryland.
Personnel: Big Joe Maher (vocals, drums); Rick Whitehead (guitar); John Cocuzzi (piano, vibraphone).
Liner Note Author: Pierre M. Sprey.
Recording information: Mapleshade studio (12/2001-01/2002).
Photographer: Eldon Baldwin.
Personnel: John Previti (bass); Big Joe Maher (vocals, drums); Marianna Previti (vocals); John Cocuzzi (vibraphone, piano); Rick Whitehead (guitar).
JazzTimes (8/03, p.138) - "...Lullabyes conveys an earnest and straightforward vibe....The interplay between Cocuzzi and Whitehead is a strong point..." Swinging Lullabyes For My Rosetta Music John Previti Quartet Swinging Lullabyes For My Rosetta Songs Swinging Lullabyes For My Rosetta Review
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Purchase Swinging Lullabyes For My Rosetta CD To buy, Click on price to add to cart | Return To Forever Returns - Live At Montreux 2008 DVD (2008) DTS Sound
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"The Chairman of the Board" died in May of 1998, yet his music sounds as vital and relevant today as ever. Released on the 10th anniversary of his death--in coordination with a slew of DVD releases commemorating the singer's acting career as well as an official U.S. Postal Service stamp--NOTHING BUT THE BEST provides an excellent look at Sinatra's tenure at the Reprise label. Among the album's 22 vintage ...
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It seems incredible that Roberta Gambarini didn't win the Thelonious Monk Jazz Vocal Competition but she was new to the U.S., having just arrived from her native Italy. But with each new release, she has demonstrated that she is easily the most accomplished vocalist of the competitors for the prize. Pianist Hank Jones, who knows a thing or two about great singers, refers to her as the "greatest vocalist to come along in the past 60 years." On 2009's SO IN LOVE, with a rhythm ...
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The enhanced portion of this release contain videos, live performances, and more.
Paris Combo has the schtick, and it's served them well. Attraction carries on with what's not really a formula, but an attitude -- with a few subtle refinements, but the same elements that have brought them relative success. The title cut, happily bouncy, is a sophisticated summer afternoon by the Seine, while "Dans les Bras d'un Loup" is as seductive as midnight champagne in a Left Bank cabaret (and using the cello as a solo instrument is inspired, with its nighttime texture). As always, singer Belle du Berry offers a purr that's halfway between little girl and vampish Eartha Kitt and a series of songs that show she's a writer of genuine talent, with a sense of the surreal -- as on the blues-tinged "Pourquoi les Vaches," which translates to "Why the Cows." There's a lilting melodicism to the band's work, with David Lewis playing a starring role, both on piano and trumpet -- his minimal trumpet solo on "Dans les Bras d'un Loup" is a joy (as is Potzi's guitar work, offering an echo of Django Reinhardt and the Hot Club of France). But they can also play it straight and be quite affecting, as on "Berceuse Insomniaque," where Berry presents her lyrics simply and straightforwardly. While there's nothing particularly modern about Paris Combo's sound, it doesn't deliberately try to be retro, either -- it simply takes elements from across the decades, grabbing at chanson, jazz, show tunes, some of the more esoteric elements of rock, and avant-garde, and mixes them into a whole that's fresh while retaining an almost atavistic familiarity. From the playful ("Avril") to the sublime (the complex but never overwhelming "Retroviseur," which is a virtually a tour of cool European jazz styles), ...
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