| | Murk Alright CD Murk Discography of CDs
The followup to "Some Lovin' (featuring Kristine W.) is a rockin' romp on the dancefloor from the Mix Masters of Miami. The duo have progressed so much from their early days and the experiences of superstar remixes and their own successes with Liberty City and Funky Green Dogs have brought them to a point in their career where their sound is now accepted as one of the standards of modern dance. This single confirms the promise shown on its predecessor that even bigger things lie in wait for them. The three remixes included here are simply stupdendous, with the boys themselves offering a typically sparse economical reading, Callea + Rispoli bring the proceedings up in yo face, while the Southside team turn the beats up high to expand your mind's sheer zen with their massive mix clocking in at over ten minutes, the crowning jewel on this awesome single.
Audio Remixers: Charlie Solana; Vincenzo Callea; Sammy-O.
Recording information: Entroterra Studio, PA.
Murk: Oscar G., Ralph Falcon.
Personnel: A. Zarcone (keyboards).
Murk Alright Songs | 1. | Alright - (Original Radio Edit) |
| 2. | Alright - (Callea & Rispoli Radio Edit) |
| 3. | Alright - (Murk Original Mix) |
| 4. | Alright - (Callea + Rispoli "Come Rich Two" Remix, Callea & Rispoli Come Rich Two remix) |
| 5. | Alright - (Southside's Bangin' on the Drum Mix) |
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Alright Review
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Purchase Alright CD To buy, Click on price to add to cart | The Ultimate Bee Gees CDs (2009)
Alright
 $15.24   
Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through the '70s, whereas this opens with the bright, fabulous blast of "You Should Be Dancing" and remains in their late-'70s heyday for a while before fast-forwarding to such latter-day adult contemporary hits as "One." We don't get to "I've Gotta Get a Message to You" and "I Started a Joke" until halfway through the second disc, and this jumbled, almost haphazard sequencing is a little disconcerting since it appears to follow no true rhyme or reason. Nevertheless, scattershot is still plenty entertaining when the music is as good as this, and this does have all the Bee Gees' big hits, plus live versions of songs they gave to others, so it's a good, swift way to get all this stuff at once -- at least for those who don't already have The Record or some other Bee Gees hits collection. ~ Stephen Thomas Erlewine
Audio Remasterer: Dan Hersch.
| | Isaac Hayes Shaft (Deluxe Edition) CD (1971) Bonus Track; Remastered; Deluxe Edition
Alright
$9.58
Despite its codification into our collective pop culture consciousness, Isaac Hayes' "Theme From Shaft" is a highly original composition. It's been remade by Hayes himself for the remade Shaft film, and appropriately kicks off this collection of tunes from the movie by some of R&B's New Jacks.
A diverse selection of artists encompass the collection, from lascivious soul stirrer R. Kelly to the rugged Latin hip-hop of Fulanito, along with many other noteworthy diversions that represent the many flavors of contemporary urban soul. Most of the material focuses on John Shaft's street smarts and bravado, or the film's pimps, hoes, and gangsta imagery. As expected, Southern hip-hop is well represented, with Outkast, Mystikal, and Big Gipp from Goodie Mob contributing. The tracks offer typically gritty observations on street life, over bleak, minor chords and busy percussion. T.I.P. featuring Beanie Sigel offers "2 Glock 9's," one of the soundtrack's most rugged grooves, a minimal, stripped-down drum break that stutters and skids backwards and forwards over a Notorious BIG vocal sample and is easily the eeriest track on the album. The only light relief is provided by Too $hort's "Pimp Sh*t," a humorous foray into playa politics.
The title track's perennially recognizable hi-hat and wah-wah guitar intro, interlocking horn/string parts, and smooth, proto-rap verses conjure the name SHAFT as surely as a snake-charmer's incantation. It also conjures the name of Isaac Hayes--the songwriter, arranger, musician, and producer responsible for the phenomenally successful soundtrack to the landmark 1971 Blaxploitation film. Hayes's status as a key player in the Stax/Volt soul empire, and as a solo artist of considerable renown, went through the roof with this double-LP (now compiled on a 70-minute CD).
Hayes's lush, ambitious arrangements are performed by the Bar-K
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Additional Tracks; Deluxe Edit
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