| | Roxy Music Live CD Roxy Music Discography of CDs
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Recorded live between June & October 2001. Includes liner notes by Michael Bracewell.
Roxy Music: Bryan Ferry (vocals, piano); Phil Manzanera, Chris Speeding (guitar); Lucy Wilkins (violin, keyboards); Andy Mackay (oboe, saxophone); Colin Good (piano); Julia Thornton (keybards, percussion); Zev Katz (bass); Paul Thompson (drums); Sarah Brown, Yanick Etienne, Michelle John, Sharon White (background vocals).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Uncut (8/03, p.97) - 5 stars out of 5 - "...This two-CD features Roxy sounding as good if not better than ever....They still capture the giddy thrall of future pop perfection like no other outfit before or since..."
Mojo (Publisher) (8/03, p.106) - 4 stars out of 5 - "...Of the 22 tracks collated here, at least three-quarters could be dubbed British Rock Masterpieces..." Live Music Review Average Rating: (5 out of 5 stars)  Roxy at it's best!!
I own the movie dvd of this show and the music cd version.The sound quality is excellent the video is awesome!!
Submitted by thebabe1957 (queens,new york) 
Was This Review Helpful? Yes No Roxy Music still class act in 2001
Roxy Music's main members reunited in 2001 for a tour, and this brand new 2 CD set is the result. CD has all their classic tracks including tracks from their classic 'Avalon' album. Beautifully recorded and classy artwork which has always been a RM staple. Essential for any Roxy Music fan!
Submitted by a reviewer (Nashville, TN United States)
Was This Review Helpful? Yes No WOW!
Rarley do you find bands whose members seem to have been put on this earth to work together. Roxy Music is one of those bands, and even after 18 years of having not worked, when 4 out of 5 original members reunited to do a world tour, the music still sounded like it could have been produced yesterday. Recorded from gigs around the world, the music leaves you feeling almost giddy. They still sound great, these guys havent lost a thing. A great cross section from their rather lengthy recording career. Its times like these that I wish I watched more TV or read more newspapers or listened to the radio because they came to my hometown and I completely missed it, track 21 was actually recorded there. I cant say enough about this album or this band so I'll let it go at that, only to add, rumors have been circulating about a new album and tour from these guys so lets keep our fingers crossed. Fans of Roxy Music should not miss this one, its great!
Take Care
Submitted by Craig (Vancouver, BC)
Was This Review Helpful? Yes No THE ART OF PERFECT LIVE PERFORMANCES
HEARING THIS ALBUM YOU REALLY REALICE THE IMPORTANCE OF ROXY MUSIC IN ROCK HISTORY. BRYAN´S VOCALS, ANDY´S SAX, OR THE UNIQUE MANZANERA´S GUITAR BRINGS YOU TO A VERY NICE AND SPECIAL MUSICAL SENSATION.
Submitted by CARMELO (ALICANTE. SPAIN)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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36 x 48 inch
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16 x 21 inch
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Purchase Live CD To buy, Click on price to add to cart | Neil Young American Stars 'N' Bars CD (1977) Remastered
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All tracks have been digitally remastered using HDCD technology.
Released right after the career albums TONIGHT'S THE NIGHT and ZUMA and right before the big-selling COMES A TIME and RUST NEVER SLEEPS, this country-rocky 1977 album is often forgotten. But it introduced the sensational "Like A Hurricane," which has remained a staple of Young's concerts, and such quirky favorites as "Homegrown," an ode to marijuana, and "Old Country Waltz," which is exactly what it says it is. As Neil Young's legendary 1970s albums go, it might be a bit of a tossed-off affair, but most country-rockers can only dream of making one album this good.
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After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain."
The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and resilient, and easily stands as ...
| | Neil Young Hawks & Doves CD (1980) Remastered
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All tracks have been digitally remastered using HDCD technology.
Following up the energetic, one-two punch of RUST NEVER SLEEPS and LIVE RUST, Neil Young takes a more understated route with 1980's HAWKS & DOVES. On rustic tracks such as "Little Wing" and "The Old Homestead" (both written in the mid-'70s), Young revisits his HARVEST era with a spare sound that relies heavily on his distinctive voice and acoustic guitar. As the album progresses, its scope widens both musically and lyrically; "Stayin' Power" is a jaunty, piano-driven tune about the power of love, while "Comin' Apart at Every Nail" is a guitar-laden hoedown that comments on the US government. This surprisingly patriotic tone (especially coming from a Canadian) This politically minded theme takes on a surprisingly patriotic tone on the album's closing title track, the Canadian songwriter's flag-waving tribute to the United States. A highly underrated record, HAWKS & DOVES features some of Young's finest songs of the '80s.
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Released in 1981, REACTOR was a transitional album for Neil Young, most notably in that it marked a break in his longstanding relationship with Reprise Records. But before Young left for the supposedly greener fields of Geffen, he unleashed this amped-up outing with Crazy Horse in tow. "Opera Star," with its refrain of "ho-ho-ho-ho-ho-ho" and unusual synthesizer backing, sets a quirky tone that's furthered by "T-Bone," a nine-minute guitar workout with lyrics comprised only of the lines "Got mashed potatoes/Ain't got no T-bone." On other tracks, however, the iconic rocker leaves blatant eccentricities behind; ...
| | Neil Young Greendale CD (2003) Bonus DVD
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Includes a bonus DVD entitled LIVE AT VICAR STREET, which features a solo acoustic concert recording of the GREENDALE album.
Critics were sharply divided over this album, some hailing it as a masterpiece and some dismissing it as a tossed-off trifle. Longtime Young fans will notice right away that GREENDALE's raw, minimalistic sound and quirky songs hearken back to such gloriously off-kilter 1970s releases as ZUMA and TONIGHT'S THE NIGHT. This is a "concept album," but it's one of the few instances in rock history where those words needn't send audiences fleeing in the opposite direction. Young's rare combination of deceptively effortless, organic narrative and unpredictable strangeness keep things flowing, and there are valuable moments of humor sprinkled throughout to keep GREENDALE from getting weighed down.
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The Filthy Tongues were skulking in the shadows making their guitar, drums and bass snarl like the Scottish musical cousins of The Dirty Three, before meeting this American girl in 2004 coaxed them back into the limelight."We were playing a gig in London," recalls bassist Fin Wilson."I thought I met her in a psychiatric hospital," ponders guitarist Martin Metcalfe."That was it," recalls Derek Kelly, drummer. "Aye it was, because you thought having a therapist in the band might be a useful thing in the future."However it happened, Stacey Chavis from Portland, Oregon, became Isa with The Filthy Tongues.Having in-house therapy on call must have seemed like a good idea after the trio's experiences as the heart and lungs of Goodbye Mr Mackenzie, a band who ricocheted round record labels narrowly missing a high score in Europe, before evolving into Angelfish. That pushed backing singer Shirley Manson to the fore, and the new group made a dent in the U.S. college and independent charts.Butch Vig came a calling for a singer to front his new band Garbage just when constant American touring was threatening to gut Angelfish anyway."If Shirley had been that good a singer in the beginning then I would never have become the front man, and just stayed playing guitar," insists Metcalfe.Stacey has spent a lifetime being asked to join various bands, but always said no, because the confidence ...
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