| | La Tropa F 30 Exitos Insuperables CD La Tropa F Discography of CDs
 (1 Customer Review)
2cds 30 Exitos Insuperables Music La Tropa F 30 Exitos Insuperables Songs | | 30 Exitos Insuperables CD DISC 1: |
| 1. | Paloma Mensajera |
| 2. | Corazon Vacio |
| 3. | Juan Sabor |
| 4. | Sera Por Ti |
| 5. | Mil Noches |
| 6. | Si Tus Besos Se Van |
| 7. | Vuelve Junto a Mi |
| 8. | Corazon Herido |
| 9. | Ritmo y Sabor |
| 10. | Fue Mi Error |
| 11. | Botas y Sombrero |
| 12. | Concha de Mar |
| 13. | El Azucar |
| 14. | Tocando Puertas |
| 15. | Lagrimas |
| | 30 Exitos Insuperables Songs DISC 2: |
| 1. | Chaparrita |
| 2. | Tienes Negro el Corazon |
| 3. | Apenas Te Conozco |
| 4. | Toma Mi Amor |
| 5. | Rizo de Tu Pelo |
| 6. | Que Me Haz Hecho Tu |
| 7. | Yo y Mi Amiga la Botella |
| 8. | Escaleras de la Carcel |
| 9. | Amores Ajenos |
| 10. | Modelo |
| 11. | El Arco Iris |
| 12. | Otro Dia |
| 13. | Casita en el Arbol |
| 14. | Corazon Te lo Dije |
| 15. | It's Over |
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30 Exitos Insuperables Music Review Purchase 30 Exitos Insuperables CD To buy, Click on price to add to cart | Franco El Gorila Welcome To The Jungle CD (2009)
30 Exitos Insuperables album
 $10.99   
| | Los Tres Diamantes Originales: 20 Exitos CD (2005) Remastered
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| | Larry Hernandez 16 Narco Corridos CD (2009)
30 Exitos Insuperables music CDs
$9.99
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| | Willie Colon There Goes The Neighborhood CD (1974) Remastered
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| | Gold L'Olympia CD (1987) (Import) France
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| | Dark Funeral In The Sign CD (1994) (Import) Import; United Kingdom
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| | Alpha Blondy Yitzhak Rabin CD (2008) (Import) Import
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| | Joan Sebastian En Vivo En El Auditorio Nacional CD (2006)
$13.85 | | Sila & The Afrofunk Experience Funkiest Man In Africa CD (2006)
30 Exitos Insuperables CD music
$12.15
Sila's Afrofunk gets down, feels goodby Christina Troup, The San Francisco Examiner On Sunday, the Grammys enlisted a high-octave pop princess to pay tribute to the late James Brown, but had the Recording Academy considered doing the Godfather of Soul justice, Victor Sila would have been called upon instead.Let’s just say the “hardest working man in show business” and Sila, the Kenyan-born frontman of the San Francisco-based outfit Sila and the Afrofunk Experience, have a lot more in common than the “Genie in the Bottle” balladeer.On Saturday, Sila and his fellow funkateers pay tribute to James Brown and afrobeat pioneer Fela Kuti at the Independent in San Francisco.As a child growing up in a small village in Kenya, Sila remembers tuning in to a shortwave radio for the latest pop offerings from the West. By way of a faint, crackling radio signal, Sila first became acquainted with the guttural howls and shrieks of the Minister of Funk.“One of the first James Brown songs I remember hearing on shortwave radio was ‘I Feel Good.’ Growing up very poor in my village and having a song like that play on the radio was very inspiring,” Sila, 36, says.His exposure to James Brown, along with such artists as the Beatles, Jimi Hendrix and Bob Marley, inspired Sila to pursue music, which he says was far from a well-respected profession in Africa.Despite his career choice, his parents supported his decision and sold cows and goats to raise money for his send-off to the U.S.Sila’s pursuit of musical stardom was met with the heartbreak of rejection and he eventually found himself lost, an imposter of sorts, singing pedestrian pop tunes while trying to mask a heavy Kenyan accent.It wasn’t until he stumbled upon a sold-out show by African artist Baaba Maal at the Fillmore that he realized he needed to change course.“This was the first African artist I saw in concert singing in his own language. He ...
| | Costumbre Entregame CD (2006)
30 Exitos Insuperables music CDs
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| | Forefathers Manataka CD (2007)
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| | Lava Rats Don't Drink The Water CD (2008)
30 Exitos Insuperables album
$16.45
The Lava Rats are: Bill Bergstrom: Guitars, Baritone Guitar, Theremin, and Tuba Rodd Escobar-Dos Santos: Bass and Baritone Guitar Taylor Still: Drums and Percussion A creaking door sound effect and slow, ominous descending guitar riff usher you In The Charnel House. With a sudden scream and shattering kick of a reverb tank, you know there's no turning back. Bill tears off a glissando and begins his intro over the furious pounding of tribal drums. The bass enters the fray, and the band settles into a heavy groove. This is surf music with a dose of horror. Over and over, Bill hammers home the main theme with heavily reverbed spy-tone and changes things up with agressively double picked melodic variations. Spooky. Devil's Slide This Rockabilly rave-up is a showcase for Taylor's outstanding drumming. He's always in the pocket and with that great tone, which makes this whole album such a pleasure to listen to. Keel Haulin' Stow away with the 'bilge" Rats for this demented sea shanty. Bill slices and dices the main theme nine ways from Sunday and keeps it interesting--everything from Astronaut's-style pizzicato to heavy crunch. And Taylor, what can you say except the guy has studied his military snare rudiments. Avast maties! Don't Drink the Water Establishes a slight "south of the border" feel, like many a surf classic before it. Heavy double picking in lock step with rolling double toms put you right inside the tube until you go over the falls and feel yourself being sonically pummeled in the churn. The Rats make like a post-punk Ventures for the new milleneum. Great staccato ride cymbal work here. Move over Mel Taylor--it's Lava Rat Taylor. Gotham Guitar lines that are long and languid, like a slow drive along the coast highway. Ever wonder what it would sound like if Bossa Nova era Pixies played surf/instro? (I know, but forget about Cecilia Ann for a second). Bill can really milk the slow, wavering trem across a full chord like James Wilsey. Within the short little tag line that seperates verses are the seeds to some of the most beautiful recorded sounds I have heard. This is just as gorgeous piece of music. Peligroso Translation: Dangerous! The real danger here, is that upon repeated listening this catchy guitar line will lodge permanantly in your brain. It's loopy and angular, with more twists and turns than Lombard Street. At the end, Bill harmonizes the figure to fit a chordal approach--no mean feat--and exhibits some serious musicianship. Under Tone If they do the twist in Hell, this is the music they are doing it to. I can't help but imagine Uma Thurmon in a red devil body stocking doing the Bat Dance a la Pulp Fiction (which probably says more about me than it does this tune). Really, this is the Cramps minus Lux and with better musicianship. Rodd really shines here on bass, and when the three Rats play the theme in unison, it is a thing of evil beauty. In one section, Bill breaks out some apocolyptic fuzz guitar like I haven't heard since In-A-Gadda-Da-Vida. Dragline Everyone in the mosh pit!! This one track alone may be responsible for the album label's stated "23% daily value of punk". A high engergy romp propelled by a relentless backbeat and jackhammer riffs. Appropriately, in the best tradition of punk, it clocks in at just barely over 2 minutes. The Flasher Swampy, tremolo laden guitar over a fat shuffle groove and melodic walking bass line. I would describe this as having a swingy, ...
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