| | Brian Culbertson Come On Up CD Brian Culbertson Discography of CDs
 (3 Customer Reviews)
Though young jazzer Brian Culbertson's boyish good looks make it tempting to lump him in with Harry Connick, Jr.-like neophytes Michael Buble and Peter Cincotti, this Illinois native is actually an instrumentalist who's been plying his trade ... Full Descriptionsince putting out the self-released debut LONG NIGHT OUT. COME ON UP is Culbertson's seventh album, and for this outing, he goes for a funkier sound that harkens back to a childhood spent cutting his teeth on the sounds of early Chicago, Blood, Sweat & Tears, and Tower of Power. Weaving an R&B-flavored thread throughout these dozen songs, Culbertson cuts loose with a few special guests including saxophonist Steve Cole, (the brassy "Say What?"), trumpeter Rick Braun (a sultry "Last Night"), guitarist Norman Brown (the crackling "Come On Up"), and R&B vocalist Rahsaan Patterson (the soulful "Fly High"). The centerpiece of this album turns out to be a sinewy instrumental reading of the Earth, Wind & Fire nugget "Serpentine Fire." Despite the lite-jazz designation this album will undoubtedly get when it hits record store bins, COME ON UP is trimmed with enough funky snap to put it beyond the flavorless stereotype this genre sometimes conjures up.
Rhodes piano, keyboards, synthesizer, shaker, programming); Ricky Peterson (vocals, Wurlitzer piano, Hammond B-3 organ); Norman Brown (vocals, guitar); Rahsaan Patterson (vocals); Steve Cole (soprano saxophone, alto & tenor saxophones); Brian Ripp (baritone saxophone); Rick Braun, Jim Culbertson, Jerry Hey, Gary Grant (trumpet); Bill Reichenbach (trombone); Carly Bauer (flute); Stephen Lu, Dave Hutton (keyboards); Paul Jackson, Jr. (acoustic & electric guitars); Michael Thompson (electric guitar, E-bow); Steve Rodby (acoustic bass); Marcus Miller, Richard Patterson, Alex Al (bass); Oscar Seaton, Jr. (cymbals); Lenny Castro (shaker, percussion).
Producers: Brian Culbertson, Stephen Lu, Rahsaan Patterson, Scott Steiner.
Personnel: Brian Culbertson (trumpet, trombone, flute, piano, Fender
Hide Description Come On Up Music | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Smooth Jazz, Keyboard / Synthesizer, Enhanced CD | | Label | Warner Bros. (Record Label) | | Orig Year | 2003 | | All Time Sales Rank |  11340  | | CD Universe Part number | 5939301 | | Catalog number | 48300 | | Discs | 1 | | Release Date | Jun 24, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Brian Culbertson - trumpet, trombone, flute, piano, Fender
Also: Paul Jackson Jr., Marcus Miller, Rick Braun, Norman Brown, Steve Cole, Rahsaan Patterson, Rashaan Patterson |
Brian Culbertson Come On Up Songs Purchase Come On Up CD To buy, Click on price to add to cart | Brian Culbertson Nice & Slow CD (2001)
Come On Up album
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| | Boney James Pure CD (2004)
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Nine albums into his career, Boney James makes a grab for the smooth-jazz crown with PURE, an outing that finds him working with a mix of soul and jazz luminaries. James ups the stakes by taking over the production reins (in addition to co-writing every song). Still front and center with his beloved tenor saxophone, this Grammy-nominated artist shifts to soprano sax for the harmony-soaked Bilal duet "Better with Time" and the silk sheets-and-champagne slow jam "Break of Dawn," featuring up-and-coming Detroit crooner Dwele.
Debi Nova adds her lovely vocals to the beat-driven "Appreciate," a cut that wouldn't sound out of place on a Toni Braxton or Brandy album. Instrumentals are still the focus, however, as revealed on the light funk of "Here She Comes" and the ...
| | Brian Culbertson It's On Tonight CD (2005)
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Kirk Whalum's silky tenor saxophone beautifully complements Patti Austin's soulful voice on "Love Will Never Let You Down," a seductive ballad about love's resilience. Instrumental ...
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;Prev.Import Only
| | Howard McGhee Maggie's Back In Town CD (1961)
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| | Miles Davis Birth Of The Cool CD (1956) Remastered
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Recorded in New York, New York on January 21 & April 22, 1949 and on March 9, 1950. Originally released on Capitol (762). Includes liner notes by Pete Welding & Gerry Mulligan.
As Miles Davis came to transcend the influence of Dizzy Gillespie and recognize his own musical voice, he arrived at a terse lyric conception of the trumpet, grounded in Charlie Parker's swinging syncopations. And it was in the course of searching for an appropriate musical corollary that he forged an enduring musical partnership with arranger Gil Evans and a core group of like-minded musicians that yielded three remarkable sessions which have come down to us as BIRTH OF THE COOL.
For Davis and Evans, the challenge was to create a supple new vocabulary out of the angularity of bebop, and greater emphasis on texture and form. By reining in the rhythm, Davis and Evans sought to create a more seamless fabric of written and improvised passages. And by employing tuba, French horn, trombone and trumpet, along with alto and baritone saxophones the Davis Nonet achieved a diaphanous, mellow orchestral texture.
However, the notion of cool as emotional detachment or lack of improvisational heat is somewhat overstated by the title. John Lewis's chart for the opening "Move" is taken at a brisk gallop over a driving Max Roach pulse, animated by deep brass counterpoint. Miles Davis treats his own blues, "Deception," in an almost choral manner, his lovely melodic line snaking through a web of voices. Gerry Mulligan's "Rocker" benefits from the rich contrary motion of his writing, and the big band accents which launch ...
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