| | Jessie Mae Hemphill Heritage Of The Blues: Shake It Baby CD Jessie Mae Hemphill Discography of CDs
This is part of Highnote's Heritage Of The Blues series. Personnel includes: Jessie Mae Hemphill (vocals, guitar, diddley bow, snare drum, tambourine, foot tambourine, bells); David Evans (guitar); Compton Jones (diddley bow, tambourine); ... Full DescriptionLois Brown (bass); Calvin Jackson, R.L. Boyce, Joe Hicks (drums); Bettye Mitchell (tambourine).
Compilation producers: Dr. David Evans, Bruce Bromberg.
Hide Description Heritage Of The Blues: Shake It Baby Music | List Price | $11.98 (You save $1.69) | | Category | Rock/Pop Albums, R&B CDs, Blues | | Label | Hightone | | Orig Year | 2003 | | All Time Sales Rank |  105472  | | CD Universe Part number | 5939373 | | Catalog number | 8156 | | Discs | 1 | | Release Date | Jun 24, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Calvin Jackson
Jessie Mae Hemphill - vocals, guitar, diddley bow, snare drum, tambourine, foot tambourine, bells
David Evans - guitar
Bettye Mitchell - tambourine
Compton Jones - diddley bow, tambourine
Joe Hicks - drums
Lois Brown - bass
R.L. Boyce
| | Additional Info | Remastered |
Jessie Mae Hemphill Heritage Of The Blues: Shake It Baby Songs Heritage Of The Blues: Shake It Baby Review
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Purchase Heritage Of The Blues: Shake It Baby CD To buy, Click on price to add to cart | Wild Bunch DVD (1969) Widescreen; Director's Cut
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The Almeria Club was a hard-edged, Alabama honky-tonk that was the site of a hot-tempered 1947 incident that became part of the lore of Hank Williams. More than 50 years later, Hank Jr. recorded an album in that very same notorious joint as a tribute to his father's rebel reputation. In keeping with the down-home theme, the production is agreeably raw and rootsy, bouncing from rockabilly ("Go Girl Go") to jump blues ("If the Good Lord's Willin'") and the ZZ Top-like blues-rock (the salacious double entendre "Last Pork Chop") that is a staple of Hank Jr.'s work. In keeping with his image as a flag-waving Charlie Daniels-like figure, Williams caps off the album with "America Will Survive," a post-9/11 anthem of transcendence that is ironically one of the least country-flavored tunes on the album.
4. If The Good Lord's Willing (And The Creeks Don't Rise)
Includes liner notes by Hank Williams, Jr and Kay Knight.
1. Last Pork Chop
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"Next Big Thing" won the 2004 Grammy Award for Best Male Country Vocal Performance.
This album's title is an ironic one, since Vince Gill has spent plenty of time as the Big Thing in country music. He started out as a hot-pickin' bluegrass guitarist before going solo in the mid-'80s. Some 20 years down the line, Gill has nothing to prove but still plenty to say. As always, his sound is a mix of Rodney Crowell-style '80s New Traditionalism, white soul, and pop, with a touch of that bluegrass influence coming through in his keening tenor. He's still the Mr. Nice Guy of contemporary country, soft-pedaling both the songs and the singing in a manner not unlike the Timothy B. Schmit portion of the Eagles' catalogue.
"Young Man's Town" ups the soul influence and adds a touch of Springsteen sentimentalism, while the aptly named "Old Time Fiddle" shows Gill's traditional roots, and "Without You" ventures into Ray ...
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Although sidelined from the blues scene as a result of a stroke in 1993, Jessie Mae ...
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emBROWNLOWe's Flight is an album that defies easy categorisation. The Portland, Oregon-based solo artist flits through genres like the British Cabinet goes through reshuffles, describing her sound in her own press pack as, rather incongruously, "indie, folk rock, electro". However, all these terms could happily be applied to emBROWNLOWe's music, as well as many more. Indie conjures up unwelcome images of an army of identikit young men playing choppy post-punk below designer fringes, but in this instance it works when returned to its original meaning. Flight is a strong independent statement of an intent not to conform to anyone's musical standards -- so much so that emBROWNLOWe has chosen to self-release.The album begins with 'Daarek''s chunky descending bass, segueing into sharp electronic drums and a melancholic guitar pattern, before falling open to leave emBROWNLOWe's breathy, versatile voice swimming up from an abyss of strings. The first impression made on the listener is one of uneasy soul, but the track ends on a simple, clean chug of guitar and refuses to sit in such a tight pigeonhole. 'Discotheque' lives up to its name, as Goldfrapp-style vocal gasps and a throbbing dance bass lead the listener through four minutes of relentless techno decadence, augmented by what may well be some rather sinister maracas.Following the title-track's processed guitars and sexily throaty mantra of "I've seen you buzzing around", the dance elements drop out a little, allowing 'The Snake Charmer''s gypsy-folk inclinations to roam free. There's still pulsing drum programming, but it serves as a counterpoint to the track's Eastern instrumentation, giving a modern edge to those ominous inflections. 'The Long Round Ahead' sees Brownlow dripping honey over a taut 'Wipeout'-style riff, exhorting the listener to 'get ...
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