| | Bad Manners Stupidity CD - Import Bad Manners Discography of CDs
2003 studio album and the bands first new recordings since 1995, features 16 tracks of Bad Manners style good time ska. Bad Records. Bad Manners Stupidity Songs | 1. | Fatman |
| 2. | Can't Take My Eyes Off You |
| 3. | Happy |
| 4. | What Ya Gonna Do? |
| 5. | Black Night |
| 6. | I'm A Mummy |
| 7. | Way Out Mummy |
| 8. | Teddy Bears Picnic |
| 9. | Cider Drinker |
| 10. | Tossin |
| 11. | Dat Think There |
| 12. | I Don't Care |
| 13. | Do Nothing |
| 14. | Eng-er-land |
| 15. | Hoots Mon |
| 16. | Manners Knees-Up |
| Stupidity Review
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Purchase Stupidity CD To buy, Click on price to add to cart | Madness The Liberty of Norton Folgate CD (2009)
Stupidity
$12.55 Madness never disappeared but they faded away, spending years playing summer festivals and other oldies venues befitting an act specializing in nostalgia, an impression that their 2005 covers album did nothing to assuage. All this makes this 2009 release--the band's first album of original material in ten years--to feel fully realized, even surprising. The element of surprise is not in the music, which is firmly within the 2-Tone tradition they laid down in the early '80s, but rather that they've found a way to deepen their nutty sound, to offer nothing less than a mature, middle-aged spin on 2-Tone. This album is about London, and is steeped in classic British pop, using the Kinks as ground zero for a series of wry, keenly observed pop songs about the people and places in London Town. While Madness may be trading on the sound that brought them to the top of the charts, it never sounds like a vain, ...
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Stupidity
$8.75 This is a Hyper CD, which contains regular audio tracks and also provides a
A key element of the late-1970s/early-'80s UK ska revival, the English Beat nevertheless always had more pop smarts and a wider stylistic palette than compatriots like the Specials and the Selecter. As BEAT THIS! THE BEST OF THE ENGLISH BEAT makes clear, ska wound up being just one color in the band's musical paint box.
Early on, the Beat showed a knack for re-imagining '60s pop tunes in patented two-tone style (Smokey Robinson's "Tears of a Clown," Andy Williams's "Can't Get Used to Losing You"). "Click Click" reveals the influence of punk, while "Doors of Your Heart" shows the group's skill with a straight reggae groove. The Motown-flavored chug of "Sole Salvation" and the jangly pop of "Save It for Later" show how the band was maturing towards the end of their tether, Dave Wakeling's lyrics growing ever more literate and Elvis Costello-esque as the music expanded. Unfortunately, though, the Beat eventually had to die so that offshoots General Public and Fine Young Cannibals might live. Lucky for us, we have BEAT ...
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$19.59 It is nearly impossible to imagine a time when reggae was not part of the cultural currency. Though Bob Marley and the Wailers cannot be said to have invented the style, they certainly brought it to the world stage, and this album was the torch that lit the way. CATCH A FIRE hit with the force of a revelation when it was released in 1973, and though Chris Blackwell tailored its sound with a rock audience in mind, the album was still unlike anything that had ever come down the pike. Ironically, even given its relatively full production and electric guitar solos, CATCH A FIRE sounds more organic and rootsy than any of the Wailers' subsequent releases.
While the percolating rhythms and burbling bass lines of the Barrett brothers, and the sweet, impeccable harmonies of Peter Tosh and Bunny Wailer soothe and move, CATCH A FIRE also introduces the conscious, politically minded themes that would remain at the center of ...
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$10.45 When Bob Marley brought the sounds of reggae to a worldwide stage, he did so on a platform of Rastafarian beliefs with songs that addressed social injustice. REBEL MUSIC is a collection of Marley's songs that simultaneously speaks of the oppressed masses and calls for justice. Examples of Marley's more overtly religious material include "War/No More Trouble" (inspired by a speech made by the Emperor Haille Selassie, Rastafarian spiritual leader) and "Crazy Baldhead" (the term used for non-believers).
Marley also turns to the past, whether it is the injustices of slavery over hundreds of years ("Slave Driver") or witnessing firsthand the abject poverty around him during a childhood spent in the impoverished Trenchtown section of Kingston ("Them Belly Full (But We Hungry)." All this was accomplished with the help of a select group of crack musicians including the I-Threes (whose harmonies are prominent in the title track) and the Barrett Brothers rhythm section, ...
| | Hossam Ramzy Sabla Tolo II - Further Journeys Into Pure Egyptia CD (2003) (Import) United Kingdom
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| | Mark Weakland Mr. Sounds CD (2003)
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$13.69 Award-winning Singer/Songwriter: * 2002 - Finalist in the John Lennon Song Writing Contest for the song Dooflicky Machine* 2001 - Parents' Choice Approved Medal for the CD Little Animals* 2001 - Finalist in the USA Song Writing Contest For the song Squirrel and Nut* 1998 -Top 10 winner in the John Lennon Song Writing Contest for the song BedBug Bounce* 1997 - Parent's Choice Silver Medal for the CD Pajama Jammin' (with the Family Arts Theatre)Musician: Playing everything from funk to classical, Mark has played for and recorded with over 40 artists and performing arts groups. He's helped open for national artists such as Rusted Root, The Band, Dave Mason, and jazz greats John Faddis, Emily Remler and John Blake. Mark's appearanced at numerous Western PA venues for children and families, including The Johnstown Folk Festival. His music ...
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