| | Beat Kids Open Rhythm System CD Beat Kids Discography of CDs
Debut album from the group led by Avant-jazz drummer Guillermo E. Brown , which wonderfully connect the links between ethereal avant-jazz and earthy, butt-spanking club beats.
Audio Mixers: DJ Bolex; Evan Sobel; Guillermo E. Brown; Ken Babb; Paul Geluso.
Photographer: Cynthia Fetty.
Publishers: Keith Witty; Guillermo E. Brown; Sadat X; Latasha Natasha Diggs.
The Beat Kids: Guillermo E. Brown (vocals, various instruments); Letasha Natasha Diggs (vocals); Yusuke yamamoto (flute, vibraphone); Keith Witty (acoustic bass).
Personnel: Latasha Natasha Diggs (vocals, spoken vocals); Guillermo E. Brown (vocals, piano, synthesizer, vibraphone, marimba, electric bass, drums, percussion); Sadat X (vocals); Yusuke Yamamoto (flute, vibraphone); Keith Witty (acoustic bass).
Open Rhythm System Music | List Price | $16.99 (You save $3.04) | | Category | Rock/Pop Albums, Rock CDs, Jazz, R&B, Electronica, Rap, Dance, Enhanced CD | | Label | 7 Heads | | Orig Year | 2003 | | All Time Sales Rank |  439585  | | CD Universe Part number | 6089268 | | Discs | 1 | | Release Date | Jul 29, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Guillermo E. Brown | | Personnel | Guillermo E. Brown - vocals, various instruments
Keith Witty - acoustic bass
Yusuke Yamamoto - flute, vibraphone
Letasha Natasha Diggs - vocals
Also: Sadat X |
Beat Kids Open Rhythm System Songs | 1. | Bang! |
| 2. | Danger Zone |
| 3. | Song for Legolas |
| 4. | Fraction |
| 5. | Channel 9 Reprise - (reprise) |
| 6. | Sick Day |
| 7. | Earth Electrode Test Point |
| 8. | Gimme Back My Activator |
| 9. | Hothot |
| 10. | Juggle |
| 11. | Want |
| 12. | Donut Shop |
| 13. | Space Cats |
| 14. | Brazilian Phrase Book |
| 15. | Flat Beats//Collider |
| 16. | Life Is a Juggle - (featuring Sadat X) |
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Open Rhythm System Review
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Recorded live at Colston Hall, Bristol, England on November 25, 1969 and Free Trade Hall, Manchester, England on November 26, 1969. Includes original liner notes by Derek Jewell.
Each of Ellington's brilliant sidemen, including Cat Anderson, Cootie Williams, Johnny Hodges, Harry Carney, and the great Paul Gonsalves, gets his own solo spotlight, but as always with the Ellington Orchestra, the real treat is hearing so many great talents working together under the direction of the finest arranger/composer in jazz history. As usual, Ellington's ...
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This is a multi-channel Super Audio CD playable only on Super Audio CD players.
At the precise moment when a corporate reshuffling and a reduced roster led to death knells in the press for Columbia Records' jazz division, Chris Botti was signing on after three albums at rival Verve, the jazz arm of Universal. Along with Bela Fleck, poached from Warner Bros., Botti seemed to represent the new lean-and-mean Columbia Jazz, an eclectic, contemporary artist with considerable crossover potential to go with his jazz legitimacy. While the dominant sound on Botti's Columbia debut is naturally his haunting, minor-key trumpet playing, highly reminiscent of the more introspective aspect of Miles Davis, his original music, co-written with one-name producer Kipper, is strongly reminiscent of the pop-jazz approach of his most recent employer, Sting, whose tour hiatus created the opportunity for the recording of the album. Sting even contributes a song, the samba-paced "All Would Envy," complete ...
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| | Long And Short Of It : The Best Of Guitar Shorty CD (2006)
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Digitally remastered by Les Brown Jr., Sean King and Robert King (Renown Entertainment, Woodland Hills, California).
Dizzy Gillespie has embraced many approaches to jazz, based in the bebop form he helped invent. He was also cognizant of popular trends, and when his partner Charlie Parker attained success with the use of a large orchestral and string section, Gillespie paid attention. The majority of this project comprises Gillespie as the featured soloist with Operatic Strings, arranged by Jo Boyer and Daniel White, recorded in Paris, circa 1952 and 1953. If you really enjoy classical jazz, this collection should appeal to you, for it is generally well done, decently recorded, and melds the two worlds pleasantly. It remains a curiosity, and one can only wonder whether it was made for purely commercial reasons. Gillespie performs solidly in his own style, attempting to float over the stringy mix, and generally succeeds by playing above board and straight-ahead without really paying mind or deferring to the backdrop. At times the group achieves movie theme drama as on "Night & Day" where Gillespie cuts loose a bit, during the upbeat and evocative "Jealousy" in a West Side Story film noir mood with Gillespie as an afterthought, the stock, unmemorable reading of "My Old Flame,"or the schizophrenic intro to a disjointed "Pennies from Heaven," though Gillespie plays fine. Scott Yanow ...
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