Grind Soundtrack CD

Grind Soundtrack Music

List Price	$18.98 (You save $3.09)
Category	Rock/Pop Albums, Soundtrack CDs
Label	Atlantic
Orig Year	2003
All Time Sales Rank	39478
CD Universe Part number	6125313
Catalog number	83655
Discs	1
Release Date	Aug 12, 2003
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Ralph Sall
Additional Info	Original Soundtrack

Grind Soundtrack Songs

	1.	Too Bad About Your Girl - The Donnas
	2.	Boom - POD
	3.	Get Busy - Sean Paul (remix)
	4.	I'm Just a Kid - Simple Plan
	5.	Smoke Two Joints - Sublime
	6.	Seein Red - Unwritten Wonder
	7.	No Letting Go - Wayne Wonder
	8.	Jump Off, The - Lil' Kim (remix)
	9.	These Walls - Trapt
	10.	Poetic Tragedy - The Used
	11.	More Than a Friend - All Too Much
	12.	Look What Happened - Less Than Jake
	13.	99 Bottles - SLR Whitestarr
	14.	Ay Dawg - Jazze Pha
	15.	Fly From the Inside - Shinedown
	16.	Goin Down on It - Hot Action Cop
	17.	Stupid Little Fellow - The Peak Show

Grind Soundtrack Music Review

Average Rating: (4.4 out of 5 stars) 4.5 stars

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3 stars a few others shoulda been on there
the CD is ok, a few other songs shoulda been on it tho, like Pitiful by Blindside (the live band at the pro jam) and the song that comes on when they're paintin the van
Submitted by Jay (somewhere out there)
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5 stars Grind-soundtrack
i saw the movie after i got the soundtrack (don't no why) i loved both. i have 5 grind posters in my room. all the same
Submitted by go away (austin tx)
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5 stars Another Mistake
Goin' Down On It - Hot Action Cop should actually be Fever For The Flava - Hot Action Cop.
Submitted by James (Toledo, OH, USA)
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5 stars Amazing!!
I absolutely love this movie. It's my all time favorite! The soundtrack is sooo amazing for this movie. The movie has amazingly hot actors in it and this movie absolutely rocks!!!!
Submitted by Lindsey (Boston, MA, USA)
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3 stars ROCKS
I love the movie nice music and cool boreding its really cool
Submitted by maverick6608 (El Paso,Tx US)
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Michael AndrewsMe and You and Everyone We KnowThe most successful art is often unplanned, and for Michael Andrews, composing the score for a film as unique as Me and You and Everyone We Know was just another in a long series of happy accidents.Andrews fell into film score composition by chance when the band he was playing with-cult soul/jazz collective The Greyboy Allstars-was asked to score Jake Kasdan's first feature, The Zero Effect. One year later, Andrews got hired to write the music for the highly regarded, though short-lived TV show, Freaks and Geeks (NBC), and soon after, he landed the score for indie film hit, Donnie Darko. Andrews considers himself primarily a guitar player, but Darko's director, Richard Kelly, told him he didn't want any guitar in the movie. So, he taught himself to play piano by ear. It's part of the reason that the score is, as Andrews describes, so simple. "In a way," he says, "your faults become your trademark." Darko's original score album went on to sell over 100,000 copies (in part because of Andrews' remake of Tears for Fears' Mad World, featuring Gary Jules), and Andrews became a composer to watch. Andrews, who talks at warp speed with an infectious, nervous enthusiasm, is really part composer, part producer (recent albums include Inara George's critically acclaimed album All Rise, and Metric's Old World Underground), and part performer. He heard about Miranda July's Me and You and Everyone We Know when he ran into the husband of producer Gina Kwan (with whom he went to college) at a party. Kwan's husband praised July's exceptional script, and so Andrews asked for a copy. It blew him away.Coincidentally, during that time, July had been listening to the Darko score, which she loved. "I would die to work with this person," she thought, but assumed Andrews was out of her league; still she began strategizing ways to approach him anyway. Based on his interest in the script, Andrews arranged to meet July. He was then working on material for a new solo album, and when they met and July heard some early tracks from his record, she was all the more convinced he was perfect for her film. Andrews and July share similar outsider backgrounds. Andrews does not have any formal music composition training, and July, though she had made a few short films prior to Me and You, had been known primarily for her writing and performance art. July knew that she wanted the music to not to sound "like movie music," and to sound as if someone who didn't quite know how to play music had played it. As if the music was somehow a mistake that worked. It's a theme that provides a thread throughout the film: people come together accidentally but they must make a conscious decision to act after fate has done its part. Initially taking cues from the characters' dialog, Andrews began writing the score. For example, when Richard, played in the film by John Hawkes, says he's "prepared for amazing things to happen" and that he wants his kids "to have magical powers," Andrews came to understand the film's world as a kind of alternate reality where people believe in fate and chance-and this was the world he needed to paint with his music. He also saw the feelings July was trying to get across in her film as very primary. "She tries to break ...