| | Grind Soundtrack CD (12 Customer Reviews)
The soundtrack to the lunkheaded skater comedy Grind offers an equally dumb (but more enjoyable) array of skate and party-friendly metal, rock, and hip-hop, including P.O.D.'s "Boom," Sean Paul's ubiquitous "Get Busy (Clap Your Hands Now Remix)," Wayne Wonder's equally omnipresent "No Letting Go," and Unwritten Law's "Seein' Red." Much like the American Wedding soundtrack, Grind often plays like a collection of summer 2003's biggest hits, although older songs like Sublime's "Smoke Two Joints" make the album feel a little less like an excuse for shifting more units. All Too Much's "More Than a Friend," Shinedown's "Fly From the Inside," and Hot Action Cop's "Goin' Down on It" bring plenty of testosterone, but some of the soundtrack's best moments, such as the Donnas' "Too Bad About Your Girl," Lil' Kim's "The Jump Off (Remix)," and the Peak Show's "Stupid Little Fellow" are provided by its (admittedly few and far between) female contributors. Putting two ballads -- Trapt's "These Walls" and the Used's "Poetic Tragedy" -- drags down the album's momentum a bit, but for the most part Grind is an enjoyable ride if you don't think too hard about it. ~ Heather Phares Grind Soundtrack Music | List Price | $11.99 (You save $2.90) | | Category | Rock/Pop Albums, Soundtrack CDs | | Label | Atlantic | | Orig Year | 2003 | | All Time Sales Rank | 38991  | | CD Universe Part number | 6125313 | | Catalog number | 83655 | | Discs | 1 | | Release Date | Aug 12, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Ralph Sall | | Additional Info | Original Soundtrack |
Grind Soundtrack Music Review Purchase Music From Grind CD To buy, Click on price to add to cart | Grind DVD (2003) Full Frame; Dubbed; Subtitled
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$6.95 The title Heavy Metal is somewhat misleading. Sure, this terrific soundtrack from the 1981 animated cult favorite features heavy metal and hard rock numbers. But the title refers to National Lampoon's sci-fi/fantasy magazine on which the film is based. Musically, Heavy Metal offers more than the title suggests, and the songs fit perfectly with their respective film segments. Heavy Metal was originally a double album, ...
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$14.29 Michael AndrewsMe and You and Everyone We KnowThe most successful art is often unplanned, and for Michael Andrews, composing the score for a film as unique as Me and You and Everyone We Know was just another in a long series of happy accidents.Andrews fell into film score composition by chance when the band he was playing with-cult soul/jazz collective The Greyboy Allstars-was asked to score Jake Kasdan\'s first feature, The Zero Effect. One year later, Andrews got hired to write the music for the highly regarded, though short-lived TV show, Freaks and Geeks (NBC), and soon after, he landed the score for indie film hit, Donnie Darko. Andrews considers himself primarily a guitar player, but Darko\'s director, Richard Kelly, told him he didn\'t want any guitar in the movie. So, he taught himself to play piano by ear. It\'s part of the reason that the score is, as Andrews describes, so simple. \"In a way,\" he says, \"your faults become your trademark. \" Darko\'s original score album went on to sell over 100,000 copies (in part because of Andrews\' remake of Tears for Fears\' Mad World, featuring Gary Jules), and Andrews became a composer to watch. Andrews, who talks at warp speed with an infectious, nervous enthusiasm, is really part composer, part producer (recent albums include Inara George\'s critically acclaimed album All Rise, and Metric\'s Old World Underground), and part performer. He heard about Miranda July\'s Me and You and Everyone We Know when he ran into the husband of producer Gina Kwan (with whom he went to college) at a party. Kwan\'s husband praised July\'s exceptional script, and so Andrews asked for a copy. It blew him away. Coincidentally, during that time, July had been listening to the Darko score, which she loved. \"I would die to work with this person,\" she thought, but assumed Andrews was out of her league; still she began strategizing ways ...
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