| | Grind Soundtrack CD (11 Customer Reviews)
Grind Soundtrack Music | List Price | $11.94 (You save $2.85) | | Category | Rock/Pop Albums, Soundtrack CDs | | Label | Atlantic | | Orig Year | 2003 | | All Time Sales Rank |  39259  | | CD Universe Part number | 6125313 | | Catalog number | 83655 | | Discs | 1 | | Release Date | Aug 12, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Ralph Sall | | Additional Info | Original Soundtrack |
Grind Soundtrack Music Review Purchase Music From Grind CD To buy, Click on price to add to cart | Parent Trap CD (1998) Original Soundtrack
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PURE COUNTRY: A country singer finds himself straddling two worlds: the down-home place where his musical roots are set, and the glittery fast lane where his success has taken him. In his first foray into the world of motion pictures, country ...
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Michael AndrewsMe and You and Everyone We KnowThe most successful art is often unplanned, and for Michael Andrews, composing the score for a film as unique as Me and You and Everyone We Know was just another in a long series of happy accidents.Andrews fell into film score composition by chance when the band he was playing with-cult soul/jazz collective The Greyboy Allstars-was asked to score Jake Kasdan\'s first feature, The Zero Effect. One year later, Andrews got hired to write the music for the highly regarded, though short-lived TV show, Freaks and Geeks (NBC), and soon after, he landed the score for indie film hit, Donnie Darko. Andrews considers himself primarily a guitar player, but Darko\'s director, Richard Kelly, told him he didn\'t want any guitar in the movie. So, he taught himself to play piano by ear. It\'s part of the reason that the score is, as Andrews describes, so simple. \"In a way,\" he says, \"your faults become your trademark.\" Darko\'s original score album went on to sell over 100,000 copies (in part because of Andrews\' remake of Tears for Fears\' Mad World, featuring Gary Jules), and Andrews became a composer to watch. Andrews, who talks at warp speed with an infectious, nervous enthusiasm, is really part composer, part producer (recent albums include Inara George\'s critically acclaimed album All Rise, and Metric\'s Old World Underground), and part performer. He heard about Miranda July\'s Me and You and Everyone We Know when he ran into the husband of producer Gina Kwan (with whom he went to college) at a party. Kwan\'s husband praised July\'s exceptional script, and so Andrews asked for a copy. It blew him away.Coincidentally, during that time, July had been listening to the Darko score, which she loved. \"I would die to work with this person,\" she thought, but assumed Andrews was out of her league; still she began strategizing ways to approach him anyway. Based on his interest in the script, Andrews arranged to meet July. He was then working on material for a new solo album, and when they met and July heard some early tracks from his record, she was all the more convinced he was perfect for her film. Andrews and July share similar outsider backgrounds. Andrews does not have any formal music composition training, and July, though she had made a few short films prior to Me and You, had been known primarily for her writing and performance art. July knew that she wanted the music to not to sound \"like movie music,\" and to sound as if someone who didn\'t quite know how to play music had played it. As if the music was somehow a mistake that worked. It\'s a theme that provides a thread throughout the film: people come together accidentally but they must make a conscious decision to act after fate has done its part. Initially taking cues from the characters\' dialog, Andrews began writing the score. For example, when Richard, played in the film by John Hawkes, says he\'s \"prepared for amazing things to happen\" and that he wants his kids \"to have magical powers,\" Andrews came to understand the film\'s world as a kind ...
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buttons below to play song samples
Adobe Flash
a few others shoulda been on there
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