| | La Tipica Orquestra de Tango La Nocturno CD - Import La Tipica Orquestra de Tango Discography of CDs
 (1 Customer Review)
This ensemble is a delightful reminder of the "orquestas tipicas" who led the dance in the chaotic, rebellious and yet hard-working Buenos Aires of the 1940-50s. La Tipica is an old-school orchestra -- a group of fourteen tango musicians led by the world
La Tipica Orquesta De Tango includes: Juan Cedron.
La Tipica Orquestra de Tango La Nocturno Songs | 1. | Candombe Para el Hasta |
| 2. | Pablo |
| 3. | Nostalgia |
| 4. | Los Adioses |
| 5. | La Ultima Carda |
| 6. | La Trampera |
| 7. | Pedacito de Cielo |
| 8. | Temas de la Ciudad |
| 9. | El Sueno del Nino Negro |
| 10. | la Gran Musica, A |
| 11. | Che Bandoneon |
| 12. | Iqual Alacaria |
| 13. | Nocturno Sebastian |
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Purchase La Nocturno CD To buy, Click on price to add to cart | Colosseum Morituri Te Salutant: 1968-2003 On Stage & In The Studio CDs (2009)
La Nocturno album
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| | Tinariwen Imidiwan: Companions CDs (2009) (Import)
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| | Professor Longhair New Orleans Piano CD (1972)
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| | Giusy Ferreri Gaetana CD (2009)
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| | Steeleye Span Hark! The Village Wait CD (1970)
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Whether newly written, as with the Morris-style "A Calling-On Song," or familiar ballads, the songs are uniformly excellent, as are the performances. This lineup actually disbanded immediately upon completing the album and never performed ...
| | Alejandro Fernandez Que Seas Muy Feliz CD (1995)
La Nocturno music CDs
$7.69
Alejandro Fernandez already had one ranchera classic under his belt -- his exceptional debut album -- when Que Seas Muy Feliz came out. But this was the record where everything came together. The inherent elegance of Fernandez's voice was matched with the most distinctive songs and arrangements of his career to date, along with the warm, enveloping mix of strings and distant trumpets, the signature of omnipresent producer Pedro Ramírez who, during the early '90s, repeatedly coaxed astonishingly natural sounds from nascent digital technology. This was lavishly packaged with photos of Alejandro in a charro suit. Where he had initially been packaged as a sort of pretty boy, and had looked slightly out of his element on the cover of his preceding disc -- a full-out ranchera standards affair -- the cover of Que Seas Muy Feliz shows a man fully aware of his iconic folk identity (whether that was actually his identity one cannot know), wearing his elaborate mariachi outfit as naturally as one would Sunday afternoon fancy dress. The cover seemed to be making the statement that there was going to be more gravity in this collection of songs, that here Alejandro would step outside of the shadow of his father (which, of course, he had already done) and simultaneously claim his place as practitioner of a grand tradition of serious music, and that ranchera was Mexico's classical music, not simply its folk music. But actually, the difference between this disc and what preceded and came after it is quite subtle. Maybe it is just the packaging and the sequencing, but for some reason, this is Alejandro's ranchera disc for the rest of the world.
You might not think that as you listen to the somewhat whiny jealousy ballad that opens the disc, "Que Bueno," although it's catchy as all get-out. But by the time the trio of closing songs -- "La Mitad Que Me Faltaba," "Que Seas Muy Feliz," and "El Potrillo" -- finishes, you know you have heard something special. The last song, which is a tribute to his father and, well, to himself ...
| | Sami Nossair Orchestra Cairo Classics CD (2004)
La Nocturno songs
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| | 17TH Pygmy Ballade Of Tristram's Last Harping CD (2007)
La Nocturno album
$16.45
Approximately eight months from their last release (Groundhog Day to Halloween to be exact) The 17th Pygmy has indeed released Ballade of Tristram's Last Harping their second full length CD in less than one year (somewhat different than the band's previous 17 year hiatus between releases, eh?) Formerly and perhaps to be known again someday (you never know) as 17 Pygmies, the seventeenth pygmy (Jaxon Del Rey) decided that The 17th Pygmy (are you still following?) was a name that better reflected the 60's Psychedelic -70's Classic Rock direction of the new recordings. Think The 17th Floor Elevator or perhaps The Exploding Plastic Inevitable ...
| | Masashi Sada Ki Wo Ueta Otoko:Midori Hyakunen Mono CD (2008) (Import) Import
$26.29 | | Matthews & Maz Chicago Blues Jam Tracks, Im A Man CD (2009)
La Nocturno CD music
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