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Peerce, Jan - Lebendige Vergangenheit - Jan Peerce Vol 2 CD Cover Art
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Lebendige Vergangenheit - Jan Peerce Vol 2 CD

 Peerce, Jan CDS

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Category Classical, 20th Century Period, Song, Classical Vocal Crossover, Aria, Operetta
Lebendige Vergangenheit - Jan Peerce Vol 2 Music


Detailed Lebendige Vergangenheit - Jan Peerce Vol 2 Music Information



List Price $17.98 (You save $3.69)
Label Preiser Records
All Time Sales Rank   43300  
CD Universe Part number 6156759
Catalog number 89571
Discs 1
Release Date Aug 26, 2003
Mono/Stereo Mono
Recording Time 1 17
Re-Release Yes
Lebendige Vergangenheit - Jan Peerce Vol 2 Review


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Lebendige Vergangenheit - Jan Peerce Vol 2 Songs


Lebendige Vergangenheit - Jan Peerce Vol 2 Songs Detailed Work Information



1. Bless this house
   Composer  May Brahe (1885 - 1956)
   Performer  Jan Peerce (Tenor)
   Genre  20th Century Period / Song
   Period  20th Century
   Language  English
   Country  England
   Recording  Studio
   Recording Date  06/1949
2. Student Prince: Serenade
   Common Name  Student Prince
   Composer  Sigmund Romberg (1887 - 1951)
   Performer  Jan Peerce (Tenor)
   Genre  20th Century Period / Aria / Operetta
   Date Written  1924
   Period  20th Century
   Language  English
   Country  USA
   Recording  Studio
   Recording Date  12/1947

Lebendige Vergangenheit - Jan Peerce Vol 2 Music


Elements featured on Lebendige Vergangenheit - Jan Peerce Vol 2 CD



Composers on Lebendige Vergangenheit - Jan Peerce Vol 2 CD : May Brahe, Sigmund Romberg

Genres on Lebendige Vergangenheit - Jan Peerce Vol 2 CD : 20th Century Period, Aria, Operetta, Song

Performers on Lebendige Vergangenheit - Jan Peerce Vol 2 CD : Jan Peerce

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Silliness abounds on the Broadway cast recording of MONTY PYTHON'S SPAMALOT, a loose adaptation of the revered (and much-quoted) film MONTY PYTHON AND THE HOLY GRAIL. Penned by Python member Eric Idle (along with his musical collaborator John Du Prez), SPAMALOT follows the absurd adventures of King Arthur (Tim Curry) and his Knights of the Round Table, including Sir Robin (David Hyde Pierce) and Sir Lancelot (Hank Azaria). While the production plays into the conventions of the musical, with plenty of over-the-top singing, it also subverts those cliches, most notably on the hilarious "The Song That Goes Like This," which skewers the Broadway standard of sugary-sweet romantic duets (where a couple can "overact like hell"). Throughout SPAMALOT, cheeky Python-esque humor is always on hand, so much so that the production even includes "Always Look on the Bright Side Of Life," the classic sing-along number from another favorite Python movie, LIFE OF BRIAN. A musical of the highest excalibur! 'Spamalot' is a new broadway show "lovingly ripped-off" from the film 'Monty Python And The Holy Grail'. the show stars tim curry ('The Rocky Horror Picture Show') as King Arthur, David Hyde-Pierce ('Frasier') as Sir Robin and Hank Azaria ('The Simpsons') as Sir Lancelot. Currently playing sold-out shows to packed houses at Broadway's ...
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Audio Mixer: Greg Heimbecker.
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I have performed and taught piano for over sixty years. Regardless of how many times I play the selections included in this recording I find delight in remembering that the compositions are the works of genuine human beings who lived many years ago - people made of the same "stuff of life" as we who are living today. They smiled and cried, laughed and loved, mourned and yearned, the same as you and I. And they passed on to us music of immeasurable worth - music that can stir in us genuine feelings, images, and thoughts. It only asks that we come to it with our heart, mind, and imagination.And as a pianist I am acutely aware and proud of my chosen instrument, the piano. It too lives and breathes. It was formed from living trees, some with exquisite graining and others with special acoustical and mechanical qualities. In the hands of dedicated craftsmen the woods were combined with other materials to create this marvelous, harmonious, singing instrument - the piano which is my companion on this CD.Born in Wausau, Wisconsin, Marjorie Bliese Gluckstein received her Bachelor of Music in piano from Lawrence University, studying with Gladys Ives Brainard. Through Professor Brainard, Marjorie's musical pedigree includes Karol Mikuli, ...
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MUSICAL WORDS (A Universal Death-into-Life Lullabye) excerpts from the "Intimate Pages"...At best, I am simple minded, & the two melic poems on this CD that are informed by a concept -Musical Words & Whistling in the Dark -reflect this quality.The title poem Musical Words (a Universal Death-into-Life Lullabye) is composed from two words -"d.e.a.d" & "B.A.B.E". For the letters that spell the words, I substitute musical chords that correspond to these letters. The "d.e.a.d" chords are minor chords because I wanted them to have a more plaintive registration than the more cheerful "B.A.B.E" chords which are major. MUSICAL WORDS The Poem has four movements:The first is made of five chorales. In each chorale, the Musical Word "d.e.a.d" moves one step at a time through the Musical Word "B.A.B.E"; until by the fifth chorale, it has passed through it entirely & the choir sings: "B.A.B.E" fol- lowed by "d.e.a.d". Spelled out the five progressions look like this: First Movement: (five chorales} d . B . e . A . a . B . d . EB . d . A . e . B . a . E . dB . A . d . B . e . E . a . dB . A . B. d . E . e . a . dB . A . B . E . d . e . a . d Second Movement: (for voice, viola, piano & guitar) Melody: five harmonic variations of the progression "d .e .a. d" Lyric: composed of approximations of those sounds which infants make universally when their needs are not gratified.Despite this rather gloomy prospect, I meant to reverse expectations & in so doing make the offering of a lullabye that would sooth & comfort troubled minds. Third Movement: (string quartet) The 3rd Movement is the Ist Movement "backwards" & "upside down" To this end, we took the first movement of the Poem & reversed the order of the chords taking it from the "bottom" (the end of the 5th chorale). The five movements then looked like this:E . d . B . a . A . e . B . dd . E . a . B . e . A . d . Bd . a . E . e . B . d . A . Bd . a . e . E . d . B . A . Bd . a . e . d . E . B . A . BAt this time, however, this reversal of expectation alone did not seem enough & we decided it was necessary to turn the poems "upside down" if ever there was going to be life affirming resolution.This rearranged music was then turned literally "upside down" on the manuscript pages & then it looked like this. In Plain English:E . A . D . E . d . g . a . gE . A . D . d . E . g . a . gE . A . d . D . g . E . a . gE . d . A . g . D . a . E . gd . E . g . A . a . D . g . EThere are some things about happy endings it seems that can get confusing!Fourth Movement: (celeste & voice) Melody:five harmonic variations of the progression "B.A.B.E"Lyric:composed of approximations of those sounds which infants make universally when they are most at peace -the back-throat unconstricted vowel sounds:"ah","oh","oo"; the ...
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