| | John Coltrane Lush Life CD John Coltrane Discography of CDs
 (2 Customer Reviews)
Digitally remastered by Joe Tarantino (1987, Fantasy Studios, Berkeley, California). This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. The first three tracks on LUSH LIFE (from May and August ... Full Description1957) were recorded in a trio session with only bass and drums accompanying Trane on tenor. The piano-less format is surprisingly full sounding and Coltrane's solos are at once fun loving and thoughtful. The playing of Earl May (bass) and Art Taylor (drums) is warm and robust and perfectly compliments Coltrane's muscular, R&B-inspired lyricism.
Tracks four and five (from January 1958) feature a different rhythm section along with some elegant, delicate piano work from Red Garland. The title track is an unabashedly romantic, film noir-ish tour-de-force that completely enthralls the listener for all of its nearly 14 minutes. In addition, the cut features an astonishingly beautiful trumpet solo from the great Donald Byrd. Recorded in the same period as BLUE TRAIN, one of Coltrane's greatest masterpieces, LUSH LIFE is a perfect (and also, thanks to master engineer/producer Rudy Van Gelder, sonically stunning) example of the master's early playing at it's most sensitive and exuberant.
Digitally remastered by Steve Hoffman.
Recorded at the Van Gelder Studio, Hackensack, New Jersey on May 31 & August 16, 1957 and January 10, 1958. Originally released on Prestige (7188). Includes liner notes by Joe Goldberg and Martin Williams.
Recorded at Van Gelder Studios, Hackensack, New Jersey between May 1957 and January 10, 1958. Originally released on Prestige (7188). Includes liner notes by Martin Williams and Joe Goldberg.
Personnel: John Coltrane (tenor saxophone); Donald Byrd (trumpet); Red Garland (piano); Earl May, Paul Chambers (bass); Arthur Taylor, Louis Hayes, Albert "Tootie" Heath (drums).
Personnel: John Coltrane (tenor saxophone); Donald Byrd (trumpet); Red Garland (piano); Earl May, Paul Chambers (bass); Art Taylor, Louis Hayes, Albert "Tootie" Heath (drums).
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This CD will play in standard CD players.
A Super Audio CD player is required to take advantage of the SACD sound technology. Lush Life Music | List Price | $18.98 (You save $3.33) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Saxophone, Enhanced CD, Super Audio | | Label | Prestige | | Orig Year | 1958 | | All Time Sales Rank |  12157  | | CD Universe Part number | 6160431 | | Catalog number | 7188 | | Discs | 1 | | Release Date | Sep 30, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Bob Weinstock | | Engineer | Rudy Van Gelder | | Personnel | John Coltrane - tenor saxophone
Albert "Tootie" Heath - drums
Earl May
Also: Paul Chambers, Louis Hayes, Donald Byrd, Art Taylor, Red Garland, RED GARLAND, Arthur Taylor | | Additional Info | SACD Hybrid |
John Coltrane Lush Life Songs Purchase Lush Life CD To buy, Click on price to add to cart | Bill Evans Portrait In Jazz CD (1960) SACD Hybrid
Lush Life album
 $15.19  
Digitally remastered by David Luke (1987, Fantasy Studios, Berkeley, California).
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD playable only on Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
PORTRAIT IN JAZZ introduced the justly acclaimed Bill Evans Trio, the innovative little group featuring bassist Scott LaFaro and drummer Paul Motian that would forever change standards of jazz playing, introducing a new kind of swing based on a flexible sense of time and interplay. Evans had already established himself on EVERYBODY DIGS BILL EVANS and, of course, the Miles landmark KIND OF BLUE. Now it was time to share the wealth.
PORTRAIT IN JAZZ represents the beginning of this process, which wouldn't see full flower ...
| | Incredible Jazz Guitar Of Wes Montgomery CD (1960) SACD Hybrid
Lush Life CD music
$15.55 
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960.
The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have ...
| | Thelonious Monk With John Coltrane CD (1957) SACD Hybrid
Lush Life music CDs
$16.05
Digitally remastered by Kirk Felton (1987, Fantasy Studios, Berkeley, California).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
When Monk finally got his cabaret card back in the summer of 1957, he began a six-month engagement on the lower east side of Manhattan. This stand heralded his return, thrilled the media and garnered him a modicum of respect and recognition. Recorded the following spring, THELONIOUS MONK WITH JOHN COLTRANE is an all-too fleeting recreation of the pianist's legendary Five Spot Quartet (plus a solo piano version of "Functional," and a powerful four-horn rendition of "Off Minor" from a June '57 session featuring Coltrane, Coleman Hawkins and Art Blakey).
In many ways, Coltrane's stint with Monk marked his artistic breakthrough from a gifted technician, to a top musical innovator. Joining him in this remarkable quartet were Shadow Wilson, a drummer of rare musicality and restraint (listen to his sweeping brushwork on "Ruby, My Dear"), and Chicago bassist Wilbur Ware, whose lower register punctuations and sophisticated harmonic sensibility helped anchor the group. "Ruby, My Dear" is landmark for Coltrane the ballad ...
| | John Coltrane & Johnny Hartman CD (1963) Hybrid; SACD Hybrid
Lush Life songs
$16.05 
Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
From his formative days with Miles Davis and Thelonious Monk, through the expansive revelations of his Prestige, Atlantic and Impulse! recordings, John Coltrane revealed many facets of beauty--some full of turbulence, others bathed in serenity. JOHN COLTRANE AND JOHNNY HARTMAN is probably the saxophonist's most graceful, accessible recording in a discography awash in spiritual radiance.
When this album was recorded in March of 1963, Coltrane was completing a series of recordings designed to highlight his lyric strengths and the subtle accompaniment skills of his quartet. When the concept of singer was raised, Coltrane reached out to Hartman because the saxophonist considered the crooner's soothing, elegant baritone to be a musical parallel to his own singing sound.
The spiritual aura and artistic empathy they achieve on JOHN COLTRANE AND JOHNNY ...
| | Relaxin' With The Miles Davis Quintet CD (1956) SACD Hybrid
Lush Life album
$15.65
RELAXIN' WITH THE MILES DAVIS QUINTET includes dialogue snippets taken from the original master reel.
Digitally remastered using 20-bit K2 Super Coding System technology.
This is a hybrid Super Audio CD, playable on both regular and Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Red Garland's evocation of Big Ben in the opening chords of "If I Were A Bell" is a witty reminder that you're listening to the premier jazz combo of the 1950s, as Miles Davis once again plumbs the ravine of popular culture to come up with another engaging jazz classic.
In this case, it's a dandy from Frank Loesser's "Guys And Dolls," enlivened by Paul Chambers' perfect counter-melodies and Philly Joe Jones' supple brush work. Soon enough, Jones switches up with light stick work, as Chambers fires up his walk and Garland eggs things along with his light, sure, rhythmic strumming. A Harmon-muted Miles responds with delicate, bashful melodies, Coltrane digs in for a jitterbugging reveille and Garland mixes taut, pixieish single lines with velvety big-band chords; Jones defines the laid-back attitude with crisp side-stick accents on four.
Laid-back ...
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