| | Schlank & Tief CD
This is a continuous in-the-mix CD compiled and mixed by Christian Sprenger. Schlank & Tief Review
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Purchase Schlank & Tief CD To buy, Click on price to add to cart | Dinosaur Jr Farm CDs (2009) Deluxe Edition
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Motley Crue may have been the glam metal kings of the '80s. But, for a while at least, Twisted Sister gave them heated competition. While the Crue and their L.A. cohorts (Ratt, Dokken, etc.) were dead-serious in their approach, Twisted Sister's music and videos always contained an element of humor-something most bands of the era sorely lacked. 1984's STAY HUNGRY was Twisted Sister's double-platinum breakthrough, its popularity spurred by the imaginative (and hilarious) videos for the hits "We're Not Gonna Take It" and "I Wanna Rock."
The Long Island-based Twisted Sister built a solid following, gigging constantly since the early '70s and riding on the strength of such albums as UNDER THE BLADE and YOU CAN'T STOP ROCK N' ROLL. All of which ...
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Returning after a five-year gap (which, granted, included a box set and a collaborative record with Bonnie "Prince" Billy), Tortoise confronted a pair of age-old musical questions: does anyone really care about an experimental rock group after 15 years, and does said group actually have anything to say after that length of time? BEACONS OF ANCESTORSHIP neatly squashes all those questions and assumptions, revealing a band that is just as fascinated with sound--and just as intrigued by its myriad possibilities--as they were when they debuted in 1993. The time signatures are constantly shifting, the lights of vitality and inventiveness ...
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When Jon Anderson rejoined Yes after DRAMA, he was inserting himself into an unusual situation. Keyboardist Geoff Downes and longtime guitarist Steve Howe had left to form Asia with prog rock vets John Wetton (King Crimson, Roxy Music etc.) and Carl Palmer (ELP). Chris Squire and Alan White brought original Yes keysman Tony Kaye back and recruited vibrant young Australian guitarist/vocalist/composer Trevor Rabin. The quartet had already begun writing and recording, but Anderson was able to insert himself into the proceedings with such ease that the new combination sounds completely natural on 90125.
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Al Nathan - aka Luther Crenshaw — has been music teacher in the Utica School District, since 1973. He also attended Berklee School of Music and worked the Boston music scene throughout the late 60’s and 70’s. He returned to the central NY in the early 80’s and now plays frequently in Utica, Syracuse, and the Adirondacks. Al also owns and operates Nathan’s Bakery in Old Forge, where people come to eat bagels, drink coffee and listen to blues music (this served as the inspiration for one of the songs on BlueStreak’s new CD - "Blues and Black Coffee"). BlueStreak is Al Nathan (keyboards and vocals), John Hutson (guitar and vocals), Darryl Mattison (drums, percussion and vocal ideas) and Dan Porter (bass and vocals). John Hutson, guitarist, singer, and songwriter, is a veteran cabaret and club performer who can be heard playing electric guitar most weekends somewhere in Central New York. His diverse and eclectic career has taken him across the country, from Indiana to Boston to California and finally to central NY.In 2005, after engineering and producing 25+ CD projects for other artists at his recording studio, he released his own effort, “I Can’t Remember This Song”. “Count the Tears” from that CD is featured on the MVBS compilation. John also appears on “Square Little Mama” by Tom Townsley, and seven of the cuts on the CD were recorded in his studio.Hutson has worked with Al Nathan and BlueStreak on a regular basis for the past two years, and he played both guitar and bass on their latest recording, as well as doing all the engineering and production.Darryl Mattison has a long history of playing drums and percussion, from roadwork in the 60’s and 70’s with the likes of the Chessmen, Bad Dog NY, and ...
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On 2007's FAVOURITE WORST NIGHTMARE, Arctic Monkeys follow up their excessively hyped and undeniably catchy debut (WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT) with another round of fiery post-punk-influenced tunes. Given the Sheffield, England quartet's newfound status as full-blown rock stars in their homeland, they wisely avoid the working-class-bloke-isms that rang true on their first album, and instead opt for a broader lyrical scope and ...
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