| | David Bowie Reality CD David Bowie Discography of CDs
 (6 Customer Reviews)
"New Killer Star" was nominated for the 2004 Grammy Award for Best Male Rock Vocal Performance. Based on the success David Bowie had by resurrecting his collaborative relationship with producer Tony Visconti on 2002's stellar HEATHEN, ... Full DescriptionBowie returned to the well with Visconti for its follow-up, REALITY. The result finds this New York City resident using his adopted hometown and cozy domestic life as impetus for another batch of fine millennial manna.
Featuring the backing of talented musicians such as guitarist Earl Slick, pianist Mike Garson, and drummer Sterling Campbell, the sound that permeates these 11 songs ranges from the SCARY MONSTERS-era shuffle of "Never Get Old" to the stripped-down, late-night lounge aura of "Bring Me the Disco King," a song dappled by Garson's piano runs and dusted off by Bowie after laying around for a decade. Balancing the sorrow of the sparse "The Loneliest Guy" with a sunnier mood, Bowie tips his hat to Jonathan Richman and George Harrison by way of eclectic covers of, respectively, "Pablo Picasso" and "Try Some, Buy Some," a little-known Harrison composition originally cut as a Ronnie Spector single. Avoiding the nostalgia treadmill that's mired down many of his peers, Bowie has instead used REALITY as yet another stepping-stone to latter-day greatness.
Includes a limited edition Bonus CD.
Recorded at Looking Glass Studios, New York, New York.
Personnel: David Bowie (vocals, guitar, baritone saxophone, keyboards); Gail Ann Dorsey (vocals); Tony Visconti (guitar, keyboards, bass, background vocals); Mark Plati (guitar, bass); Earl Slick, Gerry Leonard (guitar); Mike Garson (piano); Sterling Campbell, Matt Chamberlain (drums); Catherine Russell (background vocals).
Rolling Stone (10/2/03, p.117) - 3 stars out of 5 - "...REALITY turns out to be an intriguing place..."
Spin (12/03, pp.123-4) - "...REALITY is a relaxed, even graceful affair, the work of a gentleman hobbyist tinkering with sounds and style before retiring to his study..." - Grade: B-
Q (10/03, p.101) - 4 stars out of 5 - "...Bowie's best music since SCARY MONSTERS....The 49-minute, 11-track set edges towards excellence gradually, as if finding purpose and point through shredding layers of artifice..."
Uncut (01/04, pp.84-7) - Ranked #27 in Uncut's "Albums Of The Year 2003" - "REALITY continues the confident trajectory of last year's HEATHEN."
Magnet (11/03, p.88) - "...REALITY plays fast and loose, with melody beating mood every time. An unpretentious Bowie emerges..."
Mojo (Publisher) (10/03, p.104) - 4 stars out of 5 - "...The sound of an artist engaging with his muse...Bowie's best album for 20 years..." Hide Description David Bowie Reality Songs Reality Music Review Average Rating: (4.7 out of 5 stars)   List All Reviews The Best!!
This CD is so good, even a non-lover of Bowie would like it. Bowie can be uneven with his releases, but this CD is quality through and through. Many songs have become favorite Bowie classics of mine. Really sorry it didn't get much airplay (around here anyway). Once I put I on, I can't stop listening to it. As good or better than anything he has done! Favoites are "New Killer Star", very clever, and especially "Never Get Old". Get it and love it.
Submitted by stroedel68 (wisconsin, usa) 
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Bowie is back.
This is really a great work. Intelligent, elegant, great music, wonderful singing.
Submitted by a reviewer (Lima, Perú)
Was This Review Helpful? Yes No  great cd
This has to be a realy great cd with some very cleaver songs like " Bring me the Disco King" and " Never get old" The new version of " Rebel Reble" is outstanding and better than the old version, I saw bowie in the point in dublin his show was just great cant waith for his next cd.
Submitted by mickjwall2 (Dublin Ireland)
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Brilliant
Excellent album, qwerky melodic rock album, with key songs including never get old and bring me the disco king, masterpieces.
Bowie back to his best, almost as good as Heathen ( not quite IMO ) , and a fantastic tour to go with it.
Brilliant
Submitted by James (North Wales, UK)
Was This Review Helpful? Yes No This Album Rocks
This is another great album of David Bowie. His music is outstanding. I love it. It is creative with great lyrics and great melodies,ect. He also is playing with one of the most fantastic musicans. His songs on this album are almost as good as his earlier stuff. It is truly one his best albums ever. What really amazes me is here he is over thirty years later, and he still is putting out great songs. Now that is something to think about.
Submitted by Ben (Mountain View, CA, USA)
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Purchase Reality CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
Reality album
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This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine."
Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably features more full-on Irishness than the Dublin production of RIVERDANCE. There's also a lovely rendition of Neil Young's "Only ...
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After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain."
The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and ...
| | Bootleg Series Vol. 6: Bob Dylan Live 1964 CDs (2004)
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In 1964, when the Beatles where still singing "I Want to Hold Your Hand," Bob Dylan was quietly making history at New York's Philharmonic Hall (now Avery Fisher Hall). ANOTHER SIDE OF BOB DYLAN had recently been released, but even the flights of fancy on "Spanish Harlem Incident" and "To Ramona" (both performed here), while unprecedented, couldn't have prepared the audience for the Big Bang of songwriting represented by the still-unrecorded "Gates of Eden" and "It's Alright Ma (I'm Only Bleeding)." In a voice full of youthful vitality and insouciance, Dylan delivered groundbreaking poetic epics to a crowd that must have been equally confounded and exhilarated.
Disc Two contains more of Dylan's older, more conventional material as well as four duets with Joan Baez, including the folk ballad "Silver Dagger," which Dylan would never record. As full ...
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This live album was originally released as a double LP in 1982, when the Talking Heads were still extremely active. Twenty-two years later, the bonus-laden, two-CD reissue serves as a fascinating in-concert document of the phases the band went through during its first five years. The late-'70s tracks on the first disc show the early version of the band in all its geeky glory, mixing spastic New Wave quirkiness, funk rhythms, and art-school lyrics. It's intriguing to hear the difference between some of the songs' inception and their eventual recorded versions, such as a relatively straightforward "Electricity (Drugs)," which would turn ominous and atmospheric on FEAR OF MUSIC.
The second disc captures the expanded, early-'80s version of the band, with extra musicians and backing vocalists in tow, tackling the fugue-like art-funk masterpieces of the aforementioned album and REMAIN IN LIGHT. It's all the more impressive to hear the interlocking of the guitars, keyboards, and percussion achieved without the benefit of studio overdubbing, and David Byrne's near-manic intensity is even more focused and affecting in the live setting. ...
| | Tom Waits Real Gone CD (2004)
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The absence of piano is significant--Waits's jazzy harmonic underpinning is entirely dismantled here, leaving only the most basic, blues-oriented structures atop which Waits hangs his distinctive poetic imagery, at once surreal and highly detailed. There's an overwhelming sense of darkness ("How's It Gonna End," "Dead and Lovely"), but there are also moments of pure unfettered glee "Metropolitan Glide," "Shake It"), which are often goosed along by Waits's son Casey on turntables and percussion. A perennial romantic, Waits does let in a little melodic sunshine on the poignant closing ballad, "Day After Tomorrow," but for the most part, ...
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| | Rikugo Yu-En EP CD (2007)
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Influenced by rock, metal, Gothic abroad, the band wants to express Japanese sentiment and nostalgia. Because of this, we dare to strain at using Japanese in all of our songs. The sound is hard, heavy and melodious, catchy and not an imitation but the original.Japanese spelling of Rikugo (pronounced as 'rick go') consists of two letters, 'riku ' and 'go'. In this case,'riku' means 'six', and 'go' means 'to meet'.The meaning of the name is the universe, where the six elements in the physical world, east, west, south, north, heaven and earth, meet one another.In addition to the spatial meaning above, there is another hidden meaning, pleasure, anger, sorrow, ease, life and death. Consequently the word means the world made from ...
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The Wherewithals originally started as a project between singer-songwriter/guitarist Ben Firestone and guitarist/vocalist John Paul Longenecker. Originally from South Bend, IN by way of Chicago, Ben moved to Portland in the summer of 04 and met John Paul at work and became friends. When Ben's longtime friend and musical collaborator Chuck Townsend moved to Portland shortly after, it was only a matter of time before Sean McCormick (drums) and Stacey Roesberry (bass) filled out the lineup, making Ben and John Pauls rough songs into the melodically textured creations ...
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