| | Bob Dylan John Wesley Harding CD Bob Dylan Discography of CDs
(1 Customer Review)
This is a stereo hybrid Super Audio CD playable on both regular and Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Bob Dylan's eighth album followed a lengthy hibernation due to a motorcycle accident in which the singer re-evaluated his art. He emerged with a set of stark simplicity and heartfelt intensity, melding folk, rock, and country with a mesmerizing power that set off a huge back-to-basics movement in rock that lasted well into the next decade. A biblical purity encompasses the collection as Dylan paints graphic portraits of the disenfranchised--hobo, immigrant, drifter, messenger--articulating the uncertainty of the times. The best-known song here is the apocalyptic "All Along the Watchtower," which would soon be electrically redefined by Jimi Hendrix. The mood lifts on the final track "I'll Be Your Baby Tonight," a beautifully tender love song, suggesting that this is where salvation lies. John Wesley Harding repays repeated play with ever-unfolding metaphor and interpretation, including four hidden Beatles on the cover.
Bob Dylan returned from exile with John Wesley Harding, a quiet, country-tinged album that split dramatically from his previous three. A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as "I'll Be Your Baby Tonight," are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like "All Along the Watchtower," "I Dreamed I Saw St. Augustine," and "The Wicked Messenger" revealing several layers of meaning with repeated plays. Although the lyrics are somewhat enigmatic, the music is simple, direct, and melodic, providing a touchstone for the country-rock revolution that swept through rock in the late '60s. [In 2003, Columbia/Legacy reissued 15 selected titles from Dylan's catalog as hybrid SACDs, playable in both regular CD players and Super Audio CD players. Each title is packaged as a digipak, containing the full original artwork. On each of the titles, and on each of the layers, the remastered sound is spectacular, a considerable upgrade from the initial CD pressings.] ~ Stephen Thomas Erlewine
Originally released in 1967, this reissue is a hybrid CD consisting of remastered regular version playable on all players and a super audio CD version for players equipped with the format. 12 tracks. Digipak. Sony. 2003.
Includes liner notes by Bob Dylan.
Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Pete Drake (steel guitar); Kenneth A. Buttrey (drums).
Photographer: David Gahr.
Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Pete Drake (steel guitar); Charles McCoy (bass); Kenny Buttrey (drums).
Rolling Stone (4/11/02, p.106) - Ranked #15 in Rolling Stone's "50 Coolest Records". Rolling Stone (3/30/00, p.68) - 5 stars out of 5 - "...one of Dylan's most cryptic and thematically complex albums....its songs are rife with religious imagery, both explicit and implied....a masterful move - the original Dylan unplugged." Q (Magazine) (p.111) - "[T]his spare collection of outlaw allegories and Biblical allusions is in stark contrast to the louder aesthetics prevailing elsewhere at the time..." **Super Audio CD (SACD) Hybrid** This CD will play in standard CD players. A Super Audio CD player is required to take advantage of the SACD sound technology. John Wesley Harding Music John Wesley Harding Music John Wesley Harding Music Review Buy John Wesley Harding CD Purchase John Wesley Harding CD To buy, Click on price to add to cart | Bob Dylan Bringing It All Back CD (1965) SACD Hybrid
John Wesley Harding album
$8.25 This is a multi-channel hybrid Super Audio CD playable on both regular and Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Howls of rage greeted Bob Dylan as he presented the world with rock music--he was roundly booed at both the Newport Folk Festival and the Royal Albert Hall. Yet here is one of those moments of cross-influence that changed the course of popular music. BRINGING IT ALL BACK HOME gave Dylan an audience on a plate; it was a massive breakthrough. An album of two different sides, acoustic (his past) and electric (his future), it contains milestones in the blues-rockers "Maggie's Farm" and "Subterranean Home Sick Blues," the future Byrds hit "Mr. Tambourine Man," and the transcendently ...
| | Bob Dylan Blonde On Blonde CDs (1966) SACD Hybrid
John Wesley Harding CD music
$16.09 This is a multi-channel hybrid Super Audio CD playable on both regular and Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Only a year after HIGHWAY 61 REVISITED, Dylan miraculously topped himself with further epigrams of surrealistic poetry and emotional intrigue. The pressure of a punishing touring schedule and high public profile helped drive him to an unbelievable fit of creativity as he spontaneously scribbled these gems in his hotel rooms. We were spoiled with a double album, more Dylan music than we had previously heard, yet still destined to endure. BLONDE ON BLONDE surrounds the folk-rock bard with the likes of Al Kooper, Robbie Robertson, ...
| | Bob Dylan Nashville Skyline CD (1969) SACD Hybrid
John Wesley Harding music CDs
$8.49 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Dylan's (first) country record helped provide template for Americana movement, and yielded top-10 hit "Lay Lady Lay."
It is hard to recall now how deeply unfashionable country music was in 1969-- Dylan's label, Columbia, dismayed at his apparent retrogression, begged him to remove the word NASHVILLE from the album's title. However, as usual, he proved ahead of the game; his embrace of country ushered in Gram Parsons, the Flying Burrito Brothers, and scores of subsequent artists under the Americana banner. Prescient too was his nod to Johnny Cash, with whom he duets on the gorgeous "Girl From The North Country." Buoyed by an altered, near-crooning vocal style, most of the ...
| | Freewheelin Bob Dylan CD (1963) SACD Hybrid
John Wesley Harding songs
$8.49 Also available in a 3-pack with THE TIMES THEY ARE A-CHANGIN' and ANOTHER SIDE OF BOB DYLAN.
Recorded in Columbia Sound Studios, New York, New York in 1963.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
With this album Dylan emerged from the cloak of Woody Guthrie and proclaimed his own unique talent. No longer detached--the set was originally entitled BOB DYLAN'S BLUES--he personalized his songs, famously rejecting four from the final draft in favor of others reflecting his newer muse. Protest songs were given a wider resonance--the text of "Masters Of War" remains sadly relevant decades later--while his love songs are haunting but universal statements. Dylan injected black ...
| | Bob Dylan Highway 61 Revisited CD (1965) SACD Hybrid
John Wesley Harding album
$9.59 Recorded in Columbia Studios, New York, New York in June-August 1965.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Though 1966's BLONDE ON BLONDE is usually singled out as the most innovative Bob Dylan album, its predecessor HIGHWAY 61 REVISITED is the one that definitively marks Dylan's transformation from progressive folk singer to visionary rock poet. It's Dylan's first fully electric album, powered by the manic intensity of Mike Bloomfield's skull-and-crossbones blues-rock guitar leads and Al Kooper's rich organ fills.
While many of the songs ...
| | Bob Dylan Blood On The Tracks CD (1975) SACD Hybrid
John Wesley Harding CD music
$9.59 This is a multi-channel hybrid Super Audio CD playable on both regular and Super Audio CD players.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
By the mid-'70s, even Dylan's most ardent supporters began taking his artistic decline for granted. Albums like NEW MORNING and PLANET WAVES were fine works, but lacked the visionary spark of his seminal '60s recordings. At 34 he was already being written off as a has-been. That presumption is what made BLOOD ON THE TRACKS such a glorious sucker-punch of a record.
One of Dylan's most mournful efforts, ...
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