| | YoungBloodz Drankin' Patnaz CD YoungBloodz Discography of CDs
 (5 Customer Reviews)
Additional personnel includes: Lil Jon, Killer Mike, Backbone, Mark Twayne, MempHitz & Ronda, Jazze Pha, Oddball, Shawty Putt, Playboy Trey.
Additional personnel includes: Lil' Jon, Killer Mike, Backbone, Mark Twayne, MempHitz & Ronda, Jazze Pha, Sean Paul, Oddball, Shawty Putt, Playboy Trey.
Despite the longest of delays, the debut Youngbloodz record, AGAINST DA GRAIN--a rather straight-forward, lyrically tight collection of hooks and Dirty South drawls and skits--was a qualified success and featured the rap radio hit "U Way" and the shoulda-been-a-hit groove "85." The Atlanta duo of Sean Paul (not the dancehall-pop superstar) and J-Bo return in late 2003 with sophomore effort, the fittingly titled DRANKIN' PATNAZ, a bit more refined and far-reaching, but certainly a far-from-sober collection of controlled, tongue-twisting fury.
DRANKIN' PATNAZ opens as hard as the exterior of a 40-bottle with the screams of the "king of crunk" himself, Lil' Jon, screamin' before launching into the defiant "Damn," a twisting anthem for the discerning, intellectual thug. The duo displays skills at getting the club bouncing on hypnotic tracks like "Sean Paul (Get 'Em Crunk)" and "Hustle," and throughout their second offering unveil an ability to stretch the elastic of the crunked-out Dirty South sound to its limits. Sean Paul and J-Bo consistently reveal the filial facility to play off one another, an ability which distinguishes Youngbloodz from the mass of crews emerging in the umbra of Outkast's success, making DRANKIN' PATNAZ a worthwhile listen.
Initial pressings included a bonus DVD.
Recorded at Patchwerk Recordings and Strankonia Recording, Atlanta, Georgia.
Youngbloodz: J-Bo, Sean Paul.
Producers include: Mark Twayne, R.O.B., Jonathan "Lili" Jon Smith, Oomp Camp, The Trackboyz.
Personnel: Jonathon "Lil' Jon" Smith (vocals); Craig Love (guitar); Rob McDowell (keyboards, drum programming); L-Roc (keyboards); Mark Twayne, Buddy Barkalow, Mello (drum programming, background vocals); Montez Harris, J-Bo (drum programming); Mickey "MeMpHiTz" Wright, Sean Paul Joseph, Roosta, Pretty Ken, Cutty Cartel, Rhonda, Oddball, Playboy Tre, Shawty Putt (background vocals).
Audio Mixers: John Frye; Jan Fairchild; Pit; Jonathon "Lil' Jon" Smith; Kevin Crouse; Troy Hightower.
Recording information: Patchwerk Recordings, Atlanta, GA; Stankonia Recording Studios, Atlanta, GA; The Hideout, Atlanta, GA.
Photographer: Sarah A. Friedman.Vibe (1/03, p.128) - 3.5 out of 5 - "...DRANKIN' PATNAZ delivers a cocktail strong enough to get the nation slizzard..."h
Vibe (1/03, p.128) - 3.5 out of 5 - "...DRANKIN' PATNAZ delivers a cocktail strong enough to get the nation slizzard..." YoungBloodz Drankin' Patnaz Songs Drankin' Patnaz Music Review Average Rating: (5 out of 5 stars)  Must have!
All I can say is that this cd is HOTT!! U can play this cd without skipping any trackz...
Submitted by Jett (Providence, RI)
Was This Review Helpful? Yes No the best freakin cd
this is the best cd ever and of i could'nt but notice sean paul and his cute self with long hair just like me holla back sean paul!!!!!!!!!!!
Submitted by lisa camille (mt.vernon,ny,usa)
Was This Review Helpful? Yes No Tight!!!
Dis cd is 1 of da best 2 hit da streetz...Da beatz is hella hot but they should hab more guest on thier album, like T.I,Lil' Scrappy n stuff...PeaCe ouT
Submitted by Jett (Playaz-Town)
Was This Review Helpful? Yes No Quality
This album is great has the best song Damn with the popular king of crunk Lil Jon that gives it the dirty south beat
New song lean low is great, great video and has a famous artist in the song Ludacris
Well good get it you wont be disappointed
Submitted by dslluk (Margate, England)
Was This Review Helpful? Yes No Bumpin'
I wasn't expecting this cd to be as good as it was, this cd hits in a car with a good system, bangin beats, my personal favs are whatchu lookin at, and lane to lane, definitely get this album, no second thought required
Submitted by a reviewer (Bakersfield,CA, USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Drankin' Patnaz CD To buy, Click on price to add to cart | Mariah Carey Merry Christmas CD (1994)
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At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on ...
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Released a year after his previous EP (5150 Home 4 tha Sick, 1992) and a long five years since his one and only album to date (Eazy-Duz-It, 1988), It's On (Dr. Dre) 187um Killa was both a stopgap release for Eazy-E and a response to the runaway success of Dr. Dre's The Chronic (1992). Eazy had been lambasted on that Dr. Dre album (and especially in the "Dre Day" video), so it's no surprise that he returns the favor here on "Real Muthaphuckkin G's" and "It's On," dissing not only Dre but also Snoop Doggy Dogg. This ugly, mudslinging conflict aside, Eazy truly shines on these eight songs. Granted, eight songs isn't a lot of music, especially since one of the eight is only a minute-long intro and another is yet another remake of "Boyz-in-the Hood" (and too because Eazy had been so AWOL in previous years -- five years and still no follow-up album to Eazy-Duz-It!?!). On the little bit of music that is here, however, Eazy proves that he's still one of the best gangsta rappers out there in the early '90s. Sure, he's not an especially gifted MC, and he's not nearly as witty or perversely humorous as he had been previously on Eazy-Duz-It, either, but he has such a singular style and such attitude, he stands out amid the innumerable other gangstas out there at the time. And to elaborate upon his attitude, Eazy seems downright bitter here. The success of Dr. Dre and Ice Cube outside of N.W.A, not to mention the dissolution of that group, seems to have really upset him. So in a way, It's On feels cathartic, as if Eazy were venting all his frustrations. It results in a sharp group of songs: there are the Dre disses, of course, but also the murder fantasy of "Any Last Werdz," the f*ck-the-world nihilism of "Still a Nigga," the sexist porno-dance of "Gimmie That Nutt," ...
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