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Seal Waiting For You/Loneliest Star CD Single

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Taken from the 2003 album 'Seal IV'. Five non-LP tracks, 'Waiting For You' (Burning Thick D. Vocal Remix, BHQ Vocal Remix, Machine Head Remix, 29 Palms Remix, & The Passengerz Remix). Warner.
Waiting For You/Loneliest Star Music


Detailed Waiting For You/Loneliest Star Music Information



Category Rock/Pop Albums, R&B CDs, Pop, Dance, CD singles, Rock
Label Warner Bros. (Record Label)
Orig Year 2003
All Time Sales Rank   90608  
CD Universe Part number 6337425
Catalog number 42656
Discs 1
Release Date Oct 07, 2003
Studio/Live Studio
Mono/Stereo Stereo
Producer Trevor Horn
Additional Info SNGL
Seal Waiting For You/Loneliest Star Songs


Seal Waiting For You/Loneliest Star Album Track Listing



Windows MediaRealAudio Media1.Waiting For You - (Burning Thick D. vocal remix)  $0.99
Windows MediaRealAudio Media2.Waiting For You - (Machine Head remix)  $0.99
Windows MediaRealAudio Media3.Waiting For You - (The Passengerz remix)  $0.99
Windows MediaRealAudio Media4.Waiting For You - (BHQ Vocal remix)  $0.99
Windows MediaRealAudio Media5.Waiting For You - (29 Palms remix)  $0.99

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GENESIS ARCHIVE #2 contains both studio and live tracks recorded between 1976 and 1992. Volume One collected work from Genesis' eight-year period with Peter Gabriel. This three CD follow-up collects rarities--studio outtakes, B-sides, remixes, and previously unreleased live tracks--from what the band refers to in the liner notes as their "20 year experiment" with Phil Collins as lead singer (1975-95). Most of the songs lean toward the band's pop-soul side, although there's a work-in-progress version of "Mama" that (due to its obviously unfinished quality) hints at their earlier, more abstract style. Other highlights include the amusingly titled "Do the Neurotic," which has a great electric 12-string riff and a chugging synth chorus, and an interesting, dance-oriented remix of "Invisible Touch," whose ...
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For those who were not yet convinced of Doug Martsch's status as an indie-rock guitar god, this collaboration between his Built To Spill and Boise, Idaho's Caustic Resin--which is stocked with former Built To Spillers--is overwhelming proof. The sound of virile jamming coming from a scene that prides itself on compactness of song may prove disarming at first, but the ferocious post-Sonic Youth interplay between Martsch and Brett Netson is too overwhelming not to strike a sympathetic chord with the listener. It also helps that the song-vehicles for this raucousness aren't the serious type. "When Not Being Stupid Is Not Enough" and "Shit Brown Eyes" take themselves as lightly as their titles imply (few lyrics, all bruising guitars), while the reconstruction of Kicking Giant's "She's Real" proves that even when they're goofing, the Boise contingent has great taste in pop material. Built to Spill/Caustic Resin sees the two title bands working together to perform four songs; the first two songs are penned by Built to Spill, the third is penned by Caustic Resin, and the final track is a cover of a Kicking Giant's "She's Real." "When Not Being Stupid Is Not Enough" is an incredible nine-minute ride, filled to the emotional breaking point with classic Doug Martsch guitar dynamics, his confident vocals, and angry lyrics. The song would seem completely at home on the band's album Perfect From Now On, as it's as subtle and finely crafted as it is noisy and monumental. It is, without a doubt, a must-listen for fans. "One Thing" is one of the angrier songs in Built to Spill's arsenal; it doesn't really go anywhere, and it might best be described as a more bitter version of the band's There's Nothing Wrong With Love-era pop sound. "Shit Brown Eyes" is more psychedelic than the other songs on the EP. What it lacks in cohesion, it makes up in virtuoso guitar attacks. Martsch's trademark guitar squalls make it worth a listen, but Brett Netson's vocals are no match for Martsch's. "She's Real" is interesting and epic, suggesting a shimmering '50s rock song gone indie, amid bunches ...
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"If Looks Could Kill" is one of the highlights from Camera Obscura's wonderful album Let's Get Out of This Country. The pounding percussion, VU-guitars, and tremendous melody make it a highlight of 2006 as well. The other two songs are fine B-sides: "Hands Up Baby" is a restrained and atmospheric ballad penned by guitarist Kenny McKeeve, whereas "Alaska"'s an organ-heavy rocker with some nice references to trees (when was the last time you heard anyone singing about sycamores, birches, or hawthorns?) and a solid groove. You'll absolutely need this EP to complete your CO collection. ~ Tim Sendra "If Looks Could Kill" is one of the highlights from Camera Obscura's wonderful album Let's Get Out ...
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