| | Larry Young Mother Ship CD Larry Young Discography of CDs
Organist Larry Young's final Blue Note album, Mother Ship, was not released until 1980. Teamed up with tenor saxophonist Herbert Morgan, the great trumpeter Lee Morgan, and drummer Eddie Gladden, Young performs five of his originals, which range from the funky "Street Scene" and the samba "Love Drops" to a spacy "Trip Merchant" and the complex "Visions." This highly original set does not deserve to be so obscure. ~ Scott Yanow
Recorded at the Van Gelder Studio, Edgewood Cliffs, New Jersey on February 7, 1969. Originally released as Blue Note (1038). Includes liner notes by Michael Cuscuna.
Personnel: Larry Young (organ); Herbert Morgan (tenor saxophone); Lee Morgan , Lee Morgan Quintet (trumpet); Eddie Gladden (drums).
Liner Note Author: Michael Cuscuna.
Recording information: New York, NY (02/07/1969).
Photographer: Francis Wolff.
Personnel: Larry Young (organ); Herbert Morgan (tenor saxophone); Lee Morgan (trumpet); Eddie Gladden (drums).
Larry Young Mother Ship Songs | 1. | Mother Ship |
| 2. | Street Scene |
| 3. | Visions |
| 4. | Trip Merchant |
| 5. | Love Drops |
|
Mother Ship Review
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Purchase Mother Ship CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that ...
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Mother Ship CD music
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A direct descendant from the pedigree of one of the 20th century's ...
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On FIRST LOVE, contemporary jazz saxophonist and composer Everette Harp moves deeper into the space he addressed on 2007's excellent MY INSPIRATION. Produced by George Duke, the meld of acoustic and electric instruments here is perfectly balanced. Melodic and harmonic structures are much more complex and don't always fit the C-jazz cookie-cutter mold. Check ...
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| | Eugenio Colombo Tales Of Love And Death CD (2000)
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Behind Tales of Love and Death lies a simple idea that had rarely ...
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| | George Harrison Living In The Material World CD (1973) Bonus Tracks; Remastered
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On his first studio album since the artistic and commercial triumph of his 1970 solo debut, Harrison opted to produce himself rather than continue his association with producer Phil Spector. Boasting an intimate, organic sound that is far-removed from Spector's wall-of-sound production of ALL THINGS MUST PASS, LIVING IN THE MATERIAL WORLD shows a more reflective, acoustic-oriented side of the ex-Beatle. The album opens on a high note with Harrison's number one hit "Give Me Love (Give Me Peace On Earth)," a gorgeous, soaring pop song that is a perfect showcase of Harrison's earnest vocals and distinctive slide guitar playing. Though none of the other songs on the album are quite as spectacular as "Give Me Love," there are many excellent tracks, including the Beatlesque "Don't Let Me Wait Too Long" and "Sue Me, Sue You Blues," a biting commentary on the Beatles' business problems circa 1973, which features Ringo Starr on drums and some exceptionally potent slide guitar from Harrison.
How does an instant multimillion-selling album become an underrated minor masterpiece? George Harrison's follow-up to the triple-disc All Things Must Pass (which had been comprised of an immense backlog of great songs that he'd built up across the last years of his time with the Beatles), Living in the Material World was necessarily a letdown for fans and critics, appearing as it did two-and-a-half-years after its predecessor without that earlier album's outsized songbag from which to draw. And it does seem like Harrison narrowed his sights and his vision for this record, which has neither the bold musical expansiveness nor the overwhelming confidence of its predecessor. And while there are still some beautiful and delightfully lyrical, charming moments throughout, few of the melodies are as instantly memorable and compelling as those of most of the songs on the earlier record, and some of the most serious songs here, such as "The Light That Has Lighted the World," seem weighed down with their own sense of purpose, in ways that All Things Must Pass mostly (but not entirely) avoided. What Living in the Material World does show off far better than the earlier record, however, ...
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