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Hooker, William / Miller, Roger / Ranaldo, Lee - Out Trios Vol. 1: Monsoon CD Cover Art
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William Hooker / Roger Miller / Lee Ranaldo Out Trios Vol. 1: Monsoon CD

 William Hooker / Roger Miller / Lee Ranaldo Discography of CDs

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Lee Ranaldo/William Hooker/Roger Miller. The gorgeously powerful debut release in Atavisticss Out Trios Series features Lee Ranaldo (Sonic Youth), Roger Miller (Mission Of Burma/Binary System) & NYC free jazz legend William Hooker - summating ...
Out Trios Vol. 1: Monsoon Music


Detailed Out Trios Vol. 1: Monsoon Music Information



List Price $14.95 (You save $4.20)
Category Rock/Pop Albums, Rock CDs, Jazz, Jazz Instrument, Drums
Label Atavistic
Orig Year 2003
All Time Sales Rank   456105  
CD Universe Part number 6355695
Discs 1
Release Date Oct 07, 2003
Studio/Live Studio
Mono/Stereo Stereo
Personnel Roger Miller - bass, samples, electronics
Lee Ranaldo - guitar
William Hooker - drums
William Hooker / Roger Miller / Lee Ranaldo Out Trios Vol. 1: Monsoon Songs


William Hooker / Roger Miller / Lee Ranaldo Out Trios Vol. 1: Monsoon Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Monsoon

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Aside from all of the traditional obstacles one must overcome (time, money, the will of others, and forces of nature) to get something done, the most formidable obstacle is oneself. Before we make a decision, we gather our resources and marshal our forces in order to ensure its success, but there are usually too many possibilities to consider. So it comes down to faith. Faith that we already have the resources within us to handle what comes next. Faith to understand that even if we end up on a road that is not of our choosing, it can still lead us to our goal, and maybe even provide us with some views we have never seen before. It comes down to faith in oneself.The Tarrier: A few years back I was playing chess with a dear friend. On this particular occasion I was winning most of the games handily until the endgame. Turn after turn, my friend watched as I missed opportunities for checkmate as I tried to bring in more pieces and even get an extra queen. I lost a few of those games and the most embarrassing of them ended in a stalemate. He loves to bring that one up inconversation. “You did everything you needed to do, and then you tarried.” In future games, whenever we found anyone guilty of that crime, (bragging and taunting seemto be more important than the actual games with us) we labeled him “The Tarrier,” and joked that it sounded like one of those Blue Note titles, like The Sidewinder orThe Preacher. In case you are interested in the music here, The Tarrier is a blues shuffle and was partly influenced by Oliver Nelson’s Yearnin’. The ensemble trading with thedrums was inspired by Thad Jones’ "Tiptoe."Dijon Dance is dedicated to Jack DeJohnette, one of my favorite drummers. The song was inspired by Jackie McLean’s “Demon’s Dance,” a record that featured Mr. DeJohnette andsuccessfully straddles the dividing line between 50’s hard bop and the modal and freer styles popularized by Ornette Coleman and John Coltrane in the 60’s. I was trying to invoke some of that spirit here.Be Still (While I Remove the Wart) is dedicated to one of my teachers and another favorite drummer, Bill Stewart. It started with the bass line and was modeled after an amalgam of tunes written by John Scofield for his bands of the early 90’s, of which Bill Stewart was a member. Most of his records from that time featured at least one tune with a blues drenched melody and a second-line groove, and this is an attempt to capture some of the feeling of that music. I really went back and forth as to whether or not I should include the subtitle, but unfortunately, better taste did not prevail and more importantly, it is necessary to solving the anagram.Trolley Museum: I made up this melody on the spot and sang it to an ex-girlfriend. It has a simple, child-like tune that I found difficult to present in a modern jazz context, so I elongated the rhythm of the melody and re-harmonized it. The “spot” was the trolley museum in East Windsor, CT, near my hometown.A Wreath of Cloud: I wrote the A section of A Wreath of Cloud almost 10 years ago, then tarried on the bridge for a few years. In the interim, I read Murasaki Shikibu’s The Tale of Genji . Arthur Whaley’s translation titles the second book of her novel A Wreath of Cloud , stripped from the poem “Across the sunset hill there hangs a wreath of cloud that garbs the evening as with the black folds of a mourner’s dress.” The poem was ...
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