| | Death Cab For Cutie Transatlanticism CD Death Cab For Cutie Discography of CDs
 (12 Customer Reviews)
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Death Cab for Cutie finally delivers on its promise with its fourth album, TRANSATLANTICISM. Although the band's earlier outings have excellent moments, this collection of indie power-pop plays to Death Cab's strengths, wrapping Ben Gibbard's plaintive vocals and emotive lyrics in consistently dynamic and engaging arrangements. The album opens with the majestic surge of "The New Year," and moves to the instantly catchy "Lightness." While guitars chime over solid bass-and-drums backing, Gibbard's melancholy tales unfold, drawing the listener in further with each song, largely due to the perfect production of guitarist Chris Walla. By the time the wide-screen title track runs it course and the album ends with the oddly optimistic "A Lack of Color," it becomes clear that this is one of those albums that you'll listen to over and over again.
Their fourth studio album blends subtle songwriting, amazing production, boundless creativity, and thoughtful rock. 11 tracks. Barsuk. 2003.
Recorded at The Hall Of Justice, Avast, Ironwood, Studio X, Seattle, Washington; Tiny Telephone Studios, San Francisco, California.
Recorded at The Hall Of Justice, Avast, Ironwood, Studio X, Seattle, Washington and Tiny Telephone Studios, San Francisco, California.
Death Cab For Cutie: Benjamin Gibbard, Nicholas Harmer, Jason McGerr, Christopher Walla.
Additional personnel: The Barsuk Men's Choir.
Rolling Stone (11/27/03, p.93) - 3.5 stars out of 5 - "...[The album] presents a polished version of the heart-string-tugging formula that has earned the quartet its cultish following: melodic, melancholy songs about feeling both smart and confused, hopelessly romantic but wary of love..."
Spin (11/03, p.112) - "...TRANSATLANTICISM is a breakup album that refuses to break down, full of striking, tactile imagery....Direct and beautiful..." - Grade: A-
Uncut (11/03, p.107) - 4 stars out of 5 - "...This is a record of rare beauty and poise..."
CMJ (12/29/03, p.6) - Ranked #6 in CMJ's "Top 10 of 2003"
CMJ (10/6/03, p.4) - "...Makes ambition safe for the indie clique....new guitar textures and rhythmic ideas are everywhere..."
Mojo (Publisher) (12/03, p.122) - 3 stars out of 5 - "TRANSATLANTICISM is a further suite of touching vignettes, choice observations and killer lines." Death Cab For Cutie Transatlanticism Songs Transatlanticism Music Review Average Rating: (3.8 out of 5 stars)   List All Reviews DCFC hits its stride
This is an outstanding disk. The consistent theme of distance works on multiple levels. The most significance of which is the length that narrator attempts to move away from his own emotions. Somehow the musical movements float us over this mythical pond of feelings. Rarely do we dive into the pain, but we cannot deny it's presence is thick. For those who appreciate a substantial dose of "good pain," this mature, finely crafted travelogue is for you.
Submitted by mpidiot (moorpark, ca) 
Was This Review Helpful? Yes No
another winner
ok, i'm easy when it comes to this band. this cd compares closely to that other ben gibbard band "the postal service" and their cd "give up". lost love, hope, inspiration, it's all here and the metaphorical lyrics, especially on "title and registration" give the songs an emotional connection. "transatlanticism", while lyrically sparse, uplifts the whole cd. another great death cab cd.
Submitted by a reviewer (bethlehem, pa.)
Was This Review Helpful? Yes No This is quite unique
This could quite a serious record to listen to compared to Plans and We Have The Facts & We're Voting Yes. As soon you hear The New Year and We Looked Like Giants, that's the record I'm looking for. I've stopped dead in the middle with Plans. I swear there's no intimacy on the mainstream, I tell ya!
Submitted by Yvette (Edmonton, Alberta, CANADA)
Was This Review Helpful? Yes No Death cab has always been unique
This album is great " lack of color" is just so relaxing and care free. This music will make you feel beautiful
Submitted by Gen (fresno, Ca)
Was This Review Helpful? Yes No  Not nearly as good as "Plans"
While you can hear the raw talent that fully matures on "Plans", the first half of this album is irritatingly uneven.
However, things improve on the second half, so if you hang in there, you'll be rewarded.
Submitted by Russ (The O.C.)
Was This Review Helpful? Yes No
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Purchase Transatlanticism CD To buy, Click on price to add to cart | Death Cab For Cutie We Have The Facts & We're Voting Yes CD (2000)
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2000's We Have the Facts and We're Voting Yes delivered on the promise of You Can Play These Songs with Chords and Something About Airplanes. For once, a band's popularity grew commensurate with its maturation. Despite the heightened attention, singer/songwriter/guitarist ...
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Recorded in James Mercer's Basement, Portland, Oregon and Avasti Studio, Seattle, Washington.
When the Shins bowled over music fans and critics alike in 2001 seemingly out of nowhere (but actually out of Albuquerque and years of playing together) with OH, INVERTED WORLD, their stunningly beautiful debut, the comparisons came pouring in. Scribes likened their insistent, ...
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This is a multi-channel Super Aduio CD playable only on Super Audio CD players.
EVERYBODY'S GOT A STORY is the third release from distinctive Canadian songstress Amanda Marshall. The album includes the songs "Voice Inside," "Double Agent," and "Brand New Beau."
Canadian singer/songwriter Amanda Marshall is concerned about the difference between appearance and reality on her third album, Everybody's Got a Story. On the title track, a tired pickup line inspires her to think about what people are really like, as opposed to what they seem to be at first. "Don't assume everything on the surface is what you see," she warns, and then goes on to expand on that theme in the rest of the album's story songs. That might make the collection sound somewhat preachy, but it's apparent as early as that first song that she is talking as much to herself as she is to anyone else. On "Double Agent," she reflects on her mixed heritage; appearing to be white, ...
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