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Death Cab For Cutie - Transatlanticism CD Cover Art CD music music CDs songs album

Death Cab For Cutie Transatlanticism CD

 Death Cab For Cutie Discography of CDs
3.8 stars (12 Customer Reviews)

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 Our Price: $10.95  CD

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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

Death Cab for Cutie finally delivers on its promise with its fourth album, TRANSATLANTICISM. Although the band's earlier outings have excellent moments, ...    Full Description

Transatlanticism Music


Detailed Transatlanticism Music Information



List Price $12.97 (You save $2.02)
Category Rock/Pop Albums, Rock CDs
Label Barsuk
Orig Year 2003
All Time Sales Rank   1910  
CD Universe Part number 6355749
Catalog number 31032
Discs 1
Release Date Oct 07, 2003
Studio/Live Studio
Mono/Stereo Stereo
Producer Christopher Walla
Engineer Christopher Walla
Personnel Jason McGerr
Christopher Walla
Benjamin Gibbard
Nicholas Harmer
Death Cab For Cutie Transatlanticism Songs


Death Cab For Cutie Transatlanticism Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.New Year, The  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Lightness  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Title and Registration  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Expo '86  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Sound of Settling, The  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Tiny Vessels  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Transatlanticism  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Passenger Seat  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Death of an Interior Decorator  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.We Looked Like Giants  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Lack of Color, A  

Transatlanticism Music


Transatlanticism Other Versions



Transatlanticism Music Review


Customer Transatlanticism Reviews 




Average Rating: (3.8 out of 5 stars) 4 stars

List All Reviews

5 stars DCFC hits its stride
This is an outstanding disk. The consistent theme of distance works on multiple levels. The most significance of which is the length that narrator attempts to move away from his own emotions. Somehow the musical movements float us over this mythical pond of feelings. Rarely do we dive into the pain, but we cannot deny it's presence is thick. For those who appreciate a substantial dose of "good pain," this mature, finely crafted travelogue is for you.
Submitted by mpidiot (moorpark, ca) Verified Buyer
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4 stars another winner
ok, i'm easy when it comes to this band. this cd compares closely to that other ben gibbard band "the postal service" and their cd "give up". lost love, hope, inspiration, it's all here and the metaphorical lyrics, especially on "title and registration" give the songs an emotional connection. "transatlanticism", while lyrically sparse, uplifts the whole cd. another great death cab cd.
Submitted by a reviewer (bethlehem, pa.) Verified Buyer
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4 stars This is quite unique
This could quite a serious record to listen to compared to Plans and We Have The Facts & We're Voting Yes. As soon you hear The New Year and We Looked Like Giants, that's the record I'm looking for. I've stopped dead in the middle with Plans. I swear there's no intimacy on the mainstream, I tell ya!
Submitted by Yvette (Edmonton, Alberta, CANADA)
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5 stars Death cab has always been unique
This album is great " lack of color" is just so relaxing and care free. This music will make you feel beautiful
Submitted by Gen (fresno, Ca)
Was This Review Helpful? Yes No

3 stars Not nearly as good as "Plans"
While you can hear the raw talent that fully matures on "Plans", the first half of this album is irritatingly uneven. However, things improve on the second half, so if you hang in there, you'll be rewarded.
Submitted by Russ (The O.C.)
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Recorded in James Mercer's Basement, Portland, Oregon and Avasti Studio, Seattle, Washington. When the Shins bowled over music fans and critics alike in 2001 seemingly out of nowhere (but actually out of Albuquerque and years of playing together) with OH, INVERTED WORLD, their stunningly beautiful debut, the comparisons came pouring in. Scribes likened their insistent, melodic sound and James Mercer's hyper-literate, oblique but mellifluous lyrics to many mostly anachronistic, all deeply revered sources, including everything from the Beach Boys to Love. The follow-up, CHUTES TOO NARROW, meets and often manages to exceed the tremendous, burgeoning buzz surrounding it. Mercer and co. retain all the elements that made their debut delectable, as the melodies flow hither and thither, a subtle rapture confident in its ability to entrance. Delicately crafted yet explosively poetic lines again abound (such as "secretly I want to bury in the yard the grey ...
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The success of Death Cab For Cutie's TRANSATLANTICISM, and Death Cab main man Ben Gibbard's debut album with the Postal Service, combined to make PLANS one of the most heavily anticipated indie-rock records in many moons. Anyone who thought the band's move to a major label would rob DCFC's unique brand of literate, melancholy music of its legendary intensity needn't have worried--PLANS is ...
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After spending the 1970s as a hard-touring rock band with a few hits sprinkled here and there, the J. Geils Band retooled their sound for 1980's LOVE STINKS. The album resulted in the band's first ever back-to-back set of gold certified albums (1978's SANCTUARY reached ...
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Stay Awhile
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Stay AwhileSongs and Music from the Balkans and BeyondTéa Hodˇzic's startling and evocative voice has enchanted audiences from the London's South Bank to Sarajevo. In her new trio Téa explores the songs of her homeland, the former Yugoslavia, and its bordering countries. This music is pure emotion, and with dazzling musicians Oliver Wilson-Dickson on violin and Luke Carver Goss on accordion, a few instrumental fireworks are inevitable!Since her move from Bosnia and Herzegovina some years ago Téa Hodžic has become something of a fixture on the increasingly lively UK Balkan music scene, as one of the singers of the London-based band Szapora. On this, her first solo project, she is joined by two of her bandmates, accordionist-guitarist Luke Carver Goss and violinist Oliver Wilson-Dickson, both experienced musicians with a solid grasp of the region’s music and a thoughtful, cleanly played approach to it. Hodžic herself has a dark, relatively deep but flexible voice (perhaps a little less prominent in the mix than it could have been), and she contributes some effective guitar as well.The songs by and large hail from the southern areas of the former Yugoslavia and are given a gentle performance with slightly old-fashioned modal harmonisation, which suits such lovely songs as ‘Zar Ja Nemam Ruse Kose’ or ‘Otvori Mi, Belo LenÄe’ far better than some of the flashier versions. There’s also an understated performance of a Bulgarian râÄenica dance, and the title-track is a sinuous Hodžic/Wilson-Dickson composition. A couple of spicier Roma pieces leaven the mix, although to my mind the group is at its best in the more contemplative songs of southern Serbia, notably the hushed suspense of the gorgeous ‘Zal Za Mladost’, while the CD as a whole is deceptively simple and needs a couple of hearings to fully appreciate its emotional depth. And I don’t mind admitting that a couple of performances brought me to the edge of tears.Kim Burton, Songlines 'Top of The World' 4*Originally from Sarajevo, the husky-voiced singer Tea Hodzic has been resident in the UK for nearly 20 years and performed with her sister Mirella Hodzic in the excellent Balkan-style group Szapora. But this slimmed-down trio project gives a close focus to the Serbian, Bosnian and Gypsy songs that are at the heart of Tea Hodzic’s ...
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