| | An Eternal Harmony CD - Import Christophers / Sixteen CDS
 (1 Customer Review)
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Our Price: $15.19  CDFor Sale Usually ships in 1-2 days
Our Price: $10.89
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| Category | Classical, 20th Century Period, Baroque Period, Classical Vocal Crossover, Renaissance Period, Motet, Mass, Medieval Period, Anthem, Chant, Credo |
An Eternal Harmony Music | List Price | $17.98 (You save $2.79) | | Label | Coro | | Orig Year | 12/31/2003 | | All Time Sales Rank |  16571  | | CD Universe Part number | 6388590 | | Discs | 1 | | Release Date | Feb 25, 2003 | | Recording Time | 1 7 | | Additional Info | Import |
An Eternal Harmony Classical Review An Eternal Harmony Songs | 1. Work(s): Dum sacrum mysterium (1:03) | | Composer | Robert Carver (circa 1485 - circa 1570) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 2. Mass "Dum Sacrum Mysterium" for 10 voices: Credo (9:12) | | Common Name | Dum Sacrum Mysterium Mass, Mass For 10 Voices | | Composer | Robert Carver (circa 1485 - circa 1570) | | Genre | Mass / Renaissance Period | | Period | Renaissance | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 3. O bone Jesu, for a cappella chorus (10:16) | | Composer | James MacMillan (1959 - ) | | Genre | Anthem / Motet | | Date Written | 2002 | | Country | Scotland | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 4. When David Heard (2:50) | | Composer | Robert Ramsey (circa 1580 - 1644) | | Genre | Baroque Period | | Period | Baroque | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 5. In Monte Oliveti (2:59) | | Composer | Robert Ramsey (circa 1580 - 1644) | | Genre | Baroque Period | | Period | Baroque | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 6. O Vos Omnes (3:13) | | Composer | Robert Ramsey (circa 1580 - 1644) | | Genre | Baroque Period | | Period | Baroque | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 7. How Are the Mighty Fallen (6:22) | | Composer | Robert Ramsey (circa 1580 - 1644) | | Genre | Baroque Period | | Period | Baroque | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 8. Salve Regina for 5 voices (14:46) | | Composer | William Cornysh (circa 1470 - 1523) | | Genre | Motet / Renaissance Period | | Period | Renaissance | | Country | England | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 9. Ave Maria Mater Dei for 4 voices (3:49) | | Composer | William Cornysh (circa 1470 - 1523) | | Genre | Motet / Renaissance Period | | Date Written | circa 1510 | | Period | Renaissance | | Country | England | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 | | 10. O Bone Jesu, motet for 19 voices (12:51) | | Composer | Robert Carver (circa 1485 - circa 1570) | | Genre | Motet / Renaissance Period | | Period | Renaissance | | Venue | St. Michael's Church, Highgate, London, | | Recording Date | 07/04/2002 |
Purchase An Eternal Harmony To buy, Click on price to add to cart | Walker Brothers Ultimate Collection CD (2008)
An Eternal Harmony
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This two-CD compilation, assembled from the Walker Brothers' three albums and various singles released by Philips between 1965 and 1967, gives a good overview of their U.K. history without limiting itself to their hits. The sound quality is good if not exceptional -- one gets the sense that another round of remastering would be in order (and while we're talking about sound, wouldn't one like to see a Mobile Fidelity reissue on the Walker Brothers or, for that matter, Scott Walker's best solo stuff?). And the track order isn't chronological -- their two best-known songs, which were not their first two U.K. singles -- occupy the opening two slots on disc one. So this set is lacking in some attributes that one would, ideally, like to se. On the other hand, all of the songs that one would like to see are here somewhere, and the annotation is thorough if not extensive. For anyone starting a collection of the classic Walker Brothers' material, this set -- which also carries the subtitle "My Ship Is Coming In" -- is a great place to start and finish, assuming ...
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Christmas and the blues might seem at first like a strange combination, given that the music of the holiday season is usually joyful, hopeful, and bright, but no other time of the year is so good at showing you what you don't have, and what you can't get, and if you have the blues at Christmas, well, it's going to be a pretty heavy dose. This generous two-disc set from Document Records features 52 tracks of vintage African-American Christmas-themed blues and gospel pieces (with a couple of street sermons thrown in) recorded between 1925 and 1955, ranging from down-and-out laments and jailhouse moans to surprising (and occasionally risqué) requests for what Santa can bring down the chimney. Highlights on the first disc include the opening track, the joyous "Christ Was Born on Christmas Morn," recorded in 1925 by comedian and female impersonator Frankie "Half Pint" Jaxon; Harry Crafton's "Bring That Cadillac ...
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Enrique Graf was born in Montevideo, Uruguay, and is now an American citizen. After winning all of the national competitions in Uruguay, he went to the Peabody Conservatory of the Johns Hopkins University to study with Leon Fleisher on a full scholarship from the Organization of American States and the Peabody.He won First Prize in the William Kapell International Competition, the National Ensemble Piano Competition and the East and West International Competition in New York City. He received the Immigrant Achievement Award from the American Immigration Law Foundation. Graf has given recitals all over the world and has been soloist with such orchestras as the Baltimore, Indianapolis, New Jersey, Nashville, Pittsburgh, Richmond, Florida, West Virginia, Illinois, Flagstaff, Charleston, New York City and Jupiter Symphonies, the Symphony of the Americas, the National Chamber Orchestra, the Illinois Chamber Orchestra, the American Chamber Orchestra, the Hudson Valley Philharmonic, Sinfonia da Camara, the Puerto Rico Symphony, the Moscow Philharmonic, the Montevideo Philharmonic, the Lviv Philharmonic, the Janacek Philharmonic in the Czech Republic, and the national orchestras of Ukraine, Chile, Uruguay, Peru and Colombia. He has appeared at Lincoln Center, Kennedy Center, Carnegie Recital Hall, Teatro Opera in Buenos Aires, the Broward Center for the Performing Arts in Florida, South Bay Center for the Arts in Los Angeles, Chautauqua Festival, San Miguel de Allende Chamber Music Festival in Mexico, the University of Maryland and University of Houston International Piano Festivals, Spoleto International Piano Festival in Italy, 'Contrasts' Festival in Lviv and Kiev Music ...
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