| | Kelvin Mockingbird Simple Man CD Kelvin Mockingbird Discography of CDs
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Burning Sky is a trio based in Phoenix, Arizona comprised of musicians playing flute, guitar, and bass. They weave traditional melodies and contemporary forms to create original music indicative of today's Native America. A SIMPLE MAN is the follow-up to their Grammy-nominated SPIRITS IN THE WIND. Released on the Canyon Records label, tirelessly dedicating over 50 years to publishing traditional and contemporary Native American music.
"Wisdom Keeper" begins the album with an assured knowing of accomplished musicianship. "Twilight in Your Eyes" allows the sound to open up for Burning Sky's arsenal of handmade flutes. "Wind & Steel" features incredibly crisp finger-picking against steel strings. Special guest artist Martha Redbone is featured on the title track, providing bluesy vocals on an otherwise instrumental album. These are songs of broad landscapes and painted deserts where the flute soars in a flight path that reunites listeners with the sky.
Live Recording
Photographer: John Running. Kelvin Mockingbird Simple Man Songs | 1. | Wisdom Keeper |
| 2. | Rolling Stone |
| 3. | Blood and Faith |
| 4. | Season's End |
| 5. | Twilight in Your Eyes |
| 6. | Wind & Steel |
| 7. | Land of Lightning |
| 8. | Forever One |
| 9. | Buffalo Chips |
| 10. | Hand in Hand |
| 11. | Simple Man, A |
| Simple Man Review
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$8.99 When modern jazzman Keith Jarrett began ringing up unprecedented sales figures with his live solo piano recitals for Manfred Eicher's ECM label (most notably THE KOLN CONCERTS), other pianists and record companies began to take notice. But no one struck quite the same nerve with the record buying public as pianist George Winston, whose invocational recitals AUTUMN, WINTER INTO SPRING, DECEMBER and SUMMER put the Windham hill label on the map and epitomized the new age approach for countless listeners.
From the rhythmic ...
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$9.59 The delirious "Intro" sets the stage for what's to come: murky synth washes are gently led into the sunshine by the sudden magisterial arrival of the flamenco guitar. The title track is a rousing instrumental that fuses techno with samplings of the Irish traditional ballad, "She Moved through the Fair" (referred ...
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| | Aretha Franklin Queen In Waiting: The Columbia Years 1960-65 CDs (2002) Remastered
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$15.95 Franklin's Columbia years are hard to summarize in compilations, even fairly extensive ones such as this two-CD set, which includes six previously unreleased tracks and one previously unavailable alternate take among its 40 songs. In part that's because she explored several different styles during this era without really finding a home in any of them, in part that's because the quality of the recordings themselves were so erratic, and in part it's because Sony keeps putting out compilations that duplicate each other to a fair extent. About half the songs on this anthology, for instance, also appear on the most comprehensive previous Franklin/Columbia retrospective, Jazz to Soul. On its own merits, this is a fair summation of some of her more notable Columbia recordings, slightly more pop-oriented in its track selection than Jazz to Soul, and at least including something new in the handful of unissued numbers. David Ritz's informative liner notes make a case for viewing the Columbia years as ones with numerous artistic successes. But the fact remains that the mixture of lush pop, Billie Holiday-style jazz-blues, Dinah Washington/Nancy Wilson-style jazz-pop crossover, early Dionne Warwick-style light soul-pop ("Cry Like a Baby" is actually a quite good cut of that sort), and hints of gospel is unfocused, if often promising. And it's not nearly as good or expressive as the soul she'd delve into at Atlantic after leaving Columbia. Her accompanists sometimes deserve their share of blame as well; the drums of "Nobody Knows the Way I Feel This Morning" almost totally lose the rhythm at one point, and the harmonica player on "Evil Gal Blues" sounds like she or he had just been dragged in off the street. There's not much soul music here, in the accepted stylistic sense, other than the two best tracks, "Soulville" and "Lee Cross," which are the ones that point most convincingly to her future triumph as the Queen of Soul. The previously unreleased items (all on disc one) are as variable as the rest of the set, ranging from the satisfyingly bluesy cover of Ray Charles' "Hard Times (No One Knows Better Than I)" (with some fine Franklin piano) and the respectable jazz/R&B/gospel of "Please Answer Me" to trifling Bobby Scott-produced orchestrated pop ballads and an unremarkable alternate take of "Bill Bailey, Won't You Please Come Home." ~ Richie Unterberger
All tracks have been digitally remastered.
Columbia Years. 2 Cds Incl.6 Prev.Unrel.Performances
Recorded at Columbia Recording Studios, New York, New York between 1960 & 1965. Includes liner notes by David Ritz and a poem by Nikki Giovanni.
Compilation producer: Leo Sacks.
Personnel: Aretha Franklin (vocals, piano); Lord Westbrook, Kenny Burrell (guitar); ...
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