| | Serge Lama Plurielles CD - Import Serge Lama Discography of CDs
PLURI ELLES, the 2003 release from famed French singer Serge Lama, includes 12 romantic duets with artists like Dalida, Lara Fabian, Isabelle Boulay, and Angunn, among others.
2003 studio album from the French pop star, featuring 12 great duets recorded with Dalida, Lara Fabian, Isabelle Boulay, Angunn, & many others. WEA. Serge Lama Plurielles Songs | 1. | Je Voudrais Tant que Tu Sois La (Duo Avec Annie Girardot) | |
| 2. | Les Ballons Rouges (Duo Avec Lara Fabian) | |
| 3. | Le 15 Juillet A 5 Heures (Duo Avec Lena Ka) | |
| 4. | L'Enfant D'un Autre (Duo Avec Lynda LeMay) | |
| 5. | Je Suis Malade (Duo Posthume Avec Dalida) | |
| 6. | Quand on Revient de La (Duo Avec Isabelle Boulay) | |
| 7. | Les Poetes (Duo Avec Lorie) | |
| 8. | Petite Cantate (Duo Avec Marie-Paule Belle) | |
| 9. | D'Aventures en Aventures (Duo Avec Enzo Enzo) | |
| 10. | Une Ile (Duo Avec Angunn) | |
| 11. | Femme, Femme, Femme (Duo Avec L5) | |
| 12. | Je T'Aime A la Folie (Duo Avec Sweet Generation) | |
| Plurielles Review
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Purchase Plurielles CD To buy, Click on price to add to cart | Tinariwen Aman Iman: Water Is Life CD (2007) (Import)
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$17.19 Like their Malian peers, they favor hypnotic, single-note guitar runs with gutbucket vocals that double the guitar melody. Where they differ is in an improvisational group dynamic that adds elements of funk, rock, and a certain hallucinatory desert feel that seems less inspired by American blues forms and more an organic outpouring of pure inspiration, creating an utterly compelling, sui generis sound. On this 2007 release, their third album, these guys sing and play as if their lives depend on it.
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$12.55 Tony Cedras (accordion); Pharoah Sanders (soprano saxophone, tenor saxophone, bells); Wayne Shorter (soprano saxophone); Graham Haynes (cornet, flugel horn); Mark Taylor (French horn); Art Baron (trombone); Herbie Hancock (electric piano, Clavinet, synthesizer); Dereje Mekonnen (electric piano,
organ, synthesizer); Amina Claudine Myers (electric piano, organ); Abegasu Shiota (electric piano, synthesizer); Karsh Kale (synthesizer, drums, tabla);
Thomas Gobena (bass); Hamid Drake (drums, congas, tabla, daff); Imani Uzuri
There are essentially two schools of thought when it comes to world music: ...
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$10.05 Assisted by the trombonist Bob Brookmeyer, the post-bop guitarist Jimmy Raney is heard here in a 1956 session performing a varied set that displays his lyrical, often cerebral playing to its best advantage, including the standards "How Long Has This Been Going On?" and "Isn't It Romantic."
Though Jimmy Raney recorded under his own name as early as 1953, it's this 1956 set that is regarded as his arrival as a leader. Raney is as fine an arranger as he is a guitarist. These eight tracks with Bob Brookmeyer on trombone -- another fine arranger in a soloist's role -- shine with the ease and fluidity of the best of the cool sessions recorded at the dawn of hard bop. One of the finest examples of the interplay between Raney and Brookmeyer occurs at the beginning of the album's second track, "How Long Has This Been Goin' On," where the pair engage in a brief contrapuntal dialogue before Brookmeyer solos on the melody and Raney fills the space behind him gently by whispering his chords and fills through the trombonist's phrasing before taking his own solo and slipping an inverted harmonic pattern on the tune's lyric line. The pair re-engage about halfway through before Dick Katz solos on piano with a bluesy series of runs in the upper register. Raney's own tunes, such as "The Flag Is Up," are strident and swinging without losing their breezy, cool feel . Raney's solo is a mix of bop phrasing and heated arpeggios that glide effortlessly into Katz's comping. Brookmeyer's "Get Off That Roof," is another swinging mini opus that offers a new view of the trombonist as soloist. Hank Jones plays piano here and is stellar at creating a solid backdrop for both front line players. This is as fine a set from the end of the cool jazz period as one is likely to hear. It ...
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