| | Amel Larrieux Bravebird CD Amel Larrieux Discography of CDs
 (10 Customer Reviews)
Songwriter-vocalist Amel Larrieux's style is as multihued as the Greenwich Village neighborhood of New York in which she was raised. Knocking around in the mix are the elasticity and heartbreak of Billie Holiday's jazz, the deep soul of post-Motown R&B circa the Isley Brothers, the defiance of country rockers like Bonnie Raitt, and the modern urban-pop know-how of Alicia Keys. Amel first garnered attention as the singing half of critically acclaimed jazz-tinged R&B duo Groove Theory, and the music continues that line on much of her second album, BRAVEBIRD, particularly on funky message-songs such as "Giving Something Up" and the African-scat/hip-hop hybrid "Congo."
Throughout the satisfying album, she uses her immense talents to their utmost over an assortment of sultry tunes, each born out of the love between herself and her husband and co-writer, Laru. This bond lends an aura of impenetrable sincerity to compositions like "We Can Be New" with its images of trees intertwining. The most blissfully naked moment is "Sacred," where over a gradually more insistent acoustic guitar, she channels Janis Ian, languorously musing about the world, concluding, "maybe there never was [anything sacred] at all" with perfect understatement--a sweet, simple, honest notion that exemplifies a softly powerful record.
2004 sophomore album for the former vocalist of Groove Theory. Rolling Stones says Bravebird is '..one of the most off-the-hook new soul albums in years.' 12 tracks. Bliss Life Records.
Producers: Laru Larrieux, Threadhead, Basho Ink, Amel Larrieux.
Audio Mixers: Eric "Ebo" Butler; Andy Schlesinger; Laru Larrieux.
Rolling Stone (2/5/04, pp.56-7) - 3.5 stars out of 5 - "[L]arrieux brings together the grit of the Roots and the elegance of Sade....[O]ne of the most off-the-hook new soul albums in years." Amel Larrieux Bravebird Songs Bravebird Music Review Average Rating: (4.5 out of 5 stars)   List All Reviews don't sleep on Amel!
Ever since groove theory, i've been stuck on her. Her sweet, honey vocals soar over her complex melodies and music. It's too bad the radio companies aren't willing to take a risk and showcase her talents because the rest of the world is missing out!
This CD was great. It's different, and unique, and the songs MEAN something. (which i find is lacking in many artists today)
Submitted by MzChin (Toronto, ON) 
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 You Got To Buy This CD.
Child is fantastic! Not only that she's positive and spiritual, but she got talents. Even her nine year-old daughter Sky is the drummer throught out the whole album!
I'm telling you, if you want to listen to real music, get the CD.
Submitted by kimberlygrandison2001 (New York City)
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Lav Ya!
Her style is dope, she always give me something to think about! I wanted more beats from her production crew, that is where her voice shines!
Submitted by air_always (Chicago)
Was This Review Helpful? Yes No Amel
Beautiful voice
She needs air time. Had never heard of her till a friend tipped me off
Submitted by Sag2734 (Det. MI. USA)
Was This Review Helpful? Yes No Bravebird, Indeed...
I've been waiting for this album for 5 years, ever since I heard a demo for "Bravebird", the title track. 5 years later, it's the freshest song on the disc. On the rest of the disc, Amel is her moody, introspective self, which is not a bad thing... It'll be nice to see her stretch a bit more, though. Nice music, away from the mainstream.
Submitted by jamerican413 (Chicago, IL)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Bravebird CD To buy, Click on price to add to cart | Amel Larrieux Infinite Possibilities CD (2000)
Bravebird album
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| | Dwele Subject CD (2003)
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| | Rhian Benson Gold Coast CD (2003)
Bravebird music CDs
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The music of Rhian Benson is an exciting mélange of R&B, soul, jazz, reggae, hip-hop, and worldbeat. Her debut recording titled Gold Coast features the stunning vocalist interpreting 13 songs that she wrote and co-produced ...
| | Amel Larrieux Morning CD (2006)
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| | Van Hunt CD (2004) Enhanced CD
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With too much "rhythm" and not enough ...
| | Kindred The Family Soul Surrender To Love CD (2003)
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| | Mr Bigg Only If U Knew CD (2000)
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| | Latin Obsession CD (2005)
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| | Erotic Lounge, Vol. 3 CDs (2005) Import
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| | Sepultura Dante 21 CD (2006) (Import) Bonus Track; Japan
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| | Page 80 CD (2005)
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| | M C Toolboxx Hard Wear CD (2007)
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THE STORY OF MC. TOOLBOXXI started off in life as a popular reject amongst my peers. I couldn’t go outside my gate until I was 18 (strict parents). So I decided to find a way to escape my reality. I decided to use my Dad’s toolbox to break out of the gate. It didn’t work, but something better happened to me.One day my ‘prison break’ attempt was cut short when I dropped the toolbox on the ground. There was an amazing sound that transpired! It was a harmonic sound that left me frozen. I decided, from that moment, that I didn’t mind being locked up in my house like a caged Refugee. I started using the tools as instruments, and all of a sudden…A STAR WAS BORN!I became a slave to the toolbox. I would get home from school and write rhymes to the sound of Hammers, Monkey Wrenches and Screwdrivers hitting my bedroom floor (no carpet). I no longer need friends (well, I actually didn’t have any friends) because I had my tools!When I was finally allowed to go ...
| | Sparks Exotic Creatures Of The Deep CD (2008) (Import) England
Bravebird album
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Bookended as it is by Russell Mael's wordless chorale vocals that help kick off the opening "Intro" and which recur in the soothing but strange conclusion to the final song, "Likeable," not to mention similar moments throughout the album, it's almost too easy to summarize Exotic Creatures of the Deep as Sparks' most involved tribute to the Beach Boys, late-'60s version. But as with nearly everything the band's ever done, one can't sum up an album quite as simply as that, and Exotic Creatures, if not as completely explosive as Hello Young Lovers at its heights, finds the rude creative health of the Maels still firing on all cylinders. The amalgam of orchestrations, feedback, and a new millennium's electronics evident in recent releases often sounds all the more integrated here, readily heard on the post-one-night-stand scenario lead single "Good Morning." Similarly, multi-part arrangements recur on efforts like "Strange Animal" and the outrageous "(She Got Me) Pregnant." That all said, the other key element to Sparks' continued success -- Ron Mael's catchy melodies and utterly skew-whiff take on humanity and its foibles -- equally holds sway, and if time lends some inevitable familiarity to the tropes, the variations are still strong enough to work wonders. The simmering political discontents that had already popped up in the Maels' 21st century work crystallize with "Let the Monkey Drive," a slam on a certain 43rd president with some of Ron's angriest piano parts, while they tip their hat to a noted disciple with "Lighten ...
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