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Golpes De Pop CD


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Golpes De Pop Music


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List Price $6.98 (You save $3.43)
Category Latin Albums
Label Sound Choice
CD Universe Part number 6654828
Discs 1
Release Date Sep 05, 2003
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Recorded during Shakira's blockbuster Oral Fixation Tour, this live concert release captures the multi-talented Latin diva delighting an ecstatic crowd with a selection of her lively hits. Among those included here are stellar renditions of "La ...
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With ALL IN ONE, Bebel Gilberto made her home at Verve, which is not just an auspicious label for music but also the home of some of the best Brazilian records of all time--by Antonio Carlos Jobim, Astrud Gilberto (who is no relation, although she was married to Bebel's father before Bebel's birth), Stan Getz, and, of course, her father, Joao Gilberto. It's obvious Gilberto is well aware of this: the cover is reminiscent of an Astrud Gilberto album and she sings a version of "Bim Bom," which was written by her father and is known popularly for Astrud's version (what's more, it features the piano work of Brazilian royalty Dan Jobim). Still, it's clear Bebel Gilberto knows where to draw the line, and ALL IN ONE is defined more by her songs and her collaborators than the weight of Brazilian musical history that she must carry. Multi-percussionist Carlinhos Brown gets the most instrument credits (his kit ...
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Female R&B singers were expected to be forceful, big-voiced divas (like Aretha Franklin) or come-hither seductresses (like Diana Ross), but Roberta Flack had her own unique approach. Flack's voice is vast, deep, and stately--where some singers confuse frenzy with passion, she is confident, majestic, and unhurried, intense in a profound yet reserved manner. Flack's gift is to draw attention to the song, not herself. Title song "Killing Me Softly" was her second number-one hit, establishing her as a major modern R&B stylist. She didn't limit herself by genre, either--Flack ...
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Digitally remastered by Brian Jensen & Bruce Iglauer (MonsterDisc, Chicago, Illinois). The third non-crossed licensed anthology from the master guitarist focuses on his three-album stint at Chicago's blues-based Alligator Records. The artist considered the music he made during his 1985-1987 association with the label the most honest of his career. Since he received complete creative control on these discs, his 1988 suicide, a short year after Hot Wires -- one of Roy Buchanan's best albums ever -- was released, makes his untimely death even more shocking. With its 16 tracks -- two previously unreleased -- almost evenly divided between instrumentals and (predominantly) guest vocals shared by Otis Clay, Delbert McClinton, and Johnny Sayles (Buchanan tentatively and gruffly talks/sings three selections), this is not only a terrific overview of the musician's astounding guitar virtuosity, but a sad coda to a short yet intense career that never broke him through to a wide audience. "You know I ain't broke, but I'm badly bent" are not only lyrics to "Ain't No Business," but also the sad state of affairs the artist found himself in as he was recording his final disc. With a completely unique guitar style that effortlessly shifted from a crying moan (as in the opening bars) to his cover of Otis Redding's "These Arms of Mine" to a raging howl -- exemplified by the thumping take on Willie Dixon's "You Can't Judge a Book by the Cover" -- Buchanan effectively covered all the blues-soul-rock bases with passion, integrity, and class. His economy of style is obvious in the concentrated 2:29 track (and appropriately titled) instrumental "Whiplash." Although the guitarist's material was often subpar on his two previous labels, the music he recorded during these three years was top-notch, and consistently throbbed with his trademarked rugged, steely tone. While he occasionally stooped ...
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