| | Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I CD Josef Still CDS
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Our Price: $6.59  CDFor Sale Usually ships in 1-2 days
Our Price: $9.99
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| Category | Classical, Romantic Period, Chamber Music/Recitals, Prelude, Fantasy, Caprice, Chorale, Passacaglia, Gloria, Te Deum, Kyrie, Melody, Benedictus |
Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I Music | List Price | $8.97 (You save $2.38) | | Label | Naxos (Distributor) | | Orig Year | 1/20/2004 | | All Time Sales Rank |  87247  | | CD Universe Part number | 6656823 | | Discs | 1 | | Release Date | Jan 20, 2004 | | Recording Time | 1 16 |
Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I Review
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Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I Songs 1. Chorale Fantasia for organ ("Wie schön leucht't uns der Morgenstern"), Op. 40/1 (18:12)  Windows Media  Real Audio | | Common Name | Chorale Fantasia For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Fantasy / Romantic Period | | Date Written | 09/1899 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 2. Pieces (12) for organ, Op. 59: No. 7. Kyrie eleison (4:54) Windows Media Real Audio | | Common Name | Pieces For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 01/07/1901 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 3. Pieces (12) for organ, Op. 59: No. 8. Gloria in excelsis (4:14) Windows Media Real Audio | | Common Name | Pieces For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 01/07/1901 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 4. Pieces (12) for organ, Op. 59: No. 9. Benedictus (4:53) Windows Media Real Audio | | Common Name | Pieces For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 01/07/1901 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 5. Introduction and Passacaglia in F minor, for organ, Op. 63/5 & 6 (14:16) Windows Media Real Audio | | Common Name | Introduction And Passacaglia For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 1900 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 6. Pieces (12) for organ, Op. 59: No. 10. Capriccio (3:33) Windows Media Real Audio | | Common Name | Pieces For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 01/07/1901 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 7. Pieces (12) for organ, Op. 59: No. 11. Melodia (6:09) Windows Media Real Audio | | Common Name | Pieces For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 01/07/1901 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 8. Pieces (12) for organ, Op. 59: No. 12. Te Deum (4:48) Windows Media Real Audio | | Common Name | Pieces For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Romantic Period | | Date Written | 01/07/1901 | | Period | Romantic | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) | | 9. Chorale Fantasia ("Halleluja! Gott zu loben, bleibe meine Seelenfreud"), for organ, Op. 52/3 (15:28) Windows Media Real Audio | | Common Name | Halleluja! Gott Zu Loben, Bleibe Meine Seelenfreud Chorale, Chorale Fantasia For Organ | | Composer | Max Reger (1873 - 1916) | | Performer | Josef Still (Organ) | | Genre | Fantasy | | Date Written | 09/1900 | | Country | Germany | | Venue | Trier Cathedral, Germany | | Notes | Trier Cathedral, Germany (10/21/2001-10/22/2001) |
Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I Music Composers on Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I CD : Max Reger Genres on Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I CD : Fantasy, Romantic Period Performers on Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I CD : Josef Still Purchase Reger: Chorale Fantasia On How Brightly Shines The Morning Star; Organ Pieces, Op. 59; Introduction And Passacaglia I To buy, Click on price to add to cart | Il Divo Promise CD (2008)
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Half genius, half madness, Repetitive Selective Removal of One Protecting Group is probably the most difficult avant-prog release of 2005. Stevan Kovacs Tickmayer is finally back in his role as the meticulous composer going impossibly berserk in the most orderly fashion. Each one of the 21 selections on this disc is a mind-boggling combination of styles, compositional techniques, and moods. Instruments? Name your preference: keyboards aplenty, strings, guitars, drums, and miscellaneous objects, all represented in various acoustic, electric, and electronic forms. Some passages rely on sped-up drumming from Chris Cutler, while a beatbox reigns in other sections. At times, the music sounds like Bob Drake recording from within a computer instead of his old haunted barn ("Restriction Fragment Length"). Ragtime piano, menacing B-3, and Cage-ian prepared piano are featured in various places, along with what sounds like scores of uncredited guest musicians sampled or featured only for a few seconds at a time (the press release mentions that Tickmayer has used sessions from the latest Science Group album, featuring Cutler on drums and Drake on bass, but that leaves a lot of almost-recognized contributions unaccounted for). Tickmayer composes in sections, each piece sounding like a clever assemblage of segments that keep changing their minds about their identity or purpose in the grand scheme of things. The listener bounces back and forth between Latin outbursts ("Differential Motivation"), nursery rhymes ("Designative Codes"), alien folklore ("Designative Codes" ...
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