| | George Harrison Cloud Nine CD George Harrison Discography of CDs
 (3 Customer Reviews)
After a five-year hiatus from recording, during which time he worked with his film production company, George Harrision returned to the studio in 1987 and cut the Jeff Lynne-produced CLOUD NINE. Harrison and Lynne made for a perfect match, as ... Full Descriptionthis album proved to be a comeback for the reclusive ex-Beatle. Joined by an all-star band that included Eric Clapton, Elton John, and Ringo Starr, Harrison put together a collection that includes sitar-tinged reminiscences of his former musical life ("When We Were Fab"), slinky psychedelia (the title track), and an obscure R&B tune that Harrison took to the top of the charts ("Got My Mind Set on You"). Although Harrison used the twangy irresistibility of "Devil's Radio" to take a swipe at gossip, he contrasted it with the bright-eyed optimism of "This Is Love." After deciding not to tour, George Harrison joined Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison in the Traveling Wilburys the following year.
Recorded in England. Includes liner notes by George Harrison.
1987 Remastered + 2 Bonus Tracks.
Personnel: George Harrison (vocals, guitar, keyboards); Jeff Lynne (guitar, keyboards, bass); Eric Clapton (guitar); Bobby Kok (cello); Jim Horn (tenor & baritone saxophone); Elton John, Gary Wright (piano); Ray Cooper (drums, percussion); Ringo Starr, Jim Keltner (drums).
Rolling Stone (3/4/04, p.68) - 4 stars out of 5 - "[A] late-career masterwork..."
Uncut (4/04, p.118) - 4 stars out of 5 - "[F]abulous..."
Mojo (Publisher) (4/04, p.120) - 4 stars out of 5 - "[E]ndowed with undeniable charm." Hide Description Cloud Nine Music | List Price | $18.98 (You save $3.93) | | Category | Rock/Pop Albums, Pop CDs, Rock | | Label | Capitol / EMI | | Orig Year | 1987 | | All Time Sales Rank |  7666  | | CD Universe Part number | 6666772 | | Catalog number | 94090 | | Discs | 1 | | Release Date | Feb 24, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jeff Lynne; George Harrison | | Engineer | Richard Dodd | | Personnel | George Harrison - vocals, guitar, keyboards
Bobby Kok - cello
Also: Eric Clapton, Jim Keltner, Ringo Starr, Elton John, Jim Horn, Ray Cooper, Jeff Lynne, Gary Wright | | Additional Info | Bonus Tracks; Remastered |
Cloud Nine Music Review Average Rating: (4.7 out of 5 stars)   A perfect combination!
the soft style of Jeff Lynne and the superb George Harrison made a perfect combination. The cd sounds great and it`s very nice to hear.
Submitted by paulosrnogueira (Sao Paulo, SP, Brazil) 
Was This Review Helpful? Yes No 1 of 1 found this helpful.
THZZZZZZZZZZZZZZZZZZZZZZZZZ!
IT WAS AWESOME I WANT TO BUY LIKE,8 MILLION COPYS OF IT. WITH IT I FINALLY CONVINCED MY 205th WIFE TO BUY A SUROUND SOUND STEREO SYSTEM!! I GOT 50 OF THEM TO GIVE AS CHRISTMAS PRESENTS!! I LOVE THAT CD!!!!!!!!!!!!!
Submitted by ladysman (UCLA, Beats, USC Every Time)
Was This Review Helpful? Yes No  The Best Late 80s Former Beatle's Album
Without question Cloud Nine could have used less Jeff Lynne influence. However these recording sessions brought the Traveling Wilburys together. Lynne corrupts a few tracks but is less evident on Just For Today, Cloud 9 and Someplace Else. Clapton, Sir Elton, Ringo and the rest make for a solid backing team on this classically over produced late 80s CD (At least Phil Collins is absent). Listen at least twice before giving up on it and avoid comparing this with his early stuff...It's not the same kinda thing. (This was my first CD)
Submitted by Craig P. (New York, NY, USA)
Was This Review Helpful? Yes No 0 of 2 found this helpful.
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Purchase Cloud Nine CD To buy, Click on price to add to cart | George Harrison All Things Must Pass CDs (1970) 30th Anniversary Edt; Remastered
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Though George Harrison's solo albums for most of the 1970s and early '80s were uneven, often slapdash affairs, 1970's ALL THINGS MUST PASS is a brilliant piece of work. Produced by Phil Spector, whose expansive, majestic arrangements and sonic flourishes suit Harrison's songs perfectly, ALL THINGS MUST PASS eclipses everything the other Beatles recorded at the time (excepting John Lennon's PLASTIC ONO BAND). This sprawling double record gives the impression of Harrison being uncorked and pouring forth all of the songs and ideas edged out by Lennon and McCartney during the Beatles years.
The title and the melancholic black and white cover photo match the mood of the music, which brims with an armchair wisdom, and the weary, disillusioned air that permeated the early '70s in the counter-cultural wake. Yet the album also boasts an abiding sense of spirituality and tenacious optimism, as on the lullaby-like hit single "My Sweet Lord" and "Isn't It a Pity," a compassionate study of human suffering. "What Is Life" and "Awaiting on You All" continue these themes, but Spector's bright pop polish lends a counterweight, making the record feel light and deeply personal at once. Despite some lengthy, ...
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One of George Harrison's finest 1970s recordings, his '79 self-titled album is most notable for the inclusion of "Not Guilty," a song originally intended for the Beatles' WHITE ALBUM. Here, in its breezy, keyboard-driven form, the tune sets the laid-back tone of the album, a mood continued by "Here Comes the Moon," a reflective riff on his signature tune "Here Comes the Sun." Steve Winwood's presence is clearly felt throughout much of the record, particularly in his Moog and harmonium work, while Eric Clapton's guitar ushers in the proceedings on the opening track, "Loves Comes to Everyone." Although Harrison had come a long way from his ...
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In the tradition of ABBEY ROAD's "Something," Harrison includes two fluid, slower numbers: "Writing's on the Wall" and the love song "Life Itself." The record's highlight, however, is the John Lennon tribute "All Those Years Ago." The shiny pop pulse nicely balances the sense of longing and loss at the song's core, and contributions from Ringo Starr, Paul and Linda McCartney, and George Martin make it something of a collective statement from a group of old friends. Along with his self-titled album, this is one of Harrison's strongest releases.
Falling squarely between the soulful, exploratory songwriting of George Harrison's early solo efforts and his later, commercially oriented ...
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Forsaking the introspective, spiritual themes of many of his earlier recordings, THIRTY THREE & 1/3 was perhaps Harrison's finest album since his landmark debut, ALL THINGS MUST PASS. Released in 1976, THIRTY THREE & 1/3 spawned several hit singles, including "This Song" (an upbeat rocker featuring some jaunty organ playing by Billy Preston and a spoken word cameo from Monty Python's Eric Idle) and "Crackerbox Palace," a tuneful, mid-tempo pop song that offers a playful blend of mysticism and humor. The real highlights on THIRTY THREE & 1/3, however, are two lesser-known songs that could have come straight ...
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Generally overlooked in the ex-Beatle's solo discography, 1982's GONE TROPPO finds George Harrison flirting with radio-friendly, synth-driven pop hooks of the early-1980s, while still demonstrating his penchant for great, timeless melodies. The opener, "Wake Up My Love," establishes the light, breezy tone of the album, which continues through the Caribbean-via-Fab ...
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Ray Crawford has been singing for most of his life. Although he has wanted to write songs for many years he has only been writing for the last twenty. Then into his life came Mary June Elizabeth. She is a published poet but has never written in rhyme until she met Ray. Together they have composed several of the songs in their most ...
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