| | George Harrison Thirty Three & 1/3 CD George Harrison Discography of CDs
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Forsaking the introspective, spiritual themes of many of his earlier recordings, THIRTY THREE & 1/3 was perhaps Harrison's finest album since his landmark debut, ALL THINGS MUST PASS. Released in 1976, THIRTY THREE & 1/3 spawned several hit singles, including "This Song" (an upbeat rocker featuring some jaunty organ playing by Billy Preston and a spoken word cameo from Monty Python's Eric Idle) and "Crackerbox Palace," a tuneful, mid-tempo pop song that offers a playful blend of mysticism and humor. The real highlights on THIRTY THREE & 1/3, however, are two lesser-known songs that could have come straight off of The Beatles' ABBEY ROAD album. "Beautiful Girl" (which was actually written in 1969 as a potential Beatles song) is a gorgeous love song that's driven by Harrison's shimmering 12-string electric guitar, while "Dear One" weaves a haunting, Indian-influenced melody with a big pop chorus to create an intensely moving song of devotion.
Having suffered the humiliation of being sued successfully over "My Sweet Lord," George Harrison turned the ordeal into music, writing "This Song," a Top 25 hit. Even better was "Crackerbox Palace," which would have fit in nicely on any Beatles album. The rest was slight, although Harrison covering Cole Porter's "True Love" is an interesting idea. This was Harrison's first album on his Dark Horse custom label, formed after the completion of his contract with EMI/Capitol in June 1976 and initially distributed by A&M. [Thirty Three & 1/3 was reissued in 2004 with "Tears of the World" as a bonus track.] ~ William Ruhlmann
Additional Tracks
Recorded in 1976. Includes liner notes by George Harrison.
Personnel: George Harrison (vocals, guitar, synthesizer, percussion); Tom Scott (flute, saxophone, lyricon); Richard Tee (piano, Fender Rhodes piano, organ); Billy Preston (piano, organ, synthesizer); David Foster (Fender Rhodes piano, Clavinet); Gary Wright (keyboards); Emil Richards (marimba); Alvin Taylor (drums).
Audio Remasterers: John Etchells; Simon Heyworth.
Audio Remixer: Phil McDonald.
Recording information: F.P.S.H.O.T.
Photographer: Bob Cato.
Personnel: George Harrison (vocals, guitar, synthesizer, percussion); Tom Scott (flute, saxophone, lyricon); Richard Tee (piano, organ Fender Rhodes piano); Billy Preston (piano, organ, synthesizer); David Foster (Fender Rhodes piano, Clavinet); Gary Wright (keyboards); Emil Richards (marimba); Willie Weeks (bass); Alvin Taylor (drums).
Rolling Stone (3/4/04, p.68) - 3 stars out of 5 - "Harrison sounds audibly re-energized..." Thirty Three & 1/3 Music | List Price | $18.98 (You save $3.19) | | Category | Rock/Pop Albums, Psychedelic CDs, Rock | | Label | Capitol / EMI | | Orig Year | 1976 | | All Time Sales Rank |  10070  | | CD Universe Part number | 6666773 | | Catalog number | 94086 | | Discs | 1 | | Release Date | Feb 24, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | George Harrison | | Engineer | Hank Cicalo; Kumar Shankar | | Personnel | George Harrison - vocals, guitar, synthesizer, percussion
George Harrison - vocals, guitar, synthesizer, percussion
Willie Weeks - bass
Alvin Taylor - drums
Also: David Foster, Billy Preston, Billy Preston, Tom Scott, Richard Tee, Emil Richards, Gary Wright | | Additional Info | Bonus Tracks |
Thirty Three & 1/3 Music Review Buy Thirty Three & 1/3 CD Purchase Thirty Three & 1/3 CD To buy, Click on price to add to cart | George Harrison Dark Horse CD (1974)
Thirty Three & 1/3 album
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George Harrison's only North American tour was in support of this album, which included the singles "Dark Horse" and "Ding Dong; Ding Dong." Critics, ...
| | George Harrison All Things Must Pass CDs (1970) 30th Anniversary Edt; Remastered
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Though George Harrison's solo albums for most of the 1970s and early '80s were uneven, often slapdash affairs, 1970's ALL THINGS MUST PASS is a brilliant piece of work. Produced by Phil Spector, whose expansive, majestic arrangements and sonic flourishes suit Harrison's songs perfectly, ALL THINGS MUST PASS eclipses everything the other Beatles recorded at the time (excepting John Lennon's PLASTIC ONO BAND). This sprawling double record gives the impression of Harrison being uncorked and pouring forth all of the songs and ideas edged out by Lennon and McCartney during the Beatles years.
The title and the melancholic black and white cover photo match the mood of the music, which brims with an armchair wisdom, and the weary, disillusioned air that permeated the early '70s in the counter-cultural wake. Yet the album also ...
| | George Harrison CD (1979) Bonus Tracks; Remastered
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One of George Harrison's finest 1970s recordings, his '79 self-titled album is most notable for the inclusion of "Not Guilty," ...
| | George Harrison Somewhere In England CD (1981) Bonus Tracks; Remastered
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Falling squarely between the soulful, exploratory songwriting of George Harrison's early solo efforts and his later, commercially oriented pop, 1981's SOMEWHERE IN ENGLAND is a varied collection that reflects the guitarist's past with the Beatles and the musical currents of the early '80s. "Blood from a Clone" has an almost New Wave feel to it, and is a vitriolic attack on the corporate music industry (Harrison was embroiled in battles with Warner Brothers over the release of the album).
In the tradition of ABBEY ROAD's "Something," Harrison includes two fluid, slower numbers: "Writing's on the Wall" and the love song "Life Itself." The record's highlight, however, is the John Lennon tribute "All Those Years Ago." The shiny pop pulse nicely balances the sense of longing and loss at the song's core, and contributions from Ringo Starr, ...
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After a five-year hiatus from recording, during which time he worked with his film production company, George Harrision returned to the studio in 1987 and cut the Jeff Lynne-produced CLOUD NINE. Harrison and Lynne made for a perfect match, as this album proved to be a comeback for the reclusive ex-Beatle. Joined by an all-star band that included Eric Clapton, Elton John, and Ringo Starr, Harrison put together a collection that includes sitar-tinged reminiscences of his former musical life ("When We Were Fab"), slinky psychedelia (the title track), and an obscure R&B tune that Harrison took to the top of the charts ("Got My Mind Set on You"). Although Harrison used the twangy irresistibility of "Devil's Radio" to take a swipe at gossip, he contrasted it with the bright-eyed optimism of "This Is Love." After ...
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Generally overlooked in the ex-Beatle's solo discography, 1982's GONE TROPPO finds George Harrison flirting with radio-friendly, synth-driven pop hooks of the early-1980s, while still demonstrating his penchant for great, timeless melodies. The opener, "Wake Up My Love," establishes the ...
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great album
A solid album
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