| | Jamie DeRoy Animal Tracks CD Jamie DeRoy Discography of CDs
Personnel: Jamie deRoy (background vocals); Lynn Wilson, Mellisa Carrion, Devin Arroyo, Philip Solomon, Daryl Rothman, Donald Bender, Arthur Bachrach, Markus Wolff, Sarra Mazur, Kim Cea (vocals); Michael Holland (guitar); Kevin Kuhn (acoustic ... Jamie DeRoy Animal Tracks Songs
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Click on the  buttons below to play song samples |
| |   | 1. | Talk to the Animals - (with Don Stephenson) |
| 2. | Blackbird - (with Judy Barnett/Michael Holland) |
| 3. | Puppy Song, The - (with Emily Skinner) |
| 4. | Little Lamb - (with Paige Price) |
| 5. | When the Red, Red, Robin (Comes Bob, Bob, Bobbin' Along) - (with Zaz) |
| 6. | Snake Named LaRue, A - (with George Wurzbach) |
| 7. | Cottontail - (with Kim Cea) |
| 8. | Lion Tamer - (with Kerry Butler) |
| 9. | Woodsman and the Axe, The - (with The Accidentals) |
| 10. | Dolphins Song - (with Steve Ross) |
| 11. | Inchworm, The - (with Margaret Dorn/Bill Mitchell/Jim Vincent) |
| 12. | Cat Who Wasn't There, The - (with Marian Seldes) |
| 13. | Don't Be Afraid of an Animal - (with Ashley Rose Orr) |
| 14. | Elephant Song, The - (with Jay Rogers) |
| 15. | My Best Friend - (with Young Peoples Theater Project) |
| 16. | Bless the Beasts and the Children - (with Jimmy Smagula) |
| Animal Tracks Review
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Pheo Rose Bioď€ Sometime between ages 10 and 11, and somewhere in the swirl of bologna and liverwurst that was brought into our house of poverty, came an upright piano. Once here, the old and cracked veneer was stripped off, but nothing ever replaced it. That was “home” then, people and things stripped of what they had, and not much could be given to produce new luster. I buried my fingers into the piano keys as I unburied emotions through playing. Eight months of lessons almost completely undid any love for the piano. I announced that the only way I would keep with the instrument was “my way,” Without intention, the piano became my “sounding board” for life’s confusion, as well as my confessor receiving all the pain and hurt and troubling thoughts. In so many ways time at the piano was my single intimate companion to whom I could reach out with the most vulnerable of feelings. My childhood was a life of great scarcity of everything nurturing, and my twenties bore the child of this – personal agony. My intimate companion was there for me; always taking the depth of feeling, and helping me express it musically. I added flute for those times in Nature’s Sanctuary. People who heard my music sat quietly and always seemed to comment, “Don’t Stop.” I realized then that the depth that I reached for connected with others as well. So I started paying more attention and remembering more of the “original” pieces that poured out of me. ď‚– Since 1973 solo piano, flute, and Celtic harp music has been performed where its depth of feeling could most help others – weddings, church services, retreats, prayer circles, earth day events, etc. ď‚– Since 1989 composed music that would express and support others in the exquisite ...
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