| | Rough Guide To Gypsy Swing CD - Import
Performers include: Django Reinhardt, Quintette Du Hot-Club De France, Fapy Lafertin Quintet, Tim Kliphouse, Paris Musette, Bireli Lagrene, Swing Gadje, Ziroli Winterstein Ensemble, Patrick Saussois & Alma Sinti, Moreno Trio, Jo Privat, Tchavolo ... Full DescriptionSchmitt, Romane, Romane Acoustic Quartet, Les Primitifs Du Futur, Rodolphe Raffali, Guerino Et Son Orchestre Musette De La Boite A Matelots, JEan-Fred Mele & Jazz Swing, Orchestre Musette Swing Royal.
Django's Legacy: Gypsy Virtuosity Meets American Jazz Hide Description Rough Guide To Gypsy Swing Music Rough Guide To Gypsy Swing Songs Rough Guide To Gypsy Swing Review
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Refined, supremely accomplished, and possessed of a unique sound (courtesy of Milt Jackson's shimmering vibes), the Modern Jazz Quartet set a new standard for the jazz group as chamber ensemble. DJANGO puts these qualities on display, with variety and technical prowess to spare. The title track, a tribute to Gypsy guitar-king Django Reinhardt, written by pianist John Lewis, sets the stage with its bop excursions and change-ups from ...
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In his highly anticipated sophomore recording, guitarist/composer Jesse Lewis explores new sonic possibilities and blends different genres effortlessly. Lewis is an active contributor to NYC’s creative music scene and has been an established member of the jazz community for many years. He has worked with jazz luminaries such as Ellis Marsalis, Nicholas Payton, Chris Potter, and Mark Turner. His new album, Atticus, is the culmination of his collective experiences, both musically and personally. Lewis is featured throughout the recording on a variety of instruments including several electric guitars, acoustic guitar, nylon string guitar and even baritone ukulele. On Atticus, the sounds of the artificial and the acoustic meld seamlessly and compliment each other in refreshing ways. The music grows and evolves organically, taking time to unfold and develop thematic material throughout. The compositions, while notably influenced by jazz, call equally upon myriad other influences. Like many of his generation, Lewis was a true “child of the 80’s,” and was influenced by the aesthetic of 80’s pop music- its simple melodic and harmonic ideas, the sounds of the synthesizers, and the reverb-laden drum machines. His early childhood also fostered a love for the music of his parent’s generation — The Beatles, James Taylor, Joni Mitchell, and Simon and Garfunkel. The influence of Lewis’ years in New Orleans can be heard through the deep, funk grooves on the recording. The rich, distorted guitar solos call to mind alternative rock bands like Nirvana, which he listened to as a teen. The most recent influences come from the electronic music of Squarepusher, Boards of Canada, and Clark. Electronic sounds and effects play a major role in each composition. Lewis also utilizes his background in classical music, using cello, flute, and clarinet. All of these genres and artists played an important role in his development as a composer and reveal themselves musically in Atticus. Atticus is a collaborative effort between Lewis and Joseph Davancens. They first met in 2002 while attending the Manhattan School of Music. Davancens, a jazz bassist, was also an avid songwriter and composer of electronic music. After hearing some of his demos, Lewis first had the idea to produce an album together. After graduation, however, the two musicians lost touch. A chance meeting in August of 2007 reignited the idea to collaborate on a recording. Thus, Atticus was born. The decision was to make an album with a true fusion of styles- an honest representation of each musician’s ...
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