| | Jaded Thorns Things My Father Taught Me CD Jaded Thorns Discography of CDs
Recording information: The Pickle Factory Studios, Medina, NY.
Photographer: Tom L. Smith.
Personnel: Brian Fesmire (vocals).
Audio Mixers: Brian Fesmire; Mark Hunt.
Things My Father Taught Me Music Jaded Thorns Things My Father Taught Me Songs | 1. | Remnants |
| 2. | 723 |
| 3. | Lie Awake |
| 4. | Things My Father Taught Me |
| 5. | Veil, The |
| 6. | What She Knows |
| 7. | High Above |
| 8. | Lost in a Moment |
| 9. | Heal Me |
| 10. | Dreams' Sweet Kiss |
| 11. | Drifting |
| 12. | Sometimes |
| 13. | Falling Down |
|
Things My Father Taught Me Review
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24 track retrospective, featuring 'Polk SaladAnnie', 'Roosevelt And Ira Lee', 'Rainy Night In Georgia','Save Your Sugar For Me', 'Groupy Girl' and more! Other 19:'Willie And Laura Mae Jones', 'Don't Steal My Love', 'Wichi-ta Lineman', 'Look Of Love', 'Woodpecker', 'Hard To Handle','What Does It Take (To Win Your Love)', 'My Friend', 'BoomBoom', 'For Le Ann', 'Old Man Willis', 'Woman With Soul','I Want You', 'I Thought I Knew You Well', 'Stud-Spider','Conjure Woman', 'Who's Making Love', 'Scratch My Back' and'Little Green Apples'. NOTE: Reissue of 1994 U.K. release.
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Digitally remastered by Bob Norberg & Rob Christie (Capitol Mastering).
It doesn't really matter if Glen Campbell was Jimmy Webb's best interpreter or if Webb gave Campbell his best songs -- in other words, it doesn't matter who helped the other more -- because it doesn't change the essential fact that the duo fit each other so naturally. Webb's intricate, idiosyncratic compositions sounded warm and accessible in Campbell's hands, while the songs revealed Campbell's musical range and ambition. Other singers had big hits with Webb's songs and Campbell made tremendous music with other people's songs, but there was something special about their collaboration that was evident on their big hits of the '60s: "By the Time I Get to Phoenix," "Wichita Lineman," "Galveston," "Where's the Playground, Suzie?." These songs provided the background for Reunion, the 1974 album where Campbell and Webb reunited for a set of Webb songs. Well, that's not exactly accurate, since Webb never produced or arranged the hits Campbell had in the '60s, and the record isn't entirely written by Webb, since it features Susan Webb's "About the Ocean" and Lowell George's "Roll Um Easy" (here retitled "Roll Me Easy"). So, this marks the first time that Webb arranged a full album of Campbell's, along with providing the majority of the songs, a move that in many ways made this closer to a Jimmy Webb record than a Glen Campbell LP. Certainly, it favored Webb's idiosyncrasies, particularly his elliptical songs with winding melodies and no straightforward songs. Not a song here outside of "Roll Me Easy" announces itself as a potential single (which very well may be why this tremendous song was added to the play list, particularly as the first single, since it might be the easiest way into the record for most listeners). Since most of the songs share a similar easy mid-tempo pace and have similar lushly interwoven arrangements, it's not necessarily the most accessible of Campbell's records; it doesn't set out to alienate, it's just that Webb's songs and arrangements call for close listening, which is precisely why it's an album beloved by Campbell/Webb connoisseurs. So, it's not entirely surprising that the record didn't make much of an impression, certainly nothing close to their big hits of the '60s, but rather that it's become a cult item, with some fans regarding it among Campbell's best work. And, in many ways, they're right. Reunion has a quiet power that grows with repeated listenings since it does indeed showcase Webb at his best as songwriter/arranger and Campbell as an interpretive singer. But this is very much a record for the dedicated, those that are already convinced of the strengths of both men, because it reveals its gifts slowly, and even when they're out in the open, the songs are so delicately, if exquisitely, crafted they're best appreciated by listeners with an eye for detail. Those listeners will surely find Reunion among Campbell's best work, and it is certainly ...
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After over a decade as one-third of Christian rock/rappers DC Talk, tobyMac accomplishes the difficult leap to solo artist status with MOMENTUM. It's a mix of, obviously, Christian rapping and contemporary R&B stylings with more creative approaches, such as the computerized voice rapping on "Toby's Mac." Mac is from the Washington suburbs in Viginia, immortalized in Funkadelic's "Chocolate City" as DC's "vanilla suburbs," so it's to his credit that he's adapted the rap format, not only to Christianity, but to white-boy Christianity.
TobyMac never lets up on his proselytizing, even during the funky, acoustic "Do You Know," in which he frets about how to put his message over. He needn't--with cuts such as "What's Goin' Down" and "Love ...
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Though testimonies of faith and questions of morality are still at the heart of Kirk Franklin's message, 2005's HERO represents something of a musical departure for the gospel superstar. Recorded with a full orchestra--complete with lush strings and driving horns--HERO is one of Franklin's most musically ambitious outings.
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