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Rachel Stevens, formerly of S Club 7, shines on her first solo release FUNKY DORY which includes the hit single, "Sweet Dreams My L.A. Ex."
First solo album from the singer of S Club, features 11 tracks. 2003. Funky Dory Review
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Purchase Funky Dory CD To buy, Click on price to add to cart | Rachel Stevens Come & Get It CD (2006)
Funky Dory album
 $23.29  
UK pressing. This 13-track album features a collection of Top 10 UK hits including 'Negotiate With Love', the defiant, breezily self-confident 'So Good' and smash hit 'Some Girls'. Come and Get It is brimming with an exciting and eclectic selection of songs. Working closely with a few of the UK's hottest talents including Richard X, Rob Davis, former S Club collaborators Jewels & Stone, and, in something of an Alisha's Attic reunion, both Karen and Shelley Poole, Rachel has made ...
| | Bon Jovi Circle CD (2009)
Funky Dory CD music
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Bon Jovi's 2007 effort, LOST HIGHWAY, found New Jersey's finest brandishing a Nashville-tinged, commercial rock/country crossover sound that wasn't too far a stretch from their usual arena rocking anthems for ...
| | Gary Myrick And The Figures CD (1980) Bonus Tracks
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| | Susan Boyle I Dreamed A Dream CD (2009)
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied.
There's no question that Susan Boyle's story is inspiring, but the same adjective can't quite apply to her debut, I Dreamed a Dream. This is almost a willful antonym of "inspiring" -- it is not stirring, rousing, or stimulating, it is sleepy, reserved, and placid, but is that a surprise? Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables -- the very song that lends this album its title -- and if she could become an international ...
| | Red Door: Scott Hamilton & Bucky Pizzarelli Remember Zoot Sims CD (1998)
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As of 1998, when this CD was released, Scott Hamilton had recorded over 30 albums as a leader for Concord. Although all are quite worthwhile, the swing tenor's consistency and unchanged style since the 1970s have resulted in a certain sameness and predictability to his recordings. This release, however, definitely stands apart from the crowd, for it is a set of tenor/guitar duets that Hamilton performs with Bucky Pizzarelli. A tribute to Zoot Sims (one of Hamilton's early influences), this is a very successful outing. Pizzarelli's mastery of the seven-string guitar allows him to play basslines behind solos, so one never misses the other instruments. Although the duo performs a variety of standards, there are also some lesser-known pieces among the highlights including the title cut, Al Cohn's "Two Funky People," the Sims/Cohn collaboration "Morning Fun," and the obscure "In the Middle of a Kiss." Both Hamilton and Pizzarelli sound inspired in this format, stretching themselves while always swinging. Pizz had recorded a duo album with Sims back in 1973, and Zoot also cut a full set with guitarist Joe Pass a couple ...
| | Texas Is The Reason Do You Know Who You Are? CD (1996)
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Commonly referred to as one of the standards for the emocore movement of the '90s, Texas Is the Reason's Do You Know Who You Are? -- which was the last thing said to John Lennon before he died -- is the bedrock to this New York City four-piece's short-lived career. Produced by the very talented J. Robbins, the vocal style of singer Garrett Klahn sounds something akin to Richard Marx doing indie rock. Whether that view is received with smiling nods or disapproving stares, the fact remains that Klahn's unique angle of nasally sung vocals was warm enough to draw one in, while not being overbearing to the point of annoyance. With a musical background in various hardcore acts, the guitars break between melodic beauty and low-end chugga-chugga while the drums drive along with blasting consistency and precision. Stark phrases about life's loneliness and the dissonance between friends and lovers create a lyrical atmosphere that invites tremendous one-liners and memorable songs. The title track shows Texas Is the Reason in an abyss of harmonic composure, providing a chance for the listener to catch his or her breath before plunging back into the melodic, enthusiastic rush of "Back and to the Left." While neither as harsh as many of their hardcore predecessors, nor as technical as their counterparts from Washington, D.C., nor as poppy as many of the emo bands to come after them, but instead taking a bit from each, Texas Is the Reason provided the indie rock scene with a combination of all the elements that it took to produce a quality indie rock record. For ...
| | Primus Miscellaneous Debris CD (1992)
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Primus spent nearly an entire year in support of their breakthrough SAILING THE SEAS OF CHEESE release, so to keep longtime fans satisfied, the trio issued the five-track EP MISCELLANEOUS DEBRIS ...
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| | Duke Pearson Right Touch CD (1967) (Import) Japan
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Duke Pearson rises to the challenge of writing for an all-star octet (with trumpeter Freddie Hubbard, trombonist Garnett Brown, altoist James Spaulding, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, bassist Gene Taylor, drummer Grady Tate, and the leader/pianist), contributing colorful frameworks and consistently challenging compositions. The set is full of diverse melodies (the CD reissue has a previously unissued take of "Los Malos Hombres") played by a variety of distinctive soloists; many of these songs deserve to be revived. This is one of the finest recordings of Duke Pearson's career. ~ Scott Yanow
Japanese-only reissue of what is considered to be one of the finest releases of Duke Pearson's respected career. Originally released on Blue Note in 1967, this release features Pearson backed by an all-star ...
| | Coluche President CD (2007) (Import)
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| | Hollies CD (2008) (Import) Bonus Tracks; Remastered
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| | Chris Foster Under The Covers CD (2009)
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This is a collection of some of my favorite cover songs in the Simply Acoustic format. John Lennon once said that the sign of a great song is if it can sound good with just a guitar. I took this to heart as I do all of my Simply Acoustic projects in recreating the basic beauty that these songs bring. Some of this music influenced and inspired me as a budding singer-songwriter. While some of the others I included because I simply enjoy them. I hope you find this collection enjoyable as well. Blessings and Thank You for listeningChris Foster 2009SONGS ORIGINAL ARTIST Rhythm ...
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