| | Eyvind Kang Virginal Co Ordinates CD Eyvind Kang Discography of CDs
Recorded live at the Angelica Festival, Bologna, Italy in 2000.
Personnel include: Eyvind Kang (violin); Michael White (violin); Johannes Platz (viola); Sebastiano Severi (cello); Stefan Zorzanello (flute, soprano saxophone); Ulrich Krieger (clarinet, alto saxophone); Maurizio Costanzo (oboe); Andrea Racheli (bassoon); Mario Gigliotti (trumpet); Evan Schiller (sound effects).
Recording information: Cinema Teatro Manzoni, Bologna, Italy (05/09/2000 - 05/12/2000).
Personnel includes: Eyvind Kang (violin); Mike Patton (vocals, electronics); The Playground Ensemble.
CMJ (p.30) - "While remaining gentle and peculiar throughout, CO ORDINATES' drones, pulses, ragas, microtones and modes are diverse and unpredictable, making a maximalist record with minimalist techniques." Virginal Co Ordinates Music Eyvind Kang Virginal Co Ordinates Songs Virginal Co Ordinates Review
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Purchase Virginal Co Ordinates CD To buy, Click on price to add to cart | John Zorn Electric Masada: 50th Birthday Celebration Vol. 4 CD (2004)
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$6.69 I was born June 21, 1984 in Rochester, NY. Shortly thereafter my family moved out west to Oregon. Hip-hop music captivated my attention from an early age. I still remember convincing my mom to buy me my first rap CD, Cypress Hill - Black Sunday, when I was in the fourth grade. Her only request was that I promised to not grow up to be a 'serial killer'. I have respected her wishes and haven't broken the promise to this day! Although I had been interested in rap music from an early age, I only really started to get going while I was in high school, always writing rhymes in the classroom, sketching down catchy phrases on the margins of my papers. Â After releasing two rough-around-the-edges demos, I tried shopping them around to several record labels on the west coast. Looking back on the demo I was pushing, the songs on it in all honesty were pretty weak. This being the case I didn't receive much attention from the labels that I had contacted. One record label out of San Diego however did see some potential in me and offered me a lot of interest. Although we never have done any major business together, he offered me a lot of great advice and helped to show me the ropes and explain aspects of the industry that I was oblivious to. Determined not to fail, I decided to take the game to the next level and put out my debut album independently. I was able to maintain a strong online presence, which was very beneficial for me, winning a 16 person online rap-battle tournament called "The Search for Soundclick's Illest" for a place on the Streetz.org compilation record. One of my battle tracks I recorded for the tourney got thousands of plays on the Soundclick website, eventually peaking at the #4 song on their charts. Throughout my entire freshman year at college at the U of Oregon I was hard at work writing and recording the tracks that would become my debut album "Underestimated". Â With a slew of talented producers from all around the country, I was able to release a compilation of my work that I am extremely proud of. Â My goal as an artist is to someday be a staple of northwest hip-hop and eventually make my name known in the broader scale of underground rap music, and also to evolve as much as I can as an artist. Â This album sets me apart from other underground artists because it is a full length album with NO FEATURES, something that is somewhat unheard of and difficult to accomplish. This album has helped me to register on a lot of people's radars throughout the Northwest, and has received many positive reviews. In 2003 I registered my company, Golden Mic Entertainment (GME), as an official business of Oregon. With Golden Mic Ent., I hope to get involved in many aspects of hip-hop and the music business. In the future I look to not only release several solo projects, but I would also like to distribute an Oregon Compilation album, evolve in promotional aspects, and eventually manage a small roster through GME and give hungry young artists the opportunities and knowledge that I wasn't so fortunate to be given. I am looking for a solid up-and-coming producer to be a part of the GME team (see contact info). I have been influenced by many ...
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