| | Eyvind Kang Virginal Co Ordinates CD Eyvind Kang Discography of CDs
Recorded live at the Angelica Festival, Bologna, Italy in 2000. Personnel include: Eyvind Kang (violin); Michael White (violin); Johannes Platz (viola); Sebastiano Severi (cello); Stefan Zorzanello (flute, soprano saxophone); Ulrich Krieger ... Full Description(clarinet, alto saxophone); Maurizio Costanzo (oboe); Andrea Racheli (bassoon); Mario Gigliotti (trumpet); Evan Schiller (sound effects).
Recording information: Cinema Teatro Manzoni, Bologna, Italy (05/09/2000 - 05/12/2000).
Personnel includes: Eyvind Kang (violin); Mike Patton (vocals, electronics); The Playground Ensemble.
CMJ (p.30) - "While remaining gentle and peculiar throughout, CO ORDINATES' drones, pulses, ragas, microtones and modes are diverse and unpredictable, making a maximalist record with minimalist techniques." Hide Description Virginal Co Ordinates Music Eyvind Kang Virginal Co Ordinates Songs Virginal Co Ordinates Review
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Purchase Virginal Co Ordinates CD To buy, Click on price to add to cart | John Zorn Electric Masada: 50th Birthday Celebration Vol. 4 CD (2004)
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Recorded during a string of concerts staged to commemorate John Zorn's 50th birthday, ELECTRIC MASADA captures the plugged-in variation of Zorn's acoustic, ...
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| | Spanish Fly Rags To Britches CD (1993)
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| | Lester Young Lester Swings CD (1999)
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This reissue features Lester Young performing with a variety of groups: Oscar Peterson's Quartet, MJQ's John Lewis, a ...
| | Captain Sky Concerned Party Number 1 CD (1994) (Import) Canada
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| | Larry Carlton No Substitutions: Live In Osaka CD (2001)
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| | Red Garland I Left My Heart... CD (1978)
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| | Stupendous Underestimated CD (2003)
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I was born June 21, 1984 in Rochester, NY. Shortly thereafter my family moved out west to Oregon. Hip-hop music captivated my attention from an early age. I still remember convincing my mom to buy me my first rap CD, Cypress Hill - Black Sunday, when I was in the fourth grade. Her only request was that I promised to not grow up to be a 'serial killer'. I have respected her wishes and haven't broken the promise to this day! Although I had been interested in rap music from an early age, I only really started to get going while I was in high school, always writing rhymes in the classroom, sketching down catchy phrases on the margins of my papers. Â After releasing two rough-around-the-edges demos, I tried shopping them around to several record labels on the west coast. Looking back on the demo I was pushing, the songs on it in all honesty were pretty weak. This being the case I didn't receive much attention from the labels that I had contacted. One record label out of San Diego however did see some potential in me and offered me a lot of interest. Although we never have done any major business together, he offered me a lot of great advice and helped to show me the ropes and explain aspects of the industry that I was oblivious to. Determined not to fail, I decided to take the game to the next level and put out my debut album independently. I was able to maintain a strong online presence, which was very beneficial for me, winning a 16 person online rap-battle tournament called "The Search for Soundclick's Illest" for a place on the Streetz.org compilation record. One of my battle tracks I recorded for the tourney got thousands of plays on the Soundclick website, eventually peaking at the #4 song on their charts. Throughout my entire freshman year at college at the U of Oregon I was hard at work writing and recording the tracks that would become my debut album "Underestimated". Â With a slew of talented producers from all around the country, I was able to release a compilation of my work that I am extremely proud of. Â My goal as an artist is to someday be a staple of northwest hip-hop and eventually make my name known in the broader scale of underground rap music, and also to evolve as much as I can as an artist. Â This album sets me apart from other underground artists because it is a full length album with NO FEATURES, something that is somewhat unheard of and difficult to accomplish. This album has helped me to register on a lot of people's radars throughout the Northwest, and has received many positive reviews. In 2003 I registered my company, Golden Mic Entertainment (GME), as an official business of Oregon. With Golden Mic Ent., I hope to get involved in many aspects of hip-hop and the music business. In the future I look to not only release several solo projects, but I would also like to distribute an Oregon Compilation album, evolve in promotional aspects, and eventually manage a small roster through GME and give hungry young artists the opportunities and knowledge that I wasn't so fortunate to be given. I am looking for ...
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| | Oasis Stop The Clocks CD (2006) (Import) England; United Kingdom
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Although long-players like DEFINITELY MAYBE and (WHAT'S THE STORY) MORNING GLORY? are certified Britpop classics, Oasis has always been a singles band, so 2006's two-disc best-of, STOP THE CLOCKS, was a welcome arrival. Oasis has never been touted for their groundbreaking originality, but it's precisely their retro-styled concoction of irrepressible hooks and alternately chiming and roaring guitars that makes their music so appealing. STOP THE CLOCKS drives that point home and then some.
Stretching from early gems like "Rock 'N' Roll Star" and "Live Forever" through latter period singles such as "Lyla," with the mega-hits ("Wonderwall") and B-sides sprinkled in along the way, the compilation serves to remind why the band was one of the most popular British acts of the '90s and beyond. Throughout, the towering wall of guitars, ...
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