| | Priez Pour Paix / Levasseur, Boucher CD Pray For Peace CDS
Bernard Levasseur,Baritone Jacques Boucher,Organ Priez Pour Paix / Levasseur, Boucher Music | Label | Eclectra | | All Time Sales Rank |  74519  | | CD Universe Part number | 6709709 | | Catalog number | 2062 | | Discs | 1 | | Release Date | Apr 06, 2004 | | Mono/Stereo | Stereo |
Priez Pour Paix / Levasseur, Boucher Review
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Priez Pour Paix / Levasseur, Boucher Songs | 1. Suite evocatrice, Op. 74: Excerpt(s) | | Common Name | Suite Evocatrice | | Composer | Charles Tournemire (1870 - 1939) | | Performer | Jacques Boucher (Organ - Casavant) | | Genre | Romantic Period / Suite | | Date Written | 1938 | | Period | Romantic | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 2. Priez pour paix | | Composer | Francis Poulenc (1899 - 1963) | | Performer | Bernard Levasseur (Baritone)
Jacques Boucher (Organ - Casavant) | | Genre | 20th Century Period / Melodie / Song | | Date Written | 1938 | | Period | 20th Century | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 3. Ave verum | | Composer | Pierre de Bréville (1861 - 1949) | | Performer | Bernard Levasseur (Baritone)
Jacques Boucher (Organ - Casavant) | | Genre | 20th Century Period / Motet | | Date Written | circa 1884 | | Period | 20th Century | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 4. Pie Jesu | | Composer | André Caplet (1878 - 1925) | | Performer | Bernard Levasseur (Baritone)
Jacques Boucher (Organ - Casavant) | | Genre | 20th Century Period / Song | | Date Written | 1919 | | Period | 20th Century | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 5. Priere | | Composer | Joseph Guy Ropartz (1864 - 1955) | | Performer | Jacques Boucher (Organ - Casavant) | | Genre | 20th Century Period | | Period | 20th Century | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 6. Pater noster | | Composer | Claude Delvincourt | | Performer | Bernard Levasseur (Baritone)
Jacques Boucher (Organ - Casavant) | | Genre | 20th Century Period | | Period | 20th Century | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 7. Prieres (3), Op. 65 | | Composer | Jean Langlais (1907 - 1991) | | Performer | Bernard Levasseur (Baritone)
Jacques Boucher (Organ - Casavant) | | Genre | 20th Century Period | | Period | 20th Century | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal | | 8. En priere | | Composer | Gabriel Fauré (1845 - 1924) | | Performer | Bernard Levasseur (Baritone)
Jacques Boucher (Organ - Casavant) | | Genre | Melodie / Romantic Period / Song | | Date Written | 1890 | | Period | Romantic | | Country | France | | Recording | Studio | | Venue | St. John the Baptist Church, Montréal |
Priez Pour Paix / Levasseur, Boucher Music Composers on Priez Pour Paix / Levasseur, Boucher CD : Pierre de Breville, Andre Caplet, Claude Delvincourt, Gabriel Faure, Jean Langlais, Francis Poulenc, Joseph Guy Ropartz, Charles Tournemire Genres on Priez Pour Paix / Levasseur, Boucher CD : 20th Century Period, Melodie, Motet, Romantic Period, Song, Suite Performers on Priez Pour Paix / Levasseur, Boucher CD : Jacques Boucher, Bernard Levasseur Purchase Priez Pour Paix / Levasseur, Boucher To buy, Click on price to add to cart | Richard Rodgers Victory At Sea CD (1992)
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In the 1930s and '40s, the great opera conductor Gino Marinuzzi conducted a number of notable 'Forza del destino' casts, yet this 1941 cast was surely one of the most successful. Marinuzzi possessed not only a brilliant sense of dramatic pacing but also a canny ability to tease out the best, vocally and dramatically, from his singers. The role of Leonora was entrusted to the leading Italian lyric-dramatic soprano the day, Maria Caniglia. Her rendition of "Pace, pace, mio Dio!" is ardent and convincing-finely turned but not too precious.
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The Composer The Irish harper Turlough O’Carolan (1670-1738) was well-known, highly respected and, in many circles, revered during his lifetime. He was one of the last practitioners of the great oral tradition in Ireland and bridged a musical gap between folk music and the art music of the Italian Baroque masters. Although the small gut-strung harp on the European continent was not considered a vehicle for serious study, its wire-strung counterpart in Ireland was the official instrument of musicians in the service of kings, chiefs, and influential families. This afforded the harper great prominence, particularly among the Gaelic nobility. Carolan’s beginnings, however, differed greatly from those who would later grant him fame. Turlough O’Carolan was born near the village of Nobber, County Meath in 1670. At the age of 14 his father moved the family to Ballyfarnon, County Roscommon to work for the McDermott Roe family of Alderford House. At the age of 18 Carolan lost his sight to smallpox and subsequently encountered difficulty finding work. Like many stricken with blindness at that time, he decided to become a harper and, with the help of his father’s employer, began a three year apprenticeship to study the instrument. Upon completion, Mrs. McDermott Roe supplied Carolan with a horse, a guide, and some money to begin his professional life. Thus began a musical journey which lasted more than 40 years and eventually earned Carolan the title, “National Composer of Ireland.” Interestingly, Carolan was not regarded as a master performer. It was upon the urging of one of his first patrons, George Reynolds of County Leitrim, that he attempted composition. Realizing that he had a gift for melody, Carolan spent the rest of his life successfully traveling to and from the big houses and castles of Ireland composing tunes, or “planxties,” for wealthy patrons. It is important to note that many of these compositions also contained words. In the Irish oral tradition, perpetuated by harpers who came before Carolan, the music was important but the poetry was paramount. In contrast to traditional practice however, Carolan would write the music first and then supply the words. Although much of the poetry has unfortunately been lost, over 200 of the bard’s melodies survive. The Seas are Deep offers a sampling of these timeless melodies arranged for two guitars, with several tracks augmented by double bass and bodhran. Running the gamut from the haunting to the beautiful to the celebratory, this album pays tribute to the music of Ireland’s last true bard. The Artists The classical guitar duo of David Pedrick and Jeremy Hutson was formed in 1998. Hailed as “master guitarists,” (The Capital) the Pedrick-Hutson Duo has given critically acclaimed performances throughout the United States. Recent highlights include the Steinway 150th Anniversary Concert Series, the Philadelphia Classical Guitar Society Festival, The Philadelphia Fringe Festival, The Lancaster Summer Arts Festival, concerts at the Delaware Center for the Performing Arts, The Maryland Hall for the Creative Arts, and the Johns Hopkins University Concert Series. Dedicated to both preserving the past ...
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