| | John Abercrombie Class Trip CD John Abercrombie Discography of CDs
Although atmosphere and ambience can take priority over compositional focus on some ECM releases, this is far from the case with CLASS TRIP. The product of guitarist John Abercrombie's collaboration with violinist Mark Feldman, bassist Marc ... Full DescriptionJohnson, and drummer Joey Baron (their follow-up to 2002's CAT 'N' MOUSE), CLASS TRIP is an exemplar of what ECM does best. This is spare, brilliantly conceived chamber jazz with the artists' superior improvisational skills--which draw equally on jazz, modern classical, avant-garde, and even pop idioms--on abundant display.
Abercrombie's delicate tone and light touch on the guitar belie a complex and challenging compositional sensibility. The leader's tunes push at structural conventions and notions of traditional interplay. Yet for all its experimental verve, the disc is highly melodic--the music is as dreamy and lilting as it is challenging (as on the lovely "Risky Business"). Nods to post-bop ("Illinoise"), electric fusion ("Swirls"), and classical music (a de-constructive take on Bartok's "Soldier's Song") reveal key influences, but the whole is remarkably--and satisfyingly--original.
Recorded at Avatar Studio, New York, New York in February 2003.
Personnel: John Abercrombie (guitar); Mark Feldman (violin); Marc Johnson (bass); Joey Baron (drums).
JazzTimes (p.132) - "[E]xpressive, expansive....Feldman acts like a portable string section, shading Abercrombie's solos with a quiet tremolo and giving the music a beautifully stylized, almost noir sound." Hide Description John Abercrombie Class Trip Songs Class Trip Review
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Purchase Class Trip CD To buy, Click on price to add to cart | Marilyn Crispell Storyteller CD (2004)
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$14.69 The delicate imbrication of parts lends these compositions the feel of fragile, shifting houses suspended in air. Motian's drumming is crucial to this aesthetic--light years beyond standard beat-keeping, his approach to time is all suggestion and evocative accent. Aside from the Hammerstein/Kern title track and a sweet, ethereal take on Thelonious Monk's "Dreamland," all the tunes were written by Motian, his rich imagination informed by classic jazz, post-bop, avant-garde, and ambient music alike. The silent partner here is producer Manfred Eicher, whose ear for warm, resonant tones and expansive atmospheres is the perfect match for the inventiveness, lyricism, and exquisite beauty of this session.
To put drummer Paul Motian, guitarist Bill Frisell, and saxophonist Joe Lovano in a room together is to court majesty and genius; even if the three were playing hackneyed standards half-asleep, the results would likely ...
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All tracks have been digitally mastered using HDCD technology.
Jim Brickman's wonderfully romantic compositions have touched many over the years, resulting in success in various genres. His recordings have charted in adult contemporary and smooth jazz formats as well as making inroads to country and pop playlists. He is a composer, performer, and pianist extraordinaire and has recorded with the likes of Martina McBride, Collin Raye and Kenny Loggins.
DESTINY has a bright feel and hopeful vibe. Brickman's formidable piano playing touches the soul, and he has once again aligned himself with the music's top names. "Rendezvous" is a perky number featuring Herb Alpert on trumpet. Solo piano ballads such as "Part Of My Heart," "Crossroads" and "Remembrance" are warm and tender, and Brickman's approach is simple yet expressive. Carly Simon joins Jim on "Hush Li'l Baby," another interpretation of the lullaby that provided her smash hit "Mockingbird." "Love Of ...
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