| | Soft Machine Live In Paris CD Soft Machine Discography of CDs
Those whose interest in British jazz-rock legend Soft Machine ceases at the point where drummer/singer Robert Wyatt left the band in 1971 stand to have their preconceptions shattered by this two-disc live recording of the band's subsequent phase. ... Full DescriptionOne of numerous revelatory live Soft Machine recordings released posthumously by Cuneiform Records, LIVE IN PARIS catches the group in transition. With John Marshall (former bandmate of UK free-jazzer Keith Tippett) replacing Wyatt, Soft Machine moved definitively away from rock trappings toward a jazzier, more cerebral approach that further accentuated the improvisatory abilities of keyboardist Mike Ratledge and saxman Elton Dean.
They prove themselves fully able to tackle the bulk of their landmark Wyatt-era album THIRD here. However, tracks that would appear shortly after this May '72 concert on FIFTH show the band flexing new muscles. Dean's post-Coltrane solos and Ratledge's trademark fuzz-organ lines bob and weave through tunes that show the quartet to be no slouches in the compositional department (of course Dean, Ratledge and bassist Hugh Hopper had already contributed mightily to the band's songbook before Wyatt left). Three of these tracks would never make it to the studio, as this mighty lineup would splinter before FIFTH was even released, making LIVE IN PARIS all the more special.
Soft Machine: Elton Dean (alto saxophone, electric piano); Mike Ratledge (electric piano, organ); Hugh Hopper (bass guitar); John Marshall (drums).
Recording information: Paris, France (05/02/1972).
The Wire (p.60) - "The sound of the recording is clear, if not atmospheric, and the drums sound great..."
JazzTimes (p.96) - "Dean's buzzing, terse saxello and soprano saxophone parts are the primary element here. Hopper and Ratledge give the music its character with brooding, simple vamps from the former and unsettled, churning chords from the latter." Hide Description Soft Machine Live In Paris Songs Live In Paris Review
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Purchase Live In Paris CD To buy, Click on price to add to cart | Soft Machine BBC In Concert 1971 CD (2005)
Live In Paris album
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This is a live session recorded for the BBC at London's Paris Theatre on March 11th 1971. John Peel introduced the concert as being by "Soft Machine and Heavy Friends". This is a unique recording in that, for this BBC session, the band augmented and fragmented and performed with other great ...
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The first six songs on MAGICAL MYSTERY TOUR were the soundtrack to the Beatles' TV movie of the same name. The film was an experimental mess, but the experimental pop of the album included some of their most memorable productions. The soundtrack side was dominated by Paul McCartney pop tunes, including the bittersweet piano ballad "Fool On The Hill" and "Your Mother Should Know," an impossibly catchy bit of Vaudevillian pop. But it also featured George Harrison's mystical "Blue Jay Way" (about his house in Hollywood) and John Lennon's "I Am The Walrus," ...
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| | Cristina Bautista This Is The Team CD (2007)
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I was raised on pop music. I mean, let's just be honest - very few of us were given the Minutemen with our juiceboxes. But you start finding the other stuff over time - my family moved to Seattle and I integrated myself into a really cool local music community where no one genre necessarily dominated another. Or maybe the world gets bigger when you're a teenager. Some friends (who you may know from the late Racetrack and the still around Patience Please) and I formed a pop band with an unfortunate name when I was 14. When I wasn't allowed to change any settings on the amp I had to borrow for our first show, the pop band became a grungy, crunchy pop band. I fell in love with playing those kinds of songs. When the band ended (as they sometimes do), I began coming to terms with the concept of being a "solo artist." I went into the studio (Orbit Audio) a while later (there were, of course, assorted non-musical life happenings in the meantime - lackluster day-jobs, a premature trip through college, fucked up relationships and things like that) and recorded This is the Team with Joe Reineke (who's also worked on stuff for Pavement, Frank Black and School Yard Heroes) in charge of spaceship operations and Chris Thompson-Pratt (who did some severe rocking with Shook Ones) hitting drums like there was no tomorrow. I played everything else because I kind of had to. Not in a Billy Corgan way, but mostly in an, "I couldn't really find anyone else but I do know how my songs go," way. There are four songs on the EP. I think all of them are about being angry and disappointed but determined to hope. Some people think they're about loving people who don't love me back. Whatever works for you. The guitars are rather raunchy, which I like. (Which might be a little funny because I do frequently play solo and acoustic live. You should come see what that's like!) Some people say This is the Team reminds them of Liz Phair, others say Josie and the Pussycats (circa the movie with Rachel Leigh Cook and Tara Reid. But I think Letters to Cleo, or at least the girl from LTC, did the soundtrack?). Some people impress me by drawing parallels with non-female musical reference-points, like Ted Leo or Matthew Sweet or, "that one Jimmy Eat World song, you know?"Anyway, that was then and now I've gone away to LA for school and come back to Seattle where I am making my first full-length record with Phillip Peterson (who has done amazing work with Nada Surf, Kay Kay and His ...
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